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Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

London, 2045. Three months into the Coffee Wars, and Britain's caffeine supplies are at critical levels. Brits are drinking even more tea than usual, keeping a stiff upper lip and praying for an end to it all. A secret government coffee stockpile could save the day...but then mysteriously disappears overnight. One man is asked to unravel the missing-coffee mystery. His name is Pond. Howie Pond. And he's in desperate need of a triple espresso.

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

Large chests are said to encompass all manner of hopes and dreams. Men covet them. Women envy them. But one fact holds true - everyone wants to get their hands on some big ones. The same holds true for one intrepid adventurer - a strapping young lad by the name of Himmel. Armed with his grandfather's trusty longsword and the dream of being the strongest, he sets out on the journey of a lifetime!

This classic comedy is set in the charming country home of Charles Condomine, a remarried widower. A witty and convivial evening party among friends is transformed when a seance conjures the ghost of Elvira, Charles' first wife, who delights in wreaking havoc among the living. An enchanting Coward comedy!

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Welcome to the wonderful world of under-evolved bosses, style-of-the-week buzzword management, hapless coworkers, and other worthy fodder. Sound like your company? Scott Adams, creator of the Dilbert comic strip about a harried but determined '90s antihero, brings you his hilarious take on the bizarre realities of life in corporate America.

"I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)

The year is 2108, and the North American Commonwealth is bursting at the seams. For welfare rats like Andrew Grayson, there are only two ways out of the crime-ridden and filthy welfare tenements: You can hope to win the lottery and draw a ticket on a colony ship settling off-world...or you can join the service. With the colony lottery a pipe dream, Andrew chooses to enlist in the armed forces for a shot at real food, a retirement bonus, and maybe a ticket off Earth.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....

A Parody Outline of History is hilarious but scathing anti-war satire of The Outline of History (1920) by H. G. Wells, written by Donald Ogden Stewart, in the styles of popular authors of the day, and first published in 1921 only a year after World War I ended. This ear-popping audio dramatization was produced and voiced by Joe Bevilacqua (aka Joe Bev) - enhanced with music and sound effects - in the style of the popular performers of 1920s and 30s, including The Marx Brothers, Laurel and Hardy, Jack Benny, W.C. Fields, Gary Cooper, and John Wayne.

When Ollie Sweet is very publicly dumped by ‘The One’, his seemingly perfect world dissolves into misery, self-pity, and a bizarre rooftop meeting with a suicidal man in flip-flops. While most would seek out the support of loved ones at such a torrid time, natural-born journalist Ollie asks the subscribers of his website: how did they get over their failed relationships? When Ollie follows some of their more extreme advice, chaos inevitably ensues.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Ben Riggs says he loves me. He says he hasn't stopped thinking about me since he broke my heart and chased me out of town all those years ago. I say, liar liar pants on fire. And boy, do those bright yellow, flame-resistant fireman pants look good on him. I'm aching to feel those big, rough hands clenching on my hips and to collect on the illicit promises burning in his dark blue eyes. Self-control goes up in flames every time he flashes that arrogant smile. So I give in - because a woman has needs. (Am I right, ladies?) He can have my body, but my heart is off-limits.

Contemptuous of their parents, who pass their days in a stupor of liquor, drugs, and sex, the children feel neglected and suffocated at the same time. When a destructive storm descends on the summer estate, the group's ringleaders - including Eve, who narrates the story - decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside.

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.