Let´s continue listening to Sheila, this time her observations on how Brazilians and Europeans relate to Forró and her personal project Mulher que Dança.

*This podcast is part of a master's thesis academic project and is protected under the provisions of the 60a Copyright Act. The citations and usage of songs are regulated under 51 UrhG. Rest assured. There is no commercial intention behind this endeavor.

Sheila shared with us her experience on tour around Europe and new insights from the community and organization here while working close with them.

*This podcast is part of a master's thesis academic project and is protected under the provisions of the 60a Copyright Act. The citations and usage of songs are regulated under 51 UrhG. Rest assured. There is no commercial intention behind this endeavor.

In this episode, we talked to Chris, a German forrózeiro who loves exploring his creativity in Forró.

*This podcast is part of a master's thesis academic project and is protected under the provisions of the 60a Copyright Act. The citations and usage of songs are regulated under 51 UrhG. Rest assured. There is no commercial intention behind this endeavor.

Songs used in this episode:

Nikolas Krassik, Cordestinos, Nikolas Krassik e Cordestinos, 2008 Oswaldinho, Triunfando, Forró no Atacado, 1991

In this episode, Julia Antunes and I shared our experiences in Germany in the Forró community.

*This podcast is part of a master's thesis academic project and is protected under the provisions of the 60a Copyright Act. The citations and usage of songs are regulated under 51 UrhG. Rest assured. There is no commercial intention behind this endeavor.

Songs used in this episode:

Nikolas Krassik, Cordestinos, Nikolas Krassik e Cordestinos, 2008 Nikolas Krassik, Triunfando, Nikolas Krassik e Cordestinos, 2008

Do you know what it is Forró?

In this episode, I will immerse you in the Forró world.

*This podcast is part of a master's thesis academic project and is protected under the provisions of the 60a Copyright Act. The citations and usage of songs are regulated under 51 UrhG. Rest assured. There is no commercial intention behind this endeavor.