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Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street, Kenny Lane, for sixty years--longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past that she has worked exceedingly hard at concealing. Because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

Dame Ivy Compton-Burnett (1884-1969) was an English novelist who was a bestseller in the mid-20th century. She published eighteen highly acclaimed works of fiction in her lifetime, inspired by her own tragic experiences of family life. Her works consist mainly of dialogue and focus on family life among the late Victorian or Edwardian upper middle class. They deal with money, power, status, incest, adultery, murder, homosexuality – about which she was years ahead of her time – and all the passions and stresses of family life, described with brilliant wit and perception.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

Prepare for a literary eruption. Crying with My Pussy , the incendiary debut novel from Swedish writer Isabel Hillborg, arrives as a fierce and unfiltered exploration of trauma, desire, and resilience in modern womanhood. Brutally honest, violently funny, and gorgeously subversive, Hillborg's voice cuts through cultural taboos with an emotional scalpel. In this unflinching narrative, protagonist Jennie navigates the aftermath of childhood trauma through a series of intense relationships.

It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at a steady job and married to her Drew, a man who says he loves her. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love—or to kill for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her last?

Years after fleeing San Francisco and getting sober, Jhanvi has made a life for herself working at a grocery co-op and saving for her surgeries. But when her friend (and sometimes more) Henry mentions that he and his techie festival-goer friends spent $100,000 to transform a warehouse basement into a sex dungeon, Jhanvi starts wondering if there's a way to exploit these gullible idiots. She returns to San Francisco, hatching a plan to marry Henry for his company's generous healthcare benefits.

When artist Eloise Ford hears that human remains found in an abandoned mine are believed to be those of long-missing teenager Elizabeth King, the shock sends her reeling. It can't be true. Eloise knows this for a fact because... she is Elizabeth King. Now, her carefully curated life in Cornwall is falling apart. Her husband is acting strangely, her children aren't speaking to her and she can't sell a painting for love nor money. But much more worrying are the signs that someone knows exactly who she is... and why she had to vanish thirty years ago.

It’s been disastrous since Bud and Catherine opened up their marriage, and none of the Flynns can remember the last time a meal was cooked, a load of laundry was done, or a social code was abided by. Not that Catherine and Bud aren’t trying – and trying new things. Bud still drives to his job at the Harbor(TM) in the family minivan, which, yes, is also now his home, and Catherine still refuses to conform to domestic pressures – she’s an artist, a woman, and no one understands her! And the girls? Surely they’re fine, whatever it is they’re up to.

I Am an Author is a tale of the extraordinary lengths to which one might go in pursuit of a dream. Laced with black humour, it will resonate with anyone who has sought recognition as a writer but also those who enjoy a fast-moving thriller with lots of twists and a killer punch line.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted – while searching for the courage to face the dark corners she’s avoided all her life.

Anche i serial killer hanno bisogno di un amico. Ogni gioco ha il suo vincitore. Sloane e Rowan sono due serial killer a caccia di serial killer. Si conoscono da anni, e trovano riflessa la stessa anima nera come la pece l'uno negli occhi dell'altra. Si capiscono al volo, insomma. Sono amici, ma rivali. Dalle piccole cittadine della Virginia alla sofisticata California, dai sobborghi di Boston ai campi del Texas, ogni anno si incontrano per misurarsi con i peggiori mostri del Paese.

A woman visits a friend who is dying of cancer. Brilliant and stubborn, her friend makes a momentous request. She wishes to end her life on her own terms - and she wants the narrator's help. Stricken, she agrees. 'I promise,' says the friend, 'to make it as much fun as possible.' What follows is an extraordinary tale of a friendship put to the greatest test: to witness, unflinching, its end. It is also a portrait of the way we live now, in a world endlessly troubled by crises and the dramatically changing nature of human relationships in our time.

Richard Brautigan's world is one of gentle magic and marvelous laughter, of the incredibly beautiful and the beautifully incredible. Trout Fishing in America is a pseudonym for the miraculous. A journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, that wanders through the wonders of America's rural waterways, and that ends, inevitably, with mayonnaise. Funny, wild, and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

"It began as a mistake." By middle age, Henry Chinaski has lost more than 12 years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort—a clique of unbearably twee rich girls who call each other "Bunny", and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon"....