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After an insult from the French Dauphin, King Henry V of England invades France to claim the throne he believes should be his. Henry stops an assassination plot, gives powerful speeches and wins battles against the odds. In the end, he woos and marries the princess of France, linking the two nations....

While his son Price Hal spends time in the taverns, King Henry IV argues with his former ally Hotspur. Angry, Hotspur gathers a rebellion and Henry and Hal go to battle to stop him. Henry's army wins the battle, while Hal redeems himself from his wild youth and kills Hotspur.

The ghost of the king of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The play ends with a duel, during which the king, queen, Hamlet's opponent and Hamlet himself are all killed.

King Cymbeline of Britain banishes his daughter Imogen's husband, who then makes a bet on Imogen's fidelity. Imogen is accused of being unfaithful, runs away and becomes a page for the Roman army as it invades Britain. In the end, Imogen clears her name, discovers her long-lost brothers and reunites with her husband while Cymbeline makes peace with Rome.

Roman General Coriolanus makes his name defeating an enemy army and defending Rome. The Senate nominates him as consul, but he cannot win the people's vote, so he is banished from Rome and allies with his old enemy. He comes to attack Rome, his mother persuades him not to and his new-found ally kills him for the betrayal.

Mark Antony, one of three rulers of Rome, is in love with Cleopatra, queen of Egypt. Antony is summoned back to Rome, where he clashes with another ruler, Octavius, before returning to Cleopatra in Egypt. Now in battle with Octavius, Antony and Cleopatra suffer losses and miscommunication and both eventually commit suicide.

Helen heals the king of France, and the king grants her permission to marry Bertram, the man she loves. Bertram rejects her and leaves a list of tasks that she must do to have him acknowledge their marriage. She follows him to Italy, completes all the tasks and Bertram accepts her as his wife.

Falstaff es una mole de humanidad que se considera un caballero pero que en realidad es un sinvergüenza y un ladrón. Convencido de su propia elegancia y apostura cree que será fácil para el, cortejar a dos de las mujeres de los hombres más ricos de la ciudad, las señoras Ford y Page, para a través de ellas poder acceder a la riqueza de sus maridos. Ante las insinuaciones que por carta reciben ambas señoras, deciden darle a Falstaff una lección que no olvidará.

En esta divertida comedia de la mano de Puck, el pícaro duendecillo, vemos cómo el amor se convierte en magia, … ! si hasta el rocío de la mañana parece mágico !Aunque sea una comedia, no creais que está tan lejos de la realidad: en la obra parece que la persecución del amor tiene la virtud de convertirnos en tontos e irracionales.

Si nos paramos a pensar por un momento, ¿con qué identificamos la palabra Romeo? ¡Efectivamente¡ La palabra ya se ha convertido prácticamente en sinónimo de amante o enamorado. En la obra, Romeo experimenta un amor de tal pureza y pasión que cuando cree que el objeto su amor Julieta ha muerto.... El amor está por encima de cualquier otro valor y los enamorados van a desafiar a la sociedad y sus convenciones, estando dispuestos a romper con sus familias, sus amigos, e incluso con la autoridad.

Es una comedia romántica en la que a pesar de tener un final feliz Shakespeare nos enseña que el amor puede llegar a producir dolor. De hecho varios de los protagonistas dicen sufrir por amor. La confusión de géneros que se usa en la obra es un buen recurso para producir situaciones cómicas: Viola se disfraza como un hombre para protegerse y conseguir trabajo con el duque Orsino, pero su disfraz va a causar toda clase de enredos y por otro lado Shakespeare parece hacer un guiño a los que consideran la sacrosanta heterosexualidad un tanto aburrida.

El rey de Nápoles y sus servidores viajan en un barco cuando tienen que empezar a luchar contra una tempestad de tal magnitud que acaba rompiendo su barco en dos, cayendo todos al mar. Por suerte para ellos hay una isla muy cerca. Próspero que vive con su hija Miranda desde hace muchos años en su isla se queja de la injusticia que tuvo que sufrir cuando su hermano le arrebató el trono de Nápoles.

Dinero, amistad, matrimonio, raza, justicia, venganza, perdón amor...aparecen y se entrelazan constantemente en el mercader de VeneciaSe utiliza el dinero para diferenciar las clases sociales, los tipos de persona y en especial las aspiraciones de los personajes, tan dependientes de la frivolidad de la fortuna.El sentimiento de amistad de Basanio es más que evidente cuando dice: "A ti Antonio te lo debo todo en el dinero y en el amor".

Cuando Macbeth y Banquo cruzan un páramo de vuelta a casa tras su victoria frente a los ejércitos enemigos de Escocia y de su rey Duncan, se encuentran con tres brujas que profetizan que Macbeth será nombrado Barón de Cawdor y después rey de Escocia.También profetizan que Banquo empezará una dinastía de reyes escoceses. Tras desaparecer las brujas, llegan dos mensajeros del rey que les informan que el rey ha nombrado a Macbeth Barón de Cawdor.

In Hamlet, the Prince of Denmark has recently lost his father, but his mother is in a hurry to marry her late husband's brother. Hamlet is overwhelmed with grief for his father's death but also outraged because of the hurried marriage. Most people don't realize that there are three versions of Hamlet, printed at different times. There is a considerable difference between the texts of these versions, so to have a "complete" version of this play, editors had to make some adjustments. The three texts are simply different versions of the play.

Ten years king, Malcolm sits on an uneasy throne. If Malcolm’s mind is haunted by the ghosts of his royal father (“gracious Duncan”) as well as the thane and lady who so bloodily betrayed him, Malcolm’s soul is sickened, as was Macbeth’s, by the witches’ prophecy that from Banquo’s seed would spring a line of Scottish kings. Macbeth, Part II, draws bold the tragedy of a powerful man undone by the terrors he imagines and the truths he fails to see.

Shakespeare se tornou o dramaturgo mais conhecido de todos os tempos por várias razões: era genial com as palavras, entendia a alma humana como ninguém e falava de temas universais. No entanto, parte de sua popularidade se deve aos irmãos Charles e Mary Lamb, que, ao adaptarem vinte peças para o formato de conto, tornaram as histórias do autor inglês acessíveis a pessoas de diferentes idades e gêneros, em diversas partes do mundo. Publicados em 1807, os contos dos Lamb eram destinados apenas ao público infantojuvenil e jovens senhoras....

Shakespeare writes about the plight of Romeo and Juliet with a lot of empathy and views their tragedy as a result of bad fate, rather than a problem with their characters. We sense from the very start that their relationship is doomed. Romeo and Juliet are portrayed as sincere and virtuous young people who are madly in love, but because of the feud between their families, their relationship has to end. As they won't even consider a separation, the only way out of the situation they find themselves in is by taking their own lives.

Shakespeare and Cognition challenges orthodox approaches to Shakespeare by using recent psychological findings about human decision-making to analyze the unique characters that populate his plays.

Shakespeare lived during a time where magic, witches, and all sorts of fairytale-like creatures held a very real and dangerous position within the community. So much so that the tales, practices, objects, and written information pertaining to magic found its way into the work of Shakespeare. This audiobook explores how the magic utilized in Shakespeare’s work was directly representative of the times in which he lived and examines the relevant historical written accounts pertaining to magic, witchcraft, and all manner of the unnatural occurrences from Shakespeare’s contemporaries.