• University of Michigan Press Podcast

  • 著者： New Books Network
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University of Michigan Press Podcast

著者： New Books Network
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  • Interviews with authors of University of Michigan Press books.
    New Books Network
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あらすじ・解説

Interviews with authors of University of Michigan Press books.
New Books Network
アート 世界 文学史・文学批評
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エピソード
  • Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)

    Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
    2024/10/25
    Every year a relatively small number of canonic operas are produced around the world. Many companies shy away from new works, afraid of alienating a predominantly white, older, wealthy audience who are comfortable with operatic traditions. But opera can also be a site of incredible innovation. Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age (University of Michigan Press, 2024) by Megan Steigerwald Ille examines one of the most disruptive opera companies in the United States. The Los Angeles-based company, The Industry, wants to make opera for everyone by breaking down hierarchies, undermining the expectations of both audiences and performers, and confronting how opera is part of harmful systems of exclusion and marginalization. Rather than simply analyzing some operas and interviewing a handful of key players in the company, Steigerwald Ille spent years observing rehearsals and interviewing many of the participants in the Industry’s productions. Focusing on the period between 2012 and 2020, her ethnographic work yields a thorough and nuanced analysis of the company and its operas and the many ways they challenge the conventions of Western classical music. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 分
  • Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)

    Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)
    2024/08/30
    Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means. Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 8 分
  • Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)

    Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)
    2024/06/02
    In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 8 分

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