検索キーワード： 女性学

Drawing on examples from around the world—from Uganda, Nigeria and South Africa to Saudi Arabia, the Americas and Europe—Gqola traces the construction and machinations of the female fear factory by exposing its lies, myths and seductions. She shows how seemingly disparate effects like driving bans, higher education rape, sexual harassment and femicide are all premised on the construction of people, mostly women, as female, and thereafter the use of fear as a tool of patriarchal subjugation and punishment.

As a breastfed baby herself, Joanna Wolfarth assumed it would come easily to her when she had her first child. Yet three weeks after the birth, she was back in hospital with an underweight baby, bewildered by the inconsistent advice and myriad problems she was encountering. As a cultural historian, Joanna's impulse was to look to the past. What she discovered, neglected in the archives, amazed and reassured her. She found connection and solace in communities from the past.

Como una suerte de memorias, que van desde la infancia hasta la adultez, Desirée Bela-Lobedde, activista afroespañola, nos cuenta cómo es vivir siendo mujer y negra en España, cómo es sentirse siempre diferente y cómo es ser testigo del racismo que todavía existe en este país. Y lo hace desde el corazón y desde la profunda convicción de que esto puede cambiar y que, finalmente, todos podemos llegar a ser mejores personas si dejamos los prejuicios y la intolerancia de lado.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

En 1988, los detectives del Departamento de Policía de Sacramento, fueron llamados para investigar la desaparición de un hombre en su última dirección conocida: una casa de huéspedes para ancianos, indigentes y enfermos mentales. La propietaria, Dorothea Puente, era una adorable anciana que cuidaba de los vagabundos y del resto de los náufragos de la sociedad. ¿Estaban perdiendo el tiempo persiguiendo a una anciana encantadora y caritativa o se estaban acercando a una asesina encubierta que explotaba a los miembros más vulnerables de la sociedad?

Emerging from the intersection of pandemic and uprising, The Déjà Vu activates forms both new and ancestral, drawing movement, speech, and lyric essay into performance memoir. As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life.

En debatbog, hvori forfatter Jannie Helle fremstiller den provokerende tese, at kvinden har bevæget sig væk fra sin sande kvindelighed, som består i følsomhed, indre ro og evnen til at drage omsorg for andre. Der sættes derfor spot på det moderne kvindeliv som hektisk og utilfredsstillende. Hvert kapitel afsluttes med en række spørgsmål til eftertanke. Jannie Helle, 1959-2010, dansk læge og forfatter. Hun var især kendt som redaktør af brevkasser i flere magasiner samt fra tv-programmet Eleva2ren.

La filosofía nos enseña que lo importante son las preguntas que nos hacemos, siempre que formulemos bien nuestros interrogantes y nos preguntemos por el fundamento de nuestros proyectos. La ética, por su parte es una invitación a ponerse en el lugar de los demás, y sucede que hasta ahora los hombres no se han puesto en el lugar de las mujeres. Con ellas ha valido casi todo: desde borrar su nombre y su historia hasta la violencia sexual.

En killjoy er ikke bange for at udpege den sexisme, vold og racisme, der findes overalt i vores samfund. Og en killjoy nægter at se til i tavshed for at bevare den gode stemning. I "Killjoy manifest" opstiller feminist Sara Ahmed ti principper eller viljeserklæringer for hvad en killjoy vil (gøre eller være) eller ikke vil (gøre eller være). Sidste del af bogen består af et overlevelseskit for killjoys. Sara Ahmed (f. 1969) er en britisk-australsk akademiker og aktivist.

"Jeg plasker naturligvis ikke bare lige ud i bølgerne. Jeg skal gå og finde ud af, hvor det ser ud til at være sikkert. Strømmen skifter, så det er ikke det samme sted hver dag. Men selv om faren er reel og havet skræmmende, så er det også dragende. Og det hører med, at jeg skal være alene. Det er afgørende. Vigtige øjeblikke kan jeg ikke godt dele med nogen." - Jytte Borberg Lise Johnsen har interviewet 14 kendte danske kvinder, der åbenhjertigt deler ud af deres livserfaring, holdninger og indsigt.

Ella Baker, Alice B. Toklas, Hannah Arendt, Octavia Butler, Agnes Varda, Elizabeth David, Edna Lewis, Maya Angelou, Laurie Colwin: these smart, engaging, revolutionary, and creative twentieth-century women were all profoundly influenced by their own relationships to food, drink, and other elements of sustenance.

"On nous a appris que l'histoire avait un sens et que, concernant les femmes, elle allait d'un état de servitude totale vers une libération complète, comme si la marche vers l'égalité était un processus naturel. Ce n'est pas exact. On a travesti les faits." De tout temps, les femmes ont agi. Elles ont régné, écrit, milité, créé, combattu, crié parfois. Et pourtant elles sont pour la plupart absentes des manuels d'histoire. Pourquoi ce grand oubli ?

What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."

Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds.

I 1957 rejste etnograf og socialantropolog Henny Harald Hansen med en arkæologisk ekspedition til den kurdiske del af Irak for at undersøge, hvordan folk levede i små muslimske samfund. Som kvinde var Henny Harald Hansen en atypisk opdagelsesrejsende i sin tid, og hun blev da også behandlet med en vis skepsis og undren i starten af sin rejse. Men det var måske også netop på grund af hendes køn, at hun endte med at få en særlig adgang til de tørklædebærende kvinders privatliv i landsbyen.

In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, originally published in 1990, Patricia Hill Collins set out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde.

Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America.

"Todo sobre el amor" ofrece nuevas formas radicales de pensar sobre el amor al mostrar su interconexión en nuestra vida privada y pública. En once capítulos concisos, hooks explica cómo nuestras nociones cotidianas de lo que significa dar y recibir amor a menudo nos fallan, y cómo estos ideales se establecen en la primera infancia. Ofrece un replanteamiento del amor propio (sin narcisismo) que aporta paz y compasión a nuestra vida personal y profesional, y defiende la importancia del amor para poner fin a las luchas entre individuos, comunidades y sociedades.

In 1970, Erin Keane’s mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Through a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother’s teenage years, questioning almost everything she’s been told about her parents and their relationship.

We Go High brings together the inspiring stories, motivational quotes and personal philosophies of 30 influential women of colour who have sought to overcome challenges of gender and race. Including political powerhouses such as Kamala Harris, Michelle Obama and Iriaka Ratana, as well as businesswomen like Netflix CMO Bozoma Saint John, and writers Michaela Coel and Chimamanda Ngozi Adichie. We Go High not only celebrates their achievements but uncovers the personal beliefs, attitudes and determination that drive them.