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Professor Megan Lewis of the University of Massachusetts, Amherst takes us on an engaging journey through the history of theater in the 20th century. She explores some of the century's early movements such as Symbolism, Expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater.

Blackstone Audio presents An American Family Shakespeare Entertainment: Based on Charles & Mary Lamb's 20 Tales From Shakespeare, augmented by miscellaneous scenes and soliloquies from Shakespeare's plays, featuring Elizabethan songs and dances in new arrangements for stringed instruments.

When this groundbreaking serialized dramatization premiered on 320 U.S. radio stations, critics were unanimous in their praise. It won numerous honors including the George Foster Peabody Award and the Pulitzer Prize for broadcasting. Never before or since has such an ambitious undertaking been attempted in public radio, and it was accomplished, not by a major network, but by a small nonprofit independent producer in Chicago. That was in 1981. It has been sitting on the shelf ever since.

Blackstone Audiobooks is pleased to present the first audio recordings ever of the only two Holmes plays written by his creator, Sir Arthur Conan Doyle. This new, specially commissioned production of the Hollywood Theater of the Ear stars Audie Award-winning readers Martin Jarvis (as Sherlock Holmes) and Kristoffer Tabori (as Dr. Watson).

Blackstone Audio is proud to present the Oregon Shakespeare Festival's 2014 production of The Tempest, Shakespeare's magical romantic comedy, directed by Tony Taccone. This stunning work of audio theater, fully dramatized with performances by the OSF cast, is a must-listen.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

The CliffsNotes study guide on Moliere's Tartuffe, The Misanthrope & The Bourgeois Gentleman supplements the original literary work, giving you background information about the author, an introduction to the work, critical commentaries, expanded glossaries, and a comprehensive index, all for you to use as an educational tool that will allow you to better understand the work. CliffsNotes Review tests your comprehension of the original text and reinforces learning with questions and answers.

The idealistic Lydia Languish, reads nothing but romantic novels, and in doing so, believes she can only find true love in the arms of a man without wealth. Captain Jack Absolute has fallen in love with her, and pretends to be a penniless ensign to win her heart. Coming between these two lovers are some of the most extraordinary comic characters ever to grace a stage; the autocratic Sir Anthony Absolute, the misspeaking Mrs. Malaprop, the fiery Irishman from Clod hall - Sir Lucius O’Trigger; and poor Bob Acres, a country squire who finds himself with a dueling pistol in his hand.

Written a year before his death, this collection of short plays by Miguel de Cervantes is a fine example of his genius. Oftentimes overlooked, these eight vignettes are funny and touching at the same time. Designed to be performed in between larger acts, they give a glimpse into a world far less glamorous than courtly life.

This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.

One of Shakespeare's final works, Cymbeline uses virtuoso theatrical and poetic means to dramatize a story of a marriage endangered by mistrust and painfully rebuilt, in a context of international conflict. This edition emphasizes the play's theatrical impact and pays close attention to its complex, evocative language.

He after honor hunts, I after love. He leaves his friends to dignify them more, I leave myself, my friends and all, for love....

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.