We've gone back to the 50s for the unbelievable flying squirrel himself, Varan -- and he deserves better than this movie! Corporate shenanigans and bad luck made a cheap made-for-TV serial movie become retrofitted for a theatrical release, resulting in a boring imitation of better kaiju films. The Good: Varan's costume made from peanut shells and vinyl hoses, and his many cute moments of hiding and flare-eating. The bad: Real-world racism in this film's presentation of indigenous people, and a lot of characters running back and forth through the woods.

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

"The fight for self-representation: Ainu imaginary, ethnicity and assimilation" by Marcos P. Centeno Martín from Alphaville: Journal of Film and Screen Media

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Wikizilla

This one's for the sad girlies! The Millennium era's Frankenstein-like reinvention of Mechagodzilla brings us the long-awaited BONES GODZILLA, as the original creature's corpse is resurrected as a cyborg known as Kiryu who cries blood and shoots an ice bubble. We get into whether this robot dinosaur is a haunted tragic figure or a redemptive heroic one, and the many conflicting themes of loss, self-loathing, the value of life, and ambiguous character ages. Plus, plenty of Evangelion and Megaguirus talk!

Cover Art by: Alo (Zketchart)

Instagram | Bluesky

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

Wikizilla

The Frankenstein Brothers are ready to rumble! In this sorta-kinda sequel to Frankenstein vs. Baragon and the final Japanese/American collab with UPA, gargantuan bros Sanda and Gaira -- one friendly and peace-loving, one violent and hungry -- have a battle to the death, but not before extensive sequences of military fights, people-eating, and a big musical number. We get into this film's underlying darkness, the troubles with lead Russ Tamblyn (of Twin Peaks!), and a strangely empty story for the human characters.

Cover Art by: Doug

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠Cover Art Gallery⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon

YouTube Compilation of UPA Version Differences

Wikizilla