Richard Baker (Designer: Us, Life, Premiere, more)
2024/10/11
再生時間： 59 分
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Richard Baker (Designer: Us, Life, Premiere, more)

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SOUL SURVIVOR
—
Just about every magazine Richard Baker worked for has died. Even one called Life.
Also dead: The Washington Post Magazine, Vibe, Premiere, and Parade. Another, Saveur, also died, but has recently been resurrected. And Us Magazine? A mere shadow of its former self.
Sadly, Baker’s career narrative is not that uncommon. (That’s why you’re listening to a podcast called Print Is Dead).
But Richard Baker is a survivor. He’s survived immigrating from Jamaica as a kid. He’s survived the sudden and premature loss of three influential and beloved mentors. And he survived a near-fatal medical emergency in the New York subway.
Yet, in the face of all that carnage, Richard Baker just keeps going. To this day, he’s living the magazine dream—“classic edition”—as a designer at a sturdy newsstand publication (Inc. magazine), in a brick-and-mortar office (7 World Trade Center), working with real people, and making something beautiful with ink and paper.
—
This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Freeport Press.

Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2024

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あらすじ・解説

SOUL SURVIVOR

—

Just about every magazine Richard Baker worked for has died. Even one called Life.

Also dead: The Washington Post Magazine, Vibe, Premiere, and Parade. Another, Saveur, also died, but has recently been resurrected. And Us Magazine? A mere shadow of its former self.

Sadly, Baker’s career narrative is not that uncommon. (That’s why you’re listening to a podcast called Print Is Dead).

But Richard Baker is a survivor. He’s survived immigrating from Jamaica as a kid. He’s survived the sudden and premature loss of three influential and beloved mentors. And he survived a near-fatal medical emergency in the New York subway.

Yet, in the face of all that carnage, Richard Baker just keeps going. To this day, he’s living the magazine dream—“classic edition”—as a designer at a sturdy newsstand publication (Inc. magazine), in a brick-and-mortar office (7 World Trade Center), working with real people, and making something beautiful with ink and paper.

—

This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Freeport Press.

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