検索キーワード： ユーモア・風刺文学・フィクション

15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows?

Одиннадцатый роман Чака Паланика. Одиннадцатый "бестселлер для интеллектуалов", в котором он изощренно и зло иронизирует над темой "Пигмалиона и Галатеи", а заодно — и над реалиями Голливуда. "Вечная неудачница" и вечный Пигмалион — престарелая ХейзиКуган, некрасивая и немыслимо одаренная актриса, чьим истинным призванием стало делать суперзвезд из бездарных старлеток. Ее любимая подопечная — ослепительная красавица и столь же ослепительная дура Кэтрин Кентон, которую вечно награждают за ничем не примечательные роли, вечно обольщают и используют, вышучивают — и обожают.

You’ve been playing the game all wrong. You thought competence mattered, that hard work was the key to success, that consequences were a universal concept. Adorable. Meanwhile, the rich and powerful have been failing their way to the top for generations. This book is your crash course in the fine art of screwing up and somehow winning anyway. Because in the right circles, failure isn’t the end—it’s a golden ticket. Tank a billion-dollar company? That’s a “bold leadership move.” Blow investor money on nonsense? That’s “disruption.” Get caught in a massive political scandal?

Alter egal – alles Liebe! Anne kriegt die Krise. Da hat sie monatelang die Goldene Hochzeit ihrer Eltern vorbereitet, dann verkündet ihre Mutter, sie werde sich scheiden lassen. Altersstarrsinn oder Late Life Crisis? Als die alte Dame noch dazu einen deutlich jüngeren Mann präsentiert, wendet sich Anne verzweifelt an Tom, den Sohn des neuen Lovers – doch der hat kein Problem damit. Prompt bringt eine ganz und gar überraschende Versuchung auch Annes Leben durcheinander, und sie muss sich fragen: Ist die Liebe zu einem jüngeren Mann wirklich so abwegig?

Alisa Mikhailovna Kujou is Seiren Private Academy’s “solitary princess.” She’s a half-Russian beauty with silver hair, at the top of her class, student council accountant, and…completely unapproachable. For some reason, she’s also taken on the responsibility of reprimanding the slacker who sits next to her in class. Masachika Kuze is constantly frustrating her by falling asleep, forgetting his textbooks, and just being an overall unexemplary student. Or at least, that’s how it looks from the outside. She may put on a tough act, but she doesn’t mind Masachika as much as others would think.

There are only three things in this world that are certain: death, taxes, and babies. Nobody knows this truth better than Emily McCoy, a third year resident working in Baby City, the affectionate nickname for the busy Labor and Delivery unit at a New York City hospital. On a typical day in Baby City, Emily delivers more babies than the number of hours of sleep she manages to squeeze in that night. And definitely more than the number of dates she's been on since she started her training in OB/GYN two years earlier.

In Everthing Is F*cked, Mark Manson turns his gaze from the inevitable flaws within each individual self to the endless calamities taking place in the world around us. Drawing from the pool of psychological research on these topics, as well as the timeless wisdom of philosophers such as Plato, Nietzsche, and Tom Waits, he dissects religion and politics and the uncomfortable ways they have come to resemble one another. He looks at our relationships with money, entertainment, and the internet, and how too much of a good thing can psychologically eat us alive.

1979. Jackie Chadwick is 17 and living in a supported bedsit. She’s still close to her foster parents and friends with (aka unofficial minder for) Amanda, their irresponsible daughter, but she’s enjoying her independence – until a fire leaves her temporarily homeless. Jackie’s dad, widower and recovering alcoholic Dave, has just been released from prison and sees this as his chance to make amends. He offers her his spare room – but can their relationship survive him going back on the booze, his gin – loving lady friend and her errant son?

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A 30-something-year-old “millennial everywoman”, she has recently left her white-collar desk job - in order to care for her newborn daughter full-time - as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women - alive and even dead, both known and unknown to her.

Sometimes, the hardest part of finding love is keeping a straight face... For Jamie Newman, being a single guy isn't proving to be much fun, especially when confronted with a sexually belligerent divorcee and a goddess so far out of his league she might as well be a different species. Mind you, being a girl in search of love isn't a bowl of cherries either.

Alexis Spencer thinks she has it all figured out. Even when life gets her down, she’s never too far away from another inspirational quote to rationalize her failures and ignore all her problems. Her boyfriend breaks it off, she loses her job, her closest friends are a distant memory, and her college debt is still as high as the day she left. In typical fashion, she blames the world for her problems, including her 18-year-old self who should have just tried harder and put their life on a better track.

The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course, there's a catch to the invitation....

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

Academy Award nominee Samuel L. Jackson ( Pulp Fiction) rocks this mock bedtime story, capturing a hilarious range of emotions as the voice of a father struggling to get his child to sleep. Go the F**k to Sleep is a bedtime book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland.

Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last 15 years, has been posing as an out-of-work actor.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted – while searching for the courage to face the dark corners she’s avoided all her life.