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Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

Morris came to Manderlay Colony to write, to share his truth, and create something literary. But on his last night in the quiet, small town, a series of events leaves him trapped, with shrinking funds and no sure means of escape. As the hours and days pass, the beer bottles pile up on the bar counter, and his sense of self is challenged as he confronts a man from his past.

Reeling from a breakup with her long-term partner, Gray—an optimistic lesbian Aries—relocates to New Orleans for a new job. Gray wants to meet someone, settle down, and build the loving, accepting family she’s always wanted, but having been out of the dating scene for a decade, she has no idea where to start. After visiting an iconic astrologer, Gray and her best friend, Cherry, draw up a dramatic scheme: Gray will go on a date with someone of each zodiac sign to test their compatibility and get a jump start on creating the queer family of her dreams.

Set at the fag-end of the 60s at the moment when Swinging London is starting to take on a darker hue in the wake of Charles Manson's murders, and framed as a novel within a novel published by a seedy Piccadilly-based publisher of pulp fiction, Man-Eating Typewriter is a homage to the great oulipo experiments in fiction. It is the story of a psychopath called Raymond Novak and his untimely demise told entirely in 'polari' - a language developed and used mainly amongst the metropolitan homosexual community in the time when being gay was still a criminal offence.

Niemand würde Mary Ann als impulsiv bezeichnen, aber als sie sich eine Auszeit in San Francisco nimmt, beschließt sie kurzum, für immer zu bleiben. Hier an der sonnigen Westküste schillern die unterschiedlichsten Persönlichkeiten um die Wette. Auch die charismatische Anna Madrigal, die für jede verlorene Seele einen Joint und einen Platz in ihrer lebhaften Stadtvilla in der Barbary Lane parat hat. Die Schützlinge der Hausherrin zeigen Mary Ann das wilde Leben im bunten San Francisco.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.

Enid is many things: lesbian, serial dater, deaf in one ear, space obsessive, true crime fanatic. When she's not listening to grizzly murder podcasts, she's managing her crippling phobia of bald people and trying hard not to think about her mortifying teenage years—which is hard, when she's lost the password to her old YouTube account and the (many) vlogs that her teen self once uploaded. She's worried about herself, her depressive mother, and what the deal is with gender reveal parties.

This is the story of twenty-four hours in the life of Natwest, and his small-town odyssey in pursuit of the missing package. And yet it's also the story of a middle-aged dentist who dreams of being a respected artist—but the only thing he can seem to paint is the human mouth. And it's the story of a tortured imam involved in a quasi-romantic entanglement with the local vicar; and an octogenerian mourning the death of her secretive husband; and a troubled teenager whose nudes have leaked on the internet.

Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love.

It’s winter break at Treemeadow College, and theater professors and spouses Nicky Abbondanza and Noah Oliver, their best friends Martin and Ruben, and their sons, Taavi and Ty, are starring in a television pilot for the Nicky and Noah Mysteries series based on their first caper, Drama Queen. More is shot than footage as cast members drop like giant, flat-screen TVs mounted by an intoxicated carpenter. Once again, our favorite thespians will need to use their drama skills to catch the killer before they get cancelled.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

Manche Menschen liebt man oder hasst man – auf June trifft beides gleichzeitig zu. June Mayberry ist in einer beschissenen Lage: Ihre aus einer Alkohollaune heraus gegründete Detektei kommt nicht richtig in Schwung, zu ihrem pubertierenden Sohn, den sie nur einmal die Woche sieht, fehlt ihr jeder Zugang, und mit der verschwundenen Lehrerin, mit deren Suche sie beauftragt wird, war sie wenige Wochen zuvor noch im Bett.

A tech billionaire and the flight attendant he’s marrying. A TV superhero who used to be married to the flight attendant. A Manhattan book editor and the sensitivity associate who got him fired. A twenty-three-year-old wild child prodigy who’s perhaps the savior of American literature. A vengeful Arkansas sheriff who sells a vitamin-enriched, ten-pounds-off-today demulsