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Cana, Massachusetts, 1730. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister's words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies and judgments which threaten to destroy them in this world and the next

Settembre 1939. Aldo, ventenne fiorentino, giunge a San Domino, l’isola delle Tremiti scelta dal regime fascista come confino per chi era accusato di omosessualità. I cosiddetti “femminielli” alloggiano in due baracche fatiscenti, con un secchio a fare da gabinetto e un camino mal funzionante per le notti più fredde. Sono perlopiù siciliani, perché arrestati per un omicidio avvenuto anni prima a Catania e tuttora impunito, che continua a perseguitarli.

Clubbed Two is historical fiction, set in Philadelphia from 1982 to 1992. Club Sanctuary can be seen as a metaphor for the greater LGBTQ community, but it is written as a real place, with characters who are fabulous, funny, and flawed. The author combines historical characters and events with fictional ones, creating a story that's entertaining, informative, and emotional. The love story between the two main characters, Joey and Henry, serves as a vehicle for connecting the stories of diverse Queer characters.

Cuba, 1998: Rafa, an Afro-Cuban orphan, moves to Havana with nothing to his name and falls into a job at a cafe. He is soon drawn into a web of ever-shifting entanglements with his boss's son, the charismatic Renato, leader of the counterrevolutionary group "Los Injected Ones," which is planning a violent overthrow of the Castro government during Pope John Paul II's upcoming visit.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

Three years after Whiskey War, Dax and Rose live the high life at the Foster House, running the poshest speakeasy on the west coast. Half Moon Bay is about to claim its place as the top tourist destination in Northern California, with a second club and the remodeled Seaside Hotel under Grace Parsons's ownership and Dax's management. Repeal of Prohibition is on the horizon with the prospect of making their illegal liquor businesses legitimate. Dax's fractured friendship with Charlie Dawson is the only blowback from her battle with Frankie Wilkes

Fin Tighe is clinging to respectability by his nail-bitten fingers. He may be the illegitimate son of an English earl, but he hasn’t spoken to his father in a decade, and his engineer’s salary is barely enough to support him and his cousin Aurelie. And Fin’s evenings spent in the clandestine gay community may be legal through a loophole in the Napoleonic Code, but they leave him vulnerable. So, when Fin’s employer, Gustave Eiffel, announces that he needs additional investors to pay for his pet project, a 300-meter tower that will dominate the city’s skyline, Fin jumps at the chance.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

Curiosities opens with a present-day amateur historian, Anne, who describes her unexpected discovery of five seventeenth-century manuscripts that, astonishingly, tell the same strange story from vastly different points of view. The five manuscripts spin this tale: after the Plague descends upon a village in England, two small children, Joan and Thomasina, are the only survivors.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in 1980s New York City. When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes with its depictions of occult practices and queer debauchery.

Pregnant at fifteen after gleefully losing her virginity to pansexual neighborhood strongman Francis Anthony Mozzarelli, she is robbed of her baby by a pack of nefarious nuns and her embittered papa has her sterilized without her consent (legal in 1935). With the help of a besotted Francis and her top-secret meatball recipe, a devastated Bella embarks on a riotous quest through Depression-era Coney Island sideshows, the tawdry world of peek-a-boo striptease routines, a queer mob marriage, and a tasty collection of wisdom-filled recipes to find her lost child, herself, and maybe even true love.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, drenched to the bone in the bitter cold and able to speak barely a word of English.

In 1465 a simple pocketful of herbs could get you burned at the stake, but Luccia Alimenti, daughter of one of the legendary women doctors called Salernistas, travels Europe secretly distributing medical texts to midwives and herbalists. Despite dodging the Inquisition and battling the Plague with her beloved Irish godmother, Luccia finds love as well as heartbreak. Pushed to the edge, however, she must use her skill as an archer to rescue women being taken to the pyre.

After Sappho is Selby Wynn Schwartz's joyous reimagining of the lives of a brilliant group of feminists, sapphists, artists and writers in the late 19th and early 20th century as they battle for control over their lives; for liberation and for justice. Sarah Bernhard—Colette—Eleanora Duse—Lina Poletti—Josephine Baker—Virginia Woolf... these are just a few of the women (some famous, others hitherto unsung) sharing the minutes of a novel as fierce as it is luminous—lush and poetic; furious and funny.

1979. President Carter was in the White House. Three Mile Island. Odd-even gas rationing. Pink Floyd released “The Wall.” The Soviet Invasion of Afghanistan. Margaret Thatcher elected Prime Minister of the UK. The Iran Hostage Crisis. And disco…lots of disco.

T.S. Eliot is a hollow man trapped in a dreary world. He works at a bank, a slave to the clock, the same routine, day after day. While London’s elite enjoy a Great Gatsby lifestyle and poets like Robert Frost are rock stars, attracting thousands of fans to each reading, Mr. Eliot walks past life, peering at it through cracks or around corners. Only in his imagination does the world drip with color. Then one day he comes across Jack, an out and proud gay man being badly beaten, and something compels him to intervene. Life will never be the same.

Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

She was a stuntwoman in Hollywood during the Golden Age of Motion Pictures, a time when stuntwomen were few and far between. She doubled for some of the industry’s most famous leading ladies, appeared in some of the most popular films, and broke ground for women in entertainment. She supported causes, made a difference, and left her mark in arenas other than just show business.