Spoilerpiece Theatre

著者: Evan Crean Megan Kearns and David Riedel
  • サマリー

  • Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
    Copyright CJR Productions 2022
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あらすじ・解説

Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
Copyright CJR Productions 2022
エピソード
  • Episode #561: "Drop" and "Sacramento"
    2025/04/11

    Unfortunately, Dave can't make it this week (we miss you), but we (Evan and Megan) carry on in his stead. First we cover Michael Angarano's dramedy SACREMENTO (2:14), where a free-spirited guy (Angarano) cons his anxiety-ridden best friend (Michael Cera) into taking a road trip to, you guessed it, Sacramento. The movie, which co-stars the vastly underused Maya Erskine and Kristen Stewart, has the occasional poignant moment or funny line but is too scattershot for our taste. Next, we review Christopher Landon's thriller DROP (23:02), which stars Meghann Fahy as a widowed, domestic abuse survivor and mother who is terrorized by anonymous threatening messages on her first date in years. We really dig its central mystery, lead performance, intense atmosphere, and sharp commentary on abuse. And in this week's Patreon exclusive audio, we talk about Martha Coolidge's 1985 comedy REAL GENIUS in honor of the late Val Kilmer!

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    59 分
  • Episode 560: "Gazer" and "Freaky Tales"
    2025/04/04

    This week Evan and Megan watched (and Dave partly watched) the micro budget thriller GAZER (2:22), directed by Ryan J. Sloan, and written by Sloan and star Ariella Mastroianni. Frankie (Mastroianni) has dyschronometria, a neurological condition where an individual struggles to perceive and track the duration of time. So when Frankie accepts a high-risk job for a decent chunk of money, it’s safe to say things don’t work out like she expects. Then everyone watched FREAKY TALES (21:20), one movie made up of four sci-fi/action/martial arts anthology bloodfests that features lots of characters killing neo Nazis. Oh, and it takes place in 1987, which makes everyone (especially Evan) very happy. And we're all extremely happy that it has a whole lot of Pedro Pascal. Over on Patreon, we watched PRINCESS MONONOKE in honor of its 4K restoration.

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    1 時間
  • Episode 559: "The Penguin Lessons" and "Bob Trevino Likes It"
    2025/03/28

    Sometimes we accidentally stumble into a theme at Spoilerpiece, and this week's theme is movies that make us dissolve into choking sobs. First, Megan and Dave weigh in on THE PENGUIN LESSONS, a movie that should be slight; a high school English teacher in politically fraught 1972 Argentina (Steve Coogan) rescues a pengiun and then everyone learns something. Megan and Dave agree: This movie should not work. It should be treacly and stupid...but it made us weep. Legit tears, not tears cheaply jerked from us. Kudos to Coogan for navigating the screenplay's potential pitfalls - he is excellent - and director Peter Cattaneo for laying off the sentiment. Next, Evan joins Megan and Dave to dicuss BOB TREVINO LIKES IT, featuring superb turns by Barbie Ferreira and John Leguizmo as two lonely people who strike up an unlikely and deep friendship that helps shepherd them through emotional trauma. This movie made us sob real tears. (Again, not jerked, but earned.) And then over on Patreon our Women's History Month poll winner is the disaster that is ANGIE, directed by Martha Coolidge and starring Geena Davis; this movie is head-scratchingly bad.

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    53 分

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