• Sam Anderson

  • 2024/11/09
  • 再生時間: 53 分
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  • Sam Anderson is a master of the essay form whose work spans a huge range of human experience and culture.

    As a staff writer for The New York Times Magazine, Sam has interviewed and written about Weird Al Yankovic, writer John McPhee, NBA point guard Russell Westbrook, travel guru Rick Steves, Japanese novelist Haruki Murakami and the people trying to rescue Michaelanelo’s David sculpture from ruin. He has spent time with the last two white rhinos on Earth and visited the bat volcano in Calakmul, Mexico. And he wrote a book, Boom Town, about Oklahoma City which is both a profile of one Midwestern municipality and a meditation on the dueling forces of rapacious development and “place making” that are at war in every American city, including Beacon.

    In each of his projects, Sam brings a trademark personal touch, situating himself in relation to his subjects with a disarming vulnerability. He weaves in his anxiety, depression, his body image, feelings of loss and fear of death through introspective asides that illuminate rather than upstage his subjects.

    In our interview, Sam talks about his early ambition to be a writer, his creative process, animals, aging, drawing, strategies for overcoming depression and much more.

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あらすじ・解説

Sam Anderson is a master of the essay form whose work spans a huge range of human experience and culture.

As a staff writer for The New York Times Magazine, Sam has interviewed and written about Weird Al Yankovic, writer John McPhee, NBA point guard Russell Westbrook, travel guru Rick Steves, Japanese novelist Haruki Murakami and the people trying to rescue Michaelanelo’s David sculpture from ruin. He has spent time with the last two white rhinos on Earth and visited the bat volcano in Calakmul, Mexico. And he wrote a book, Boom Town, about Oklahoma City which is both a profile of one Midwestern municipality and a meditation on the dueling forces of rapacious development and “place making” that are at war in every American city, including Beacon.

In each of his projects, Sam brings a trademark personal touch, situating himself in relation to his subjects with a disarming vulnerability. He weaves in his anxiety, depression, his body image, feelings of loss and fear of death through introspective asides that illuminate rather than upstage his subjects.

In our interview, Sam talks about his early ambition to be a writer, his creative process, animals, aging, drawing, strategies for overcoming depression and much more.

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