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Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

This collection of poems is about the people I adore, the house that Mel and I lived in and the love that we shared, and the land that I breathe.

Ink and Magic is a poetic picture of life and inspirations drawn from anxiety, relationships, writing, and motivation. Words that are made to evoke emotions and encourage and support others the way I have been. After each poem I try to explain where my head and motivation was at when I worked to create it. Contains profanity, descriptions of panic, allusions to sex, and maybe hope.

Something Else in My Veins is a poetic deep dive into the world of paranoia and delusion which hard drug users oftentimes find themselves in. Bagwell captures the experiences of meth addicts and exposes his raw and expressionistic emotions. As a former user and dealer himself, he is unashamed to bring not only his knowledge and perspective on such things to light, but also the emotional devastation that comes from losing one's sense of self-identity along with access to the drug itself.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud.

Wilde's first collection of verse, published in 1881, contains many poems which had already been published individually. Among the 61 poems can be found four major works, "The Garden of Eros", "The Burden of Itys", "Charmides", and "Humanitad". Although the initial critical reaction was not particularly enthusiastic, Wilde's poetry aroused enough attention for him to become the object of ridicule in the Gilbert and Sullivan comic opera Patience, in which he is characterized as the "fleshly poet", Reginald Bunthorne.

The terse, dark pieces in Andrew Demcak's fourth collection of poems occur under the cover of night. Into a richly macabre cityscape, the voices in these poems expose their secrets, from the desire of unbearable addictions to the shocking violence of hate crimes. In their spareness, with their array of surprising images, these poems are bold in their brevity. They converge into the urgent whispered voices we hear following us in the dark-our own voices and the voices of those like us. They become night chants.

Catching Tigers in Red Weather, winner of the Three Candles Press Open Book Award (selected by Joan Larkin), is a collection of poems by a new voice that combines montage cut-ups with an informing dialectic that gives us a wide array of contemporary American viewpoints. By turns playful and serious, the poet deftly embraces and criticizes a popular culture that is too complicated to dismiss with swift and simple comments. It is a book of rich rewards.

This audiobook is a collection of new poems by Andrew Demcak.

A collection of Poems by F.E. Feeley Jr. F.E. Feeley Jr is the author of several books including The Haunting of Timber Manor, Objects in the Rearview Mirror, Still Waters, When Heaven Strikes, and Closer. He’s also been a part of several anthologies including Indigent as well as Gothika 5: Contact. This is his first published work of poetry. Born in Detroit, Michigan, in 1981, he became an avid reader and lover of the written word.

Vanessa de Sade writes fiction about the forbidden side of women’s sexuality and her stories and poems have appeared in a multitude of outlets ranging from feminist & literary magazines to glossy compendiums. In this, her first collection of poems, she talks frankly about her personal sexuality and relationships and highlights many of the problems facing a woman in today’s world.

A runaway waitress leaves her lover, grabs her dog, and hits the highway. Ali Liebegott maps her travels in a series of hilarious and heartbreaking letters to the girl she left behind, and some of the most exquisite poetry written about love, heartache, and madness.

Sighs Ten is a short collection of poetry and prose by writer and performer Marcus Reeves. Taken from the first decade of his career, these poignant, pointed, and playful pieces reflect on themes of love, lust, loss, and loneliness.

An urban songline of New York. From the author of the memoir L Is for Lion comes a panegyric of the geology of Manhattan. These poems glitter. Manhattan schist is rendered as a template for the skyline and characters of New York. Grit and stardust collide in this debut collection of poetry and song.

In his third collection of poetry, Michael Brown looks behind closed doors to reveal harsh truths, marvels at the savage beauty of the world, and has disinhibited poetic conversations with Francis Bacon, Janet Frame, famous rent boys, psychiatric patients, and dead poets.

Imagine the poets Wallace Stevens and Anne Sexton met in a bar owned by Michael Robbins. The result might be News In A New World, the first published collection of poems by Tamara Tifareth. Jarringly profound, hilarious, and offensive, highly topical, always insightful, the poems combine a strong lyrical quality with a narrator's capacity for storytelling. In many of the pieces, Ms. Tifareth assumes a persona only to push its attitudes to the limits of sensibility, illustrating the absurdity of life.

What happens when a klutzy cat burglar stumbles upon a vampire? A comedic cat-and-mouse game where the thief gets a lot more than he bargained for.