Guest: Paul Humphreys, co-founder of Orchestral Manoeuvres in the Dark (OMD)

In this episode, I’m joined by Paul Humphreys of OMD to discuss the musical duo's return to U.S. stages in 2025, their recent standout performance at Cruel World Festival, and the continuing creative evolution of one of synth-pop’s most influential acts. Paul reflects on the critical and commercial success of Bauhaus Staircase, OMD’s politically conscious lyrics, the band’s hybrid analog-digital production setup, and his collaborative dynamic with Andy McCluskey.

We also talk about what it’s like to perform songs that span decades, how they decide who sings lead, and what newer material has struck a chord with modern audiences.

• 🎫 OMD Tour Info + Tickets

• 🎧 Stream Bauhaus Staircase

• 📸 Follow OMD on Instagram: @omdofficial

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Today, I’m joined by the legendary David J Haskins of the iconic post-punk bands Bauhaus and Love and Rockets. He’s here to talk about two powerful, intertwined new releases: a poetry collection titled Rhapsody, Threnody & Prayer and a companion album, The Mother Tree—his most personal work to date, created in tribute to his late mother.

We discuss memory, grief, creativity, his upcoming tour, other upcoming projects, and what’s next for Love and Rockets. I've had the pleasure of talking to David twice before, and he has always made for a captivating chat. This time proved no different.

So, enjoy the interview and stick around afterwards, when we’ll close with the epic title track from The Mother Tree.

David J Haskins new poetry book Rhapsody, Threnody & Prayer and album The Mother Tree drop June 6, via Fonograph Media and Erototox Decodings. You can pre-order at davidjhaskins.com.

Today, we’re talking with legendary drummer Dale Crover, best known for his work with The Melvins. Their unique blend of metal, punk, and experimental music helped shape the Grunge sound. In addition to The Melvins, Crover has worked with bands like Acid King, Altamont, Redd Kross, and most notably, Nirvana. Rolling Stone even named him the 69th greatest drummer of all time.

But Dale Crover is more than just a great rock drummer—he’s also a solo artist, and he’s just released his third solo album, GLOSSOLALIA, out now via Joyful Noise Recordings (click here to order). The album features contributions from Tom Waits, Kim Thayil of Soundgarden, Ty Segall, and others.

In this episode, I talk with Dale about the creative inspiration behind GLOSSOLALIA, how he assembled his impressive list of collaborators, how his songwriting process differs between solo work and The Melvins, his current Eurpoean tour opening for Redd Kross (click here for tickets), and what’s next for The Melvins.

So, stick around for the interview, and afterward, I’ll play 'I Quit', a track from his new album.

You can listen to the episode via the Spotify embed below, or pn your podcast platform of choice via the buttons at the bottom of the post.

On this week's episode, I interview Dave Trumfio, the songwriter and vocalist for synth-pop duo the Pulsars.

The Chicago-based Pulsars, which also featured Trumfio's brother and multi-instrumentalist Harry Trumfio, were one of the first bands to bring back an 80s retro sound on their 1997 self-titled debut album, years before the post-punk revival of the early 2000s, when bands like The Killers, Yeah Yeah Yeahs, and Interpol became indie music darlings.

Their debut album was chock full of New Wave gems like 'My Pet Robot', 'Silicon Teens' and 'Technology'. And while they received some initial success and high profile tours with artists like Oasis and Beck, the dissolution of their record company heralded the end of the band, and their album went out of print for nearly thirty years.

The Pulsars are rereleasing a remastered edition of this album on vinyl, CD and digital on September 13 via Tiny Global Productions. This is a treat for hardcore fans and should also appeal to electronic music fans unfamiliar with their work.

On today’s episode I speak to Trumfio about his memories of the band’s initial success and the Chicago alternative scene of the 1990’s, his work as a member of The Mekons and as an in-demand producer and studio musician for artists like The Jesus and Mary Chain, Liz Phair and Moving Units, why the band are finally reissuing their debut album, their upcoming tour, future releases, and much more.

And stick around afterwards, when I’ll be playing 'Technology', one of my favorite songs off their underrated 1997 gem of an album.

The Sisters of Mercy are one of the most iconic Goth groups of all time. Despite not releasing an album since 1990's 'Vision Thing,' they retain a devoted fanbase, as evidenced by the rapturous acclaim of their 2023 North American tour, which saw them play hits like 'This Corrosion' along with deep cuts, and new material. And now the band are preparing to return to the U.S. and Canada with a Fall 2024 tour.

On this week's episode I talk to band guitarist Ben Christo to discuss what fans can expect on the setlist, why the band are in no hurry to release a new album, the band's songwriting process (they continue to write songs, but only perform them live), their enduring appeal, and more.

So check out the episode, and visit the bands website https://www.the-sisters-of-mercy.com/ for tour dates and more.

Join us for a special episode as we delve into the legacy of musical icon Michael Hutchence, whose career with INXS skyrocketed in the 80s. Beloved for his mystique and distinctive vocals, Hutchence left a lasting impact on millions despite his untimely passing in 1997. Now, producer Danny Saber (U2, Madonna, David Bowie) brings Hutchence's unfinished demos to life with the release of 'One Way' b/w 'Save My Life,' a 10-inch picture disk out August 9 via Boss Sonics and Deko Entertainment. Saber meticulously reconstructed these tracks from loose demos the two recorded together just prior to his death. In this episode, I interview Saber to discuss the journey of 'One Way,' the nearly three-decade wait for its release, Hutchence's enduring appeal, future releases of more unearthed Hutchence material, and Saber's favorite memories of working with the legendary singer. And stick around afterwards when I'll be playing the new single.

Just in time for spooky season, Jack Sommerby and I list our picks of the 17 best horror films of all time, from the most iconic to to the slightly obscure. We're covering slashers, body-horror, sci-fi horror and more. So take a listen and see if you agree with our choices, and tell us your favorites in the comments.

Prong are an eternally underrated metal act, but their fervent underground following has fueled them since forming in NYC in 1986.

Over 13 albums and revolving lineups, frontman/guitarist Tommy Victor has unleashed his patented brand of working class angst on classic tracks like 'Prove You Wrong', 'For Dear Life', 'Whose Fist Is This Anyway', and their best-known hit, 'Snap Your Fingers, Snap Your Neck' off 1994's 'Cleansing'.

In addition to that body of work, he pulls double duty as the guitarist for Danzig, and has also lent his talents to the likes of Rob Zombie, Ministry and Teenage Time Killers.

Prong are back with their 13th album, 'State of Emergency' (click here for my review), out now on Steamhammer SPV Recrds, and on today’s episode I talk to Tommy about the new album, from its songwriting genesis to recording on his home turf of NYC, the inspiration behind key tracks, covering Rush's 'Working Man', fatherhood, plans for touring, his tenure with Danzig, the band’s legacy and more.

So take a listen to the episode via the embed above or on your podcast platform of choice (located at the bottom of this post) and stick around afterwards where I’ll be playing the single 'Non Existence', my favorite tune off the new album.