This week we are babbling about a film that needs no introduction.

Which, in a way, is an introduction in itself. But what of it? What do you want from us? Consistency? Clarity? If so, maybe this isn’t the podcast for you… Or is it?

Anyway, rambling philosophical questions aside, The Terminator was created (stolen?) in 1984 by a pre-Smurf obsessed little Jimmy Cameron, and features buns of all kinds: Mr Big Buns (obvs), and the two naked tight-tight buns of our post-lightning alley heroes, Arnold and Michael. Oh and skulls. Endless skulls. And even more skulls.

Basically, a stinking ‘borg (in the form of the actual president of the USA) has been tasked by a bunch of toasters to murderise the mum of a freedom fighter to protect a future that’s dominated by white goods, whose only use for humans is either to die, or make sure the future robots are shiny and clean. Or something like that.

But, as is tradition, we get distracted by how atrocious GDPR was in the past, the similarity of surgeons to serial killers and just why machines don’t like microwaves or lie detectors. So join us, as we celebrate the twilight of humanity and exterminate the Terminator!

Episode Five of Time Babble Series Four is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

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(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

Episode latest the to welcome and hello.

This week we’re babbling about the extraordinary Happy End (1967), a deliriously wonderful film, directed by Oldřich Lipský. It’s a delight from end to beginning, as we explore one man's journey from death/birth to birth/death.

Mostly dismissed as a throwaway piece of lightweight fluff on release, the film now stands shoulder to shoulder with its more arty brothers and sisters as an equally incredible example of the breadth of films that Czech cinema was producing at that time.

While not strictly a time travel film as such, Happy End more than generally messes about with the concept of time, as we follow hapless psychopath Mensik, from from the guillotine to the crib. Murdered brides are reanimated, food is stolen from a hippo's mouth, there’s more geese that we could count, and an uncomfortable amount of chewing.

It’s also the ultimate example of the unreliable narrator, as what we see, what Mensik actually does, and how he describes it, are quite often at polar opposites. Delightfully inventive and funny, it’s also a surprisingly uncomfortable watch, very much exploring the darker side of dark comedy…

Episode Four of Time Babble Series Four is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

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(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

This week we’re babbling about I’ll Never Forget You (1951).

The film is a curious mix of sci-fi, noir and costume drama and was directed by Roy Ward Baker of Hammer and Amicus fame. It stars TYRONE POWER (possibly the best name on planet earth) as a man out of time, forever longing to go back and hang out with his ancestors during the ‘Age of Reason’.

And so with a flash of lightning, back to a glorious technicolour 18th Century we go. Although it’s not quite as witty and intellectual as TYRONE POWER had hoped for, as Tom, (his friendly, foppish, inebriate guide to this new world), shows him around the mud-coated Hogarth-esque squalor of the back streets of London, full of poverty, gambling and bedlam!

TYRONE POWER thinks he has read all the diaries, and done all the research. However when an unknown chinless beauty walks through the door, everything he thinks he knows is now not known, and the future/past he thought he knew, is more unknowable than when he knew what he used to know…

Join us, as we discover that being American is pretty much the same as being in league with the devil, knowing things that are just about to happen is the worst way to make friends, and olden times police investigations are thorough, but not in the way you might expect.

Thankfully, listening to Time Babble isn’t against the law yet (even if it should be), although prepare for people to accuse you of Witchcraft if they do catch you listening to us.

Episode Three of Time Babble Series Four is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

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(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

This week we’re babbling about Terror at London Bridge (1985). The film is also known by the ever so slightly better title of Bridge Across Time and was originally a TV movie directed by the unfeasibly named Egbert Warnderink Swackhamer Jr!

The film stars the legend that is David ‘The Hoff’ Hasslehoff as a troubled cop, trying to forget a traumatic incident from his past. Specifically, a rogue incident with a can opener and a tin of beans. Now based at the relocated London Bridge in Arizona, he stumbles upon an ‘almost enough to have you institutionalised’ theory that Jack the Ripper is somehow back from the dead and up to his old tricks, through some entirely unconvincing ‘reasons’.

The film also stars genre veteran Adrienne Barbeau, alongside Stepfanie Kramer as The Hoff’s wildly inappropriate workplace-stalky-romantic interest.

To offset the endless scenery chewing, we enjoy innocent school kids pointing at bodies floating in a river, a library that seems more interested in trying to get you to go to the cinema, film extras that seem to have lost even the ability to walk naturally and you’ll also find out why the House of Horrors is only named so on the inside of the building..? And to add insult to injury (yes, it’s that kind of film) an indifferent The Hoff is also treated to a romantic meal, and no, it’s not even Mac ‘n’ Cheese!

