Before we wrap season 9, I’m happy to announce Creative Maintenance with Laura Harvey, a new mini-series I’ve produced. Laura is a ridiculously talented British-Chinese photographer based in Vancouver who deeply cares about community.

Creative Maintenance is a series about just that: highlighting how, as working creatives, we vitally need a sense of community. The format of the show is we take anonymous submissions from our peers about times in which they felt undervalued, where projects they’ve put so much of themselves into never saw the light of day. Together, we chat about these submissions, along with a guest for each episode, all to show how so many of the problems we face at work are more universal than we think.

The first episode will be out on Monday, June 9th. Be sure to follow Laura over on Instagram at laurahphoto and to visit her website to learn more about her and her work (Intro song is Cassette Player by Rebecca Mardal - from Epidemic Sound)

The dancefloor is a sacred place, and no one knows this better than Pierre Kwenders. The Congolese-Canadian artist has made a name for himself by being a daring creative who isn’t afraid to dig deep to make you move. A few years back, he was awarded the prestigious Polaris Music Prize for his project, José Louis and the Paradox of Love, a wildly ambitious album where Pierre sings in multiple languages (Lingala, Tshiluba, and Kikongo to name a few) and fuses various genres to create something completely new. His latest offering is still ambitious but in a much more intimate context; it’s an EP titled Tears on the Dancefloor.

This new body of work explores how unique dance music is and the spaces in which it’s celebrated. How to dance amongst strangers is innately an intimate and vulnerable thing to do, and in essence, is you seeking connection amongst others. It’s a strikingly emotional collection of bangers, and together Pierre and I chat about the qualities that makes dance music uniquely special.

It feels safe to say that there isn’t another music genre more in consistent flux than R&B. It’s a genre whose fans demand authenticity, a respect towards its forefathers, and evolution all at the same time. Where practitioners of other genres might get away with exercising old tricks here and there, R&B fans simply don’t allow for that. Burundian-Australian artist Beckah Amani has a perfect understanding of all this, with her debut album ‘this is how I remember it’ being the shining example. What Beckah has achieved on her album is showing why she’s an artist who’s here to stay, with a clear passion for storytelling and setting the perfect mood for listeners to pour themselves into her art.

On this bonus episode of the podcast, we go into Beckah’s story, how the album came to be, and how she’s gone on to attract the attention of music giants like Coldplay and Jorja Smith.