検索キーワード： 17世紀

Before the East India Company and before the British Empire, England was a pariah state. Seeking better fortunes, 16th and 17th century merchants, pilgrims and outcasts ventured to the kingdom of the mighty Mughals, attempting to sell coarse woollen broadcloth along the silk roads; playing courtiers in the Mughal palaces in pursuit of love; or simply touring the sub-continent in search of an elephant to ride.

Imagine a fervently militaristic state with a feared professional army that included some of the only all-female military units ever seen. Imagine that same state with its own unique and sophisticated culture, religion, language, art, and society. Such a state did exist—not in the ancient past but as recently as the beginning of the 20th century.

The historical Merlin was no rough magician: he was a learned figure from the cutting edge of medieval science and adept in astrology, cosmology, prophecy, and natural magic, as well as being a seer and a proto-alchemist. His powers were convincingly real—and useful, for they helped to add credibility to the "long-lost" history of Britain which first revealed them to a European public. Merlin's prophecies reassuringly foretold Britain's path, establishing an ancient ancestral line and linking biblical prophecy with more recent times. Merlin helped to put British history into world history.

In 1678, a handful of perjurers claimed that the Catholics of England planned to assassinate the king. Men like the "Reverend Doctor" Titus Oates and "Captain" William Bedloe parlayed their fantastical tales of Irish ruffians, medical poisoners, and silver bullets into public adulation and government pensions. The result was the trial and execution of over a dozen innocent Catholics, and the imprisonment of many more, some of whom died in custody. Victor Stater examines the Popish Plot in full, arguing that it had a profound and lasting significance on British politics.

In the sixteenth century, the Spaniards became the first nation in history to have worldwide reach; across most of Europe to the Americas, the Philippines, and India. Goodwin tells the story of Spain and the Spaniards, from great soldiers like the Duke of Alba to literary figures and artists such as El Greco, Velázquez, Cervantes, and Lope de Vega, and the monarchs who ruled over them.

Accounts of seemingly impossible phenomena abounded in the early modern era—tales of levitation, bilocation, and witchcraft—even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals.

One of the earliest known autobiographies by a woman, this is the extraordinary tale of Catalina de Erauso, who in 1599 escaped from a Basque convent dressed as a man and went on to live one of the most wildly fantastic lives of any woman in history. A soldier in the Spanish army, she traveled to Peru and Chile, became a gambler, and even mistakenly killed her own brother in a duel. During her lifetime she emerged as the adored folkloric hero of the Spanish-speaking world. This delightful translation of Catalina's own work introduces a new audience to her audacious escapades.

Untamed Waters: The Golden Age of Piracy is a captivating and thoroughly researched exploration of history's most notorious era, delving into the thrilling world of pirates and their daring exploits on the high seas. From the sun-kissed shores of the Caribbean to the treacherous waters of the Indian Ocean, this book unravels the motivations behind piracy and its impact on global trade and politics. With meticulous citations, it serves as both an engaging listen for history enthusiasts and a valuable academic resource.

London was a tinderbox waiting to ignite. An unusually hot and dry summer had drained the city’s water supplies, and without an organized firefighting force, its citizens were left to fend for themselves. The stage was set for catastrophe, and in the early hours of Sunday, September 2, 1666, the spark was struck. A seemingly inconsequential fire ignited in a baker’s shop on Pudding Lane. Unchecked and underestimated, it would grow to become one of the most devastating disasters London had ever faced.

The outcome of the English Civil War was no doubt unthinkable to many across Europe before it actually happened, and the Battle of Edgehill represented the first sign that things might not go according to the typical plan. That year, the unthinkable happened when the king and Parliament broke with each other, raising their standards of war. The divinely appointed order was broken, and the result was bloodshed, terror, and chaos. Most notably, Edgehill would make clear that things might not simply go the king’s way.

In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread.

London, 1991: Alex Johns, trainee art intern at the Courtauld, believes a hidden secret lies within Diego Velázquez's Las Meninas—one of the most written about paintings of all time. Her own mother died in mysterious circumstances while trying to uncover its secrets and Alex is troubled by memories of her own encounter as a child with the girl in the painting—the Infanta Margarita—who continues to haunt her. Alex must take up her mother's work and find evidence to uncover the truths within the canvas

Aber die Inquisition, welche jetzt gemeint ist, kam aus dem Westen von Europa, anders in ihrem Ursprung und anders an Gestalt. Der letzte maurische Thron war im fünfzehnten Jahrhundert in Granada gefallen und der saracenische Gottesdienst endlich dem überlegenen Glück der Christen gewichen. Aber neu und noch wenig befestigt war das Evangelium in diesem jüngsten christlichen Königreich, und in der trüben Mischung ungleichartiger Gesetze und Sitten hatten sich die Religionen noch nicht geschieden.