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The British Museum has two quite different archaeological exhibitions on view at the moment. In some ways, they echo one another. In other ways, they are quite strongly contrasted. The strongest link, of course is that they are about the archaeology of the Mediterranean, and that in addition, they both have ties to the classical Greek and Roman world that is still the main taproot of Western civilization.

It is hard to find an island on the map more central than Sicily. Located at the crossroads between Europe and Africa, and between the eastern and western Mediterranean, Sicily has rarely been governed as an independent, unified state. Nonetheless, the island has always occupied a front-row seat to some of the most important events in history.

Spartacus is the world’s most famous slave, and one of the most notorious figures of Ancient Rome. A slave enamored of freedom and willing to fight and die for it, he became especially popular in the years following the Enlightenment, after which he was widely viewed as a poignant champion of liberty in the 18th and 19th centuries. As a result, he became a symbol during struggles like the French Revolution, the American Revolution, the American Civil War, and the struggle for emancipation.

The story of Atlantis has captured the minds and hearts of historians, scientists, artists, and writers for millennia, and yet it never ceases to amaze people when told that the only literary evidence that exists comes from a single fourth century BCE author. The Athenian philosopher Plato, famous for his dialogues in which the Socratic Method was invented, was the first writer to mention the mysterious continent of Atlantis.

The reasons for so little being known about Thebes and its contributions to ancient Greek civilization are complex, but the fact that it was totally destroyed by Alexander the Great is certainly one. Unlike Athens and Sparta, there are no magnificent structures still extant - indeed, the scale of the destruction meted out to Thebes was so great, that very few artifacts of any kind have been discovered that enable a full picture of life in the city. With the very notable exception of Pindar, Thebes did not produce significant numbers of philosophers or playwrights.

Miletus was an ancient city located on the west coast of present-day Turkey. It was the main city in the land of Ionia, a territory that stretched over 2,000 square kilometers of western Anatolia. With its four great harbors and a strategic location, Miletus became one of the most important coastal cities of western Anatolia, linking the Hellenistic world with the great civilizations of Babylon, Egypt, and eventually, Persia. Over time, Miletus was ruled by the Minoans, Mycenaeans, Hittites, Ionians, Persians, Seleucids, Attalids, Romans, Byzantines, Seljuk Turks, and Ottomans.

Atlantis - the mythical city that was first mentioned by Plato in his Timaeus and Critias. While largely believed to be fictional, Atlantis has made its way into literature and manages to flourish over the years. Through time, the myth became a legend that eventually enticed individuals to delve into this ancient city and find out whether Plato's references are mere fiction or actually a fact.

It seems to be a normal, modern-day practice to reduce all the gods of the ancient pantheons to their most basic abstract concepts: Ares represents war; Demeter, agriculture; Aphrodite, love; and so on. In the process, these characters lose any personality with which they might have been imbued over millennia of stories

Among all the early Iron Age people from the Near East, the Phrygians are perhaps one of the most misunderstood. They built a powerful and wealthy kingdom, but were overshadowed by their more powerful and wealthier neighbors, the Lydians. Although the Phrygians were literate, most of their surviving texts have been little use to modern historians who desire to reconstruct their chronology, so they are left to use often biased Classical and Assyrian sources.

Perhaps the most famous epic poems ever written, the Iliad and the Odyssey have been read for nearly 3000 years, making it also one of the oldest written works in the Western world. The poems made characters like Paris, Helen, Odysseus, Achilles, Hector, and Ajax instantly recognizable, and they also influenced other ancient poets like Virgil, whose Aeneid is clearly modeled after them.

The story of Jason and his crew of Argonauts is one of the best-known and most beloved myths of all time. Blockbuster movies have been made about it, and legendary explorer and historian Tim Severin even constructed a replica of the Argo in 1984 and succeeded in sailing it to Colchis (modern-day Georgia). In the ancient world too, this myth was told and retold time and again.

Dominated to this day by the sprawling white marble complex of the Acropolis, Athens is a city which is immensely and rightly proud of its past. For a period of roughly three centuries, the polis of Athens stood, if not in a position of unchallenged supremacy among the cities of Hellas, then at the very least among its three most important polities.

Attempting to cover all the forms the "Goddess of Love" encapsulates is no small affair. The roles she played in romance, marriage, procreation, and all of the other desires of humanity were myriad, but the aim of this book is to paint a slightly different, perhaps more esoteric version of Aphrodite from the usual image of her in mythology books.

Although the armies of the ancient Greek, or "Hellenic", city-states (poleis, singular polis) included both cavalry (hippeis) and light infantry (psiloi, peltastes, gymnetes), their mainstay was undoubtedly the heavy infantry known today as hoplites. Armed to the teeth with their distinctive round shield (aspis or hoplon), high-crested helmet (corys) and long spear (dory), the hoplites were some of the most efficient soldiers of their time.

The center of political and commercial interaction in the Ancient Greek polis was the agora. The word essentially means a gathering place or an open space, and in all Greek city states, the agora was central to all aspects of daily life and commerce. As the agora developed as a civic space, particularly from the sixth century BCE onward in Athens, the architectural splendor of the buildings associated with it became an ever more obvious demonstration of the power and glory of Athenian democracy.

There have been no shortage of great warrior societies in history, including the Romans, Mongols, Macedonians, and Vikings, the list goes on. Yet one humble city in particular, nestled in a valley near the Eurotas River in the Greek region of the Peloponnese and once ridiculed as little more than a cluster of villages inhabited by uncouth shepherds, produced the most famous warrior elite the world has ever known.

In a time of mythical beasts and powerful gods, tales of heroism and mankind's beginnings proliferated through the ancient world and endured for centuries thereafter. From the origins of the universe, to the creation of man, Greek mythology has formed the bedrock of Western culture and civilization. Its influence has captivated people for thousands of years and traces remain everywhere, from our literature, films, and everyday language.

What was the role - if any - of the land itself in shaping Greek (and particularly Athenian) attitudes toward themselves and their way of life? Did the land play any significant part at all in forming Greeks and Athenians? To answer these questions, it is essential to examine the impact of climate and landscape in the region known as Attica on the creation of Greek culture.

Poseidon is one of the most easily recognizable characters in all of ancient Greek mythology. His signature trident is iconic; one sight of it invariably floods the modern mind with images of aquatic chariots and daunting typhoons. But there is so much more to the character of Poseidon than maritime denizens and disasters, which shouldn't really come as a surprise.

Most commonly known as the antagonists of the pantheon of gods led by Zeus, the Titans embody "unrest" and "transience" for the modern listener, but for reasons less than the obvious. History, after all, is the story of the winners, and the world of the ancient Greeks was a world of a very real, highly querulous pantheon that it behooved ancient writers to glorify in their works.