In this episode of The Great Music Debate, David puts forward his case that, after a strong start to the decade, music in the 1990s after 1994 went down the pan.

Will Adam and Luke agree with this or will they tear it to pieces?

In this episode, Adam brings forward the case and the panel explore what it means for artists to 'sell out'; the most notorious examples of selling out; and, ultimately, decide whether fans should hold it against them for doing so.

Yes, this was a real debate...

Luke puts forward this case whilst Adam and David test its basis and discuss if it could be possible, by design or otherwise, that track 7 is the best track on any album, generally speaking.

This week, the panel discuss the critically acclaimed debut albums that are widely regarded as the 'best' as well as exploring criteria for choosing one over all the others.

David makes a case for 'Is This It?' by The Strokes to be considered the debut above all debuts but will Adam and Luke agree?

In this episode. Luke brings a comprehensive case forward that describes (in detail) why he believes The Smiths are the greatest band of all time. But can he convince Adam and David. And perhaps more importantly, can he convince you?

Bohemian Rhapsody was critically acclaimed. Rami Malek won the Oscar for Best Actor and yet every music biopic is awful? Can this be the case? Well it's the case brought forward by Adam this week. 

Will the other panellists agree with him?

In this episode, David puts forward the case for Kinky Afro by The Happy Mondays as having the greatest first line in music.

"Son, I'm 30, I only went with your mother cos she's dirty."

But can he convince the others? And which outstanding 'first lines' is he dismissing to make such a bold claim?

In this episode, Luke faces the seemingly uphill task of convincing the other two panellists that Taylor Swift's 1989 is the best album of the 2010’s.

Can he do so? Or will he be ridiculed off the pod?