So join us dear Babbler, as we venture trepidatiously to London Village, to see what the flip is going on.

Episode Two of Time Babble Series Four is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

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(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

Welcome one & all, to Time Babble Series Four!

To kick start this new series we invite you to join us in our attempt to change the course of world history. And when ‘we’ say ‘us’ we mean the protagonists of our ’their’ film…

This week we are babbling about LOLA (2022), which was made when the world was still in lockdown, and the great plague was rife.

The film was directed by Andrew Legge, and stars Emma Appleton alongside Stefanie Martini as two orphaned sisters who invent a magic machine that can see into the future. Well, that is anything that has been broadcast via radio or the telly box.

All goes well at first: grooving to Bowie, digging Dylan and watching the occasional moon landing (which definitely happened, just ask Mr Kubrick and the Spice Girls).

Until… footage of those pesky Nazis starts to appear.

LOLA is a great example of the found footage genre done remarkably well. So well in fact you can’t see most of the joins. Is that really Mr Hitler meeting our sisters? Yes. Yes it is.

So take a massive piss, blow up your Nazi Whores balloons, put on your marching boots and dance to a very different (but very regular) beat.

The first episode of Time Babble Series Four is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

Hey groovy cats! Strap on your time belts and join us for the final episode of Series Three. Do we have a treat for you!

Well, when we say treat, we really mean: here is a film that no one can quite remember. And that film is Dimension 5 (1966), ‘directed’ by Frank Adreon and starring ‘old blue eyes’ himself, Jeffrey Hunter. The film was part of a series of made-for-television features, although some of them did sneak into cinemas.

Our film features not-lifts, copy-cat corridors and art galleries hiding spy headquarters. Spy headquarters, of course, with well stocked bars. Perfect for inventing, leering, drinking, and torturing your enemies.

We travel, via Pan Am (obvs) to many exotic locations, most of which (all) are situated just outside the film studio. The film features agents, double agents, not not not agents, bomb owls, a traffic jam, Genghis!, truculent waiters, booze and bikini shops, and much, much more…

There is no way you’ll want to miss this thrilling episode! It starts with fireworks, and goes downhill from there.

Time Babble Series Three, Episode Thirteen, is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

This week we have a special bonus episode for all you Babblers, as we venture nervously out into what is regularly described as the ‘real world’, for a live time travel theatre experience at the Leeds Playhouse. The Time Machine (2023) is a three person play, created by the Original Theatre company, starring George Kemp as George, Amy Revelle as Amy, and Michael Dylan as Michael. Clever stuff.

ENJOY the palpable sense of FEAR of your hosts as they experience live theatre! LISTEN to them cower in DREAD from the realities of matinee audiences! FEEL their DEEP DISCOMFORT as audience participation starts to happen! And keeps on happening. And keeps on happening.

That’s not to say we didn’t have a lovely time to bring you, dear listener, some dispatches from the front: including under-utilised clocks, over-utilised panto, and lone-sweeping, pie-eating stagehands.

Time Babble Series Three, Episode Twelve, is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)

Clasp/cuddle lovingly your existential fear and dread tightly to your chest, and join us, as we explore one of the greatest films ever made: Wild Strawberries (1957), written and directed by Ingmar Bergman. The film stars many of Bergman regulars; Bibi Andersson, Gunnar Björnstrand, Ingrid Thulin, a small yet memorable cameo from Ming von Sydow, and Clive Dunn.

The film follows Isak Borg (masterfully played by Victor Sjöström) over 24 hours, as he journeys to receive an honorary degree. On the way Isak (almost definitely) travels back in time, to rediscover what it means to be alive and accept the inevitable journey to the next realm. That’s right dear listener - it’s fun fun fun all the way!

On the road to enlightenment (or rather, drifting off into our own existential Christmas Carol), we discuss the real influences on Stanley Kubrick’s career, discover the history of smiles, peek longingly at Zarkov shorts, and mistake strawberries for plums.

Intrigued? You should be. Time Babble dares to go to the corners of cinema that other podcasts cower in fear of…

Time Babble Series Three, Episode Eleven, is waiting for you now on Podbean, Spotify, Amazon Music, Apple Podcasts and other good podcast services.

If you can’t find it on your usual streaming service, please write in to the usual address.

For updates & more time-based babbling follow us on Instagram and Twitter.

(All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use’ for the purposes of comment or critique.)