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A distinguished dance critic offers an enchanting introduction to the art of ballet. As much as we may enjoy Swan Lake or The Nutcracker, for many of us ballet is a foreign language. It communicates through movement, not words, and its history lies almost entirely abroad - in Russia, Italy, and France. In Celestial Bodies, dance critic Laura Jacobs makes the foreign familiar, providing a lively, poetic, and uniquely accessible introduction to the world of classical dance.

In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.

We are naturally drawn to smooth, harmonious movement. Both social and physical graces have been taught since the dawn of civilization. Yet grace seems forgotten in our pushy, hectic modern world. Sarah L. Kaufman argues that we bring it back. She celebrates grace in the way bodies move, exploring how to stand, walk, and dress well. She deplores the rarity of grace among public figures and glories in it where found (Beyoncé at a fashion show).

For more than 400 years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. A ballerina dancing The Sleeping Beauty today is a link in a long chain of dancers stretching back to 16th-century Italy and France: Her graceful movements recall a lost world of courts, kings, and aristocracy, but her steps and gestures are also marked by the dramatic changes in dance and culture that followed.

Hello. It's Todd Barry. Yes, the massively famous comedian. I have billons of fans all over the world, so I do my fair share of touring. While I love doing shows in the big cities (New York, Chicago, Cleveland), I also enjoy a good secondary market (Rochester, Springfield, Toledo). There's something great about performing in a place where they don't expect to see you.

This is the true story of how one moment in time, by the thinnest thread of a chance, changed the course of a small boy's life in ways that are beyond description. One day he would dance with some of the greatest ballet companies of the world. One day he would be a friend to a president and first lady, movie stars, and the most influential people in America. One day he would become a star: Mao's last dancer, and the darling of the West.

On a freezing night in January 2013, an assailant hurled acid in the face of the artistic director of the Bolshoi Ballet, Sergei Filin. The crime, organised by a lead soloist, dragged one of Russia's most illustrious institutions into scandal. Under Vladimir Putin, the Bolshoi Theatre has been called on to preserve Russia's lengthy artistic legacy and to mirror its neo-imperial ambitions.

When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and - when he dances with Alzheimer's patients - even a kind of community service.

The creative process is messy and elusive, right? It doesn't have to be. This book will take you from wild inspiration to polished masterpiece using a three-part proven-effective formula that's helped hundreds of artists from Grammy nominated musicians to world class choreographers.

The inspiring true story of Loïe Fuller, a radical 19th-century art nouveau icon who turned artificial light into performance art and became the incandescent inventor of modern dance, is revealed in this transportive and hypnotic historical narrative.

As dramatic, graceful and deeply felt as a pas de deux, Shanghai Tango is a deeply personal and inspiring account of growing up in a body that feels alien and of braving pioneering surgery in communist China.

The mysteries of the Black Madonna can be traced to pre-Christian times, to the ancient devotion to Isis, the Earth Goddess, and the African Mother, to the era when God was not only female but also black. Sacred sites of the Black Madonna are still revered in Italy, and, as Alessandra Belloni reveals, the shamanic healing traditions of the Black Madonna are still alive today and just as powerful as they were millennia ago. Sharing her more than 35 years of research and fieldwork at sacred sites, Belloni takes you on a mystical pilgrimage of empowerment, initiation, and transformation.

In December 1917, Vaslav Nijinsky, the most famous male dancer in the Western world, moved into a Swiss villa with his wife and three-year-old daughter and began to go mad. A prodigy from his youth in Russia, Nijinsky came to international fame as a principal dancer in Serge Diaghilev's Ballets Russes. When psychosis struck, he began to imagine himself as married to God. Although he lived another 30 years, he never regained his sanity. This diary is Nijinsky's confession and his prophecy, the only sustained, on-the-spot account we have by a major artist of entering psychosis.

The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time. In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.”

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.

The story begins in 1970. The day after Jimi Hendrix's death...dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades, and the Eavises' vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million.

Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six-year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited.

When people ask me: “Why do you practice?” I tell them: “I practice for the opportunity to be more ME!” And this is why I wrote this guide: to help you form a constructive mentality around practice and change, help you fight mental icebergs that are keeping you back, help you set up your framework, your practice, your own Tango training, and your path to becoming more YOU every day!

Are you ready to be swept off your feet? Dive into the mesmerizing world of dance with "The Elegance of Motion: A Journey Through the World of Dance," the latest masterpiece by renowned author Susanne J. Katts. This captivating book is your passport to an extraordinary journey through the rich and diverse universe of dance.

Motsi opens up about the determination, hard work and resilience it took to get to where she is today from the moment she fell in love with the glitterball world as a young child watching a dance tournament whilst on holiday. She takes us back to growing up in apartheid South Africa where she experienced exclusion and discrimination, raising money to compete in cut-throat international competitions and the huge leap of faith she took giving up her law degree, moving to Germany to be with her dance partner and throwing everything in to becoming the best dancer she could be.