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When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Front Page Woman starring Fred MacMurray and Claudette Goddard.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's I Wanted Wings starring Ray Milland and William Holden.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Little Women starring June Allyson and Peter Lawford.

When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks with many featuring the original stars from way back when. Here's Key Largo starring Edward G. Robinson and Claire Trevor.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Casablanca starring Hedy Lamarr and Alan Ladd.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Chained starring Joan Crawford and Franchot Tone.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's British Agent starring Errol Flynn and Frances Farmer.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Captain Horatio Hornblower starring Gregory Peck and Virginia Mayo.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Alibi Ike starring Joe E. Brown and Helen Chandler.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's A Farewell to Arms starring Clark Gable and Josephine Hutchinson.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Alice Adams starring Claudette Colbert and Fred MacMurray.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's Algiers with Hedy Lamarr and Charles Boyer.

Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in heaven, Hollywood Stage had them performing films as radio plays - on the sponsor's dime, of course. Classic films now become audiobooks, with many featuring the original stars from way back when. Here's A Man's Castle starring Spencer Tracy and Ingrid Bergman.

You’ve heard of an Essex Girl or even a Chelsea Girl, but what about a Hounslow Girl? Definition of a Hounslow Girl: a young Muslim woman who wears hooped earrings with her headscarf and grapples with traditional values while hustling her way through urban London. The Diary of a Hounslow Girl is a bold and provocative one-person play, written and performed by Ambreen Razia. From the joys of traditional Pakistani weddings to fights on the night bus, this is a comic story of dreams, aspirations and coming of age, told through the eyes of a 16-year-old British Muslim girl.

A humanities professor at a liberal arts college is terrified of what she feels is an inevitable act of violence, fearing that one day, she will be the victim of a disgruntled student’s aggression. As a single mother, no one matters more than her little boy. So when a senseless act of violence changes her life forever, she finds herself inexplicably drawn to the very weapon used to perpetrate the crime—and to the irresistible feeling of power that comes from holding life and death in her hands.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

Aphorismen, Sketche und Szenen von Egon Friedell, gelesen von Heinz Marecek...

Écrit en plusieurs étapes, à partir de 1773, "Le paradoxe sur le comédien" ne sera publié qu'en 1830. Sous la forme d'un dialogue, dissymétrique, entre deux interlocuteurs censés défendre une thèse opposée, Diderot développe une véritable réflexion sur l'art du comédien et, plus largement, sur la création artistique. "Mais quoi ? dira-t-on, ces accents si plaintifs, si douloureux, que cette mère arrache du fond de ses entrailles, et dont les miennes sont si violemment secouées."

Sheridan Morley writes: "When my father died at eighty-four on the morning of Derby Day 1992 (one of the few he ever missed), he and I had been together for just over fifty years. In the immediate aftermath of his sudden death, I knew two things; how much I would always miss the sheer joy of his company, and how much I wanted to write about him, if only to explain to myself and my children the life and career of the last great Boulevardier of his or any other time."

James Sheldon was directing the radio show We, The People when it became the first commercial CBS network program to telecast nationally on June 1, 1948. Since then he has experienced the technological changes from live to electronic tape to film, from black and white to color, and from a few hundred thousand to the multimillions of television sets in use today.