検索キーワード： 歴史・批評

Most art history books just go over dates and major style changes, without letting the artists speak for themselves. In For Artists by Artists, you will learn directly from the top 40 of some of the most famous artists in the world. You will see how they thought about art, nature, truth, beauty, work, other artists, and God. You will journey through the last 750 years of art history in chronological order, seeing the evolution of how painters taught and thought over time.

Journey through 3,000 years of art and history to shine a light on the hidden stories behind the world's most famous works of art.

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese.

La storia dell'arte può essere raccontata da tanti punti di vista: attraverso le tecniche, i movimenti, le committenze, i linguaggi o gli stili. Questo audiolibro sceglie un'altra strada. Ci invita a compiere un viaggio nel tempo, dall'antichità ad oggi, per scoprire come gli artisti hanno rappresentato le emozioni, quelle che si annidano nei nostri stati d'animo più ineffabili e affascinanti.

Em Notre-Dame, Ken Follett reflete sobre o papel que a catedral desempenhou ao longo do tempo e revela a influência que ela exerceu tanto em outras catedrais ao redor do mundo quanto em um de seus mais conhecidos e adorados romances, Os Pilares da Terra. Ele descreve, também, as emoções que sentiu ao saber do incêndio que quase destruiu uma das maiores catedrais do mundo.

El itinerario de Sergio Rodríguez Blanco nos recuerda a las mejores páginas de sus dos modelos del viajero intelectual: José Vasconcelos y Sergio Pitol. El autor nació en España, pero desde hace años habita en México en un mundo fluido: sale a caminar por el centro de la Ciudad de México y de pronto lo acompañamos a una lección de arte contemporáneo en la bienal de Venecia. Desentraña el misterio de una película que Federico Fellini jamás rodó y páginas después, Sergio comprende que volver a México es una forma más de reiniciar el viaje.

Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Philip Hook illuminates how this new art came to be—and how truly shocking it was. We witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract. His vivid accounts breathe new life into the work and times of nearly two hundred artists, and whose collective genius was understood and appreciated by few at the time.

In this brief treatise, Professor Rookmaaker explores the value of art in the Kingdom of God. He asks, what is the God-given purpose of our talents? What of those talents whose only contribution is beauty? He insightfully examines the spiritual crisis in current art, the effect of a meaning vacuum on art and society as a whole. He admonishes Christian artists (and us all) to "weep, pray, think, and work" as our means of seeking the Kingdom of God, and his encouragement kindles our spirits and moves us, in our art, whatever our art, to do the truth.

Si hiciésemos una encuesta para saber cuántos pintores conocemos, la mayoría consultada mencionaría a Goya, Velázquez o Van Gogh, pero con seguridad no se hallaría a ninguna mujer en esta lista. Como si no hubiesen existido, pero no es verdad, existieron muchas y excelentes pintoras. ¿Por qué no las conocemos? Porque a lo largo de los siglos han estado escondidas en conventos en el Medievo o dedicándose a labores domésticas en el Renacimiento o el Barroco.

The perception of the muse is that of a passive, powerless model, at the mercy of an influential and older artist. But is this trope a romanticised myth? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity and practical help to artists. Muse tells the true stories of the incredible muses who have inspired art history's masterpieces. From Leonardo da Vinci's studio to the covers of Vogue, Ruth Millington uncovers the remarkable role of muses in some of art history's most well-known and significant works.

This is the March 2022 magazine issue, which contains artists interviews to inspire artists, and so much more to help the artist in their art career. It contains artist interviews, art-related topics articles, and a question of the month, step of the month, and social media updates.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

Este es un ensayo corto, un poco alejado de un análisis puramente psicoanalítico, que intenta interpretar la enigmática escultura de Moisés en San Pietro-Vincoli esculpida por Miguel Ángel.

Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal, Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place—and what this reveals about Jews, art, and modernity. This audiobook tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe to the United States and in the triumph of modern art.

Meditation teacher, filmmaker, writer, and art savant Kevin Townley turns his unique gaze upon 26 artists and magnifies the power and meaning of the five Buddhist wisdom energies through explorations of their work. Rather than trying to "explain" these energies, he reveals them to you in familiar visual language while, of course, pushing the boundaries of what you might have thought you saw at first glance. Townley leads you to, invites you in, and sometimes springs upon you, the perennial wisdom in the worlds of artists from Artemisia to Hilma af Klint to Marilyn Minter.

There is no doubt that Michelangelo is one of the most influential artists of all time, together with some other Renaissance geniuses, such as Leonardo and Rafael. Michelangelo had a vision, a dream, and the talent to carry out those imaginations. His life, in our perspective, is a compilation of great works of art, architecture, sculptures, paintings, and intricate movements, contrast, colors, and anatomy of the human body. Religious and thematic symbolism are intertwined in his frescos and structures. Let us learn more about this great artist.

William Morris was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife, Jane, is too often relegated to a footnote. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.

Leonardo da Vinci é um pintor italiano e um homem de espírito universal, um artista, cientista, engenheiro, inventor, pintor, escultor, arquitecto e escritor. Os seus primeiros trabalhos importantes são realizados ao serviço do Duque Ludovico Sforza em Milão.

Van Gogh era davvero un pittore reietto, un rifiuto della società? Com'è possibile che un artista capace di raggiungere oggi quotazioni da record, durante la vita non sia mai riuscito a trovare estimatori e collezionisti che acquistassero i suoi dipinti? Per rispondere a queste domande, Costantino D'Orazio ha compiuto un'indagine che ci dà un punto di vista rivoluzionario su uno dei grandi protagonisti della storia dell'arte moderna.

Un retrato poderoso, moderno, íntimo y profundamente humano de una era de destrucción extrema y creatividad excepcional, el renacimiento italiano, un periodo que moldeó la cultura occidental y que fue mucho más extraño, oscuro y fascinante de lo que nos han enseñado.