• Witch Hunt - history told in music, sound, and story

  • 著者: Brian O'Connell
  • ポッドキャスト

Witch Hunt - history told in music, sound, and story

著者: Brian O'Connell
  • サマリー

  • The history of the 1692 Salem Witch Trials told through music and story-telling in a format recalling an old time radio drama with a modern experimental prog-rock twist. Witch Hunt borrows freely from original sources of information from the time of the trials such as letters, books, poems, transcriptions of the trials themselves, as well as melodies from the Puritan hymn books. The music is highly original art-rock ranging from soft ambient soundscapes to heavy power riffs with many other stops along the way. The narrator provides a story teller voice that weaves a historical thread throughout each episode. Witch Hunt is conceived, written, and produced by Brian O'Connell, who records and produces the show, playing a wide variety of instruments and voice parts. O'Connell is a well known bassist and composer in New England who has performed with: Arukah, Dead Man's Waltz, Uncle Sammy, Gordon Stone, Gary Backstrom, Dave Brunyak, Interminable, and many others. In 2012 Brian debuted his rock opera Over The Line, a Jungian journey through modern consciousness, for a successful series of performances in Boston. Brian O'Connell - voice, 6 and 12 string guitars, fretted and fretless bass, upright bass, touch guitar, sintir, keyboards, moog synth, percussion Mike Harmon - drums, cymbals, percussion Rachel Koppelman - accordion www.brianvoconnell.com
    © 2024 Witch Hunt - history told in music, sound, and story
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あらすじ・解説

The history of the 1692 Salem Witch Trials told through music and story-telling in a format recalling an old time radio drama with a modern experimental prog-rock twist. Witch Hunt borrows freely from original sources of information from the time of the trials such as letters, books, poems, transcriptions of the trials themselves, as well as melodies from the Puritan hymn books. The music is highly original art-rock ranging from soft ambient soundscapes to heavy power riffs with many other stops along the way. The narrator provides a story teller voice that weaves a historical thread throughout each episode. Witch Hunt is conceived, written, and produced by Brian O'Connell, who records and produces the show, playing a wide variety of instruments and voice parts. O'Connell is a well known bassist and composer in New England who has performed with: Arukah, Dead Man's Waltz, Uncle Sammy, Gordon Stone, Gary Backstrom, Dave Brunyak, Interminable, and many others. In 2012 Brian debuted his rock opera Over The Line, a Jungian journey through modern consciousness, for a successful series of performances in Boston. Brian O'Connell - voice, 6 and 12 string guitars, fretted and fretless bass, upright bass, touch guitar, sintir, keyboards, moog synth, percussion Mike Harmon - drums, cymbals, percussion Rachel Koppelman - accordion www.brianvoconnell.com
© 2024 Witch Hunt - history told in music, sound, and story
エピソード
  • Episode 6 - A Gospel Woman
    2024/10/31

    https://www.patreon.com/Witch_Hunt

    This episode tells the story of Martha Corey, the fourth person accused of witchcraft. She was the wife of Giles Corey who is famously known for being crushed under a door while asking for “more weight”. The accusations against Martha marked the beginning of a dramatic escalation of the hysteria. The first three women accused of witchcraft in the Essex County hysteria of 1692 were on the very bottom of the social hierarchy and essentially “the usual suspects”. Martha Corey however was higher up the ladder, as she was a full member of the church who made it a point to let everyone know of her piousness and faith. However, she also had a well-known past of controversy, having given birth to a mixed race child who she had to raise at a boarding house for ten years. Martha proved to be defiant towards her interrogation and stood her ground, despite knowing that the odds were stacked against her. Her husband Giles turned on her and submitted a statement to the court saying he suspected her of witchcraft.

    Many portions of this episode including all of the dialog are taken directly from the original written statements and court transcriptions of the time.

    Special thanks to Rachel Koppelman for voices of Martha Corey, Abigail Williams, Bethsaa Pope, and others.

    All music written, arranged, and recorded by Brian O'Connell except “Psalm 39, Martyr's Tune" adapted from the Bay Psalm Book, 1698.

    Episode 6 Parts:

    Part I - Gospel Women
    Part II - “Psalm 39, Martyr's Tune"
    Part III - The Boston Jail & Martha’s Story
    Part IV - A visit to the accused
    Part V - Disruptions at service
    Part VI - The examination of Martha Corey
    Part VII – Statement of Giles Corey

    Brian O'Connell - narration, acoustic 12-string guitar, electric upright bass, recorder, glockenspiel

    Rachel Koppelman - narration

    Recorded at Studio Vinniechops

    https://www.patreon.com/Witch_Hunt

    Sources

    “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002

    University of Virginia Salem Witch Trial Documentary Archive and Transcription Project - https://salem.lib.virginia.edu/home.html

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    32 分
  • Episode 5 - Examinations
    2023/10/30

    https://www.patreon.com/Witch_Hunt

    The three suspected witches are now in custody in Salem Village and are publicly examined by colonial magistrates at the Meeting House. The first two suspects, local beggar woman Sarah Good and the scandalous but frail Sarah Osborn, deny being witches and blame others. The third suspect, Rev. Parris' Native American slave Tituba, begins like the others by denying the charges. However she soon changes her story and weaves a kaleidoscopic narrative full of fantastic characters that enthralls the village. Everyone is amazed with wonder but also struck with fear at the potential size of the witch conspiracy, which now seems much larger than the usual small handful of suspects that New Englanders are used to.

    The actual 1692 written accounts of these three examinations are used as the primary source for the script of this episode.

    All music written by Brian O'Connell - www.brianvoconnell.com

    Episode 5 Parts:

    Part I - Gathering Storm
    Part II - Witches Teats, Magistrates Arrive, Meeting House
    Part III - Examination of Sarah Good
    Part IV - Examination of Sarah Osborn
    Part V - Examination of Sarah Tituba
    Part VI - The Familiars
    Part VII - The storm begins to spread (Gathering Storm Reprise)

    Brian O'Connell - voice, guitar, 12-string acoustic guitar, bass guitar, upright bass, keyboards, synthesizers

    Milo - screams

    Recorded at Studio Vinniechops
    Mixed, Edited, Mastered by Brian O'Connell

    https://www.patreon.com/Witch_Hunt

    History Sources

    “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002

    "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015

    "In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002

    Salem Witch Trials - Documentary Archive and Transcription Project - University of Virginia - https://salem.lib.virginia.edu/n125.html





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    38 分
  • Episode 4 - Accusations
    2022/10/27

    https://www.patreon.com/Witch_Hunt

    The hysterical and violent fits of the young girls in Salem Village spreads from the family of Minister Samuel Parris to that of Thomas Putnam, the head household of one of the most powerful families in the village. When Elizabeth Hubbard, niece of the local doctor, begins to have fits the door is opened for legal action, as the other girls were too young to be witnesses in court. It is widely assumed that malefic witchcraft is taking place. Putnam goes with some supporters to Salem Town to make official accusations against local suspects. The accused are: Tituba, a native-American household slave of minister Parris; Sarah Good, a local beggar woman who is an embarrassment and a nuisance to the village, and Sarah Osborne, a scandalous figure who had gone against the Putnam family in court. The three women, all likely suspects for witchcraft are rounded up and brought into custody. All the while the Puritans of Massachusetts Bay colony live in constant terror of encroaching warfare in Maine and New Hampshire.

    All music written by Brian O'Connell except:

    “Long Cold Nights” from the collection of traditional fiddle tunes called “Apollo’s Banquet” compiled by Henry Playford, 1690.

    “Second Meter – Psalm 119” adapted from the Bay Psalm Book, 1698.

    Recorded at Studio Vinniechops, 2021-2022


    Episode IV Parts:

    Part I - “Long Cold Nights”

    Part II - Sarah Good, Mary Sibley’s witch cake (music – “Long Cold Nights” & “Second Meter”)

    Part III - “A Perfect Storm”

    Part IV – “The Accused”

    Brian O’Connell – nylon and steel string acoustic guitars, electric 12-string guitar, bass guitar, piccolo bass guitar, acoustic and electric upright basses, piano, moog synthesizer, acoustic guitar w/ glass slide & ebow, cymbal, percussion, voice

    Rachel Koppelman – accordion


    https://www.patreon.com/Witch_Hunt

    A Perfect Storm

    Long cold dark nights
    Growing shorter with each day
    The rains of March
    Winter washed away

    Tempest driving on the fields
    Roads turn into mud
    To the west the river has overflowed
    And drowned the cows

    From London comes a new charter
    New government and laws
    Blasphemers are welcome now
    In the land of puritans
    New masters come to rule us all
    The city on the hill will fall

    War is coming from the East
    Bringing refugees
    Telling tales of burning homes
    And mutilations

    How many have already turned
    Signed their names into his book
    If we need someone to blame
    We can provide a list of names

    Our complaint we swore before the court
    We gave the names of the accused
    Much mischief done on our poor girls
    By disturbers of the peace
    The constables have been sent out
    To bring them before the Magistrates


    Sources

    “The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002

    "A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015

    "In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002

    https://www.brianvoconnell.com/


    Support the show

    続きを読む 一部表示
    22 分

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