検索キーワード： ユーモア・風刺文学・フィクション

When Milan Patel visits his parents at their family-run motel in Montana, he's expecting the usual drama. But shortly after he arrives, his father mysteriously dies in the motel pool. Now everyone's a suspect. What was meant to be a quick trip becomes Milan's worst nightmare, as he races to solve his father's murder while confronting the past he tried to leave behind.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last 15 years, has been posing as an out-of-work actor.

A pair of romantic flameouts meet at a dull wedding and wind up entwined in a deserted coatroom. Shockingly, Jane and John decide not to have sex. Instead, they embark on a far more dangerous endeavor: sharing the stories of their past love affairs. They tell each other everything, aiming for radical honesty over polished seduction. Jaded as they may be, these two sense that they just might be soulmates.

Broadcaster, writer, philanthroper and one of the first public figures to suggest high-visibility clothing for people manning temporary car parks, the public Alan Partridge is a cherished institution. But what of the unseen Alan? For the first time, this famously private man welcomes us into his home and audibly deshrouds himself for a fascinating series of podcasts.

Please note: This podcast is intended for adults only.

iDEATH is a place where the sun shines a different color every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of the counterculture generation.

When a cast member goes missing from the hit reality show Sex Island, producers hire detective Luella van Horn to go undercover as a contestant and solve the case. What the producers don’t know is that the enigmatic Luella van Horn is actually a woman named Marie Jones, a divorced ex-social worker from Staten Island attempting to lead a double life as a private eye. The local press couldn’t get enough of Luella . . . until she horribly bungled her last case and a murderer went free.

Katie Chandler had always heard that New York is a weird and wonderful place, but this small-town Texas gal had no idea how weird until she moved there. Everywhere she goes, she sees something worth gawking at and Katie is afraid she's a little too normal to make a splash in the big city. Working for an ogre of a boss doesn't help. Then, seemingly out of the blue, Katie gets a job offer from Magic, Spells, and Illusions, Inc., a company that tricks of the trade to the magic community. For MSI, Katie's ordinariness is an asset.

Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. But behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul.

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A 30-something-year-old “millennial everywoman”, she has recently left her white-collar desk job - in order to care for her newborn daughter full-time - as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women - alive and even dead, both known and unknown to her.

O. Henry's short stories are well known for their wit, wordplay, warm characterization and clever twist endings.

A dynamic remastering of the original BBC Radio 4 full-cast serial - Fit the First to Fit the Sixth - which spawned a phenomenal hitchhiking legend. The original series of The Hitchhiker’s Guide to the Galaxy, remastered by Dirk Maggs (director of the Tertiary, Quandary and Quintessential Phases) to give a full, vibrant sound, now with Philip Pope’s version of the familiar theme tune and specially re-recorded announcements by John Marsh.

In Everthing Is F*cked, Mark Manson turns his gaze from the inevitable flaws within each individual self to the endless calamities taking place in the world around us. Drawing from the pool of psychological research on these topics, as well as the timeless wisdom of philosophers such as Plato, Nietzsche, and Tom Waits, he dissects religion and politics and the uncomfortable ways they have come to resemble one another. He looks at our relationships with money, entertainment, and the internet, and how too much of a good thing can psychologically eat us alive.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

Alisa Mikhailovna Kujou is Seiren Private Academy’s “solitary princess.” She’s a half-Russian beauty with silver hair, at the top of her class, student council accountant, and…completely unapproachable. For some reason, she’s also taken on the responsibility of reprimanding the slacker who sits next to her in class. Masachika Kuze is constantly frustrating her by falling asleep, forgetting his textbooks, and just being an overall unexemplary student. Or at least, that’s how it looks from the outside. She may put on a tough act, but she doesn’t mind Masachika as much as others would think.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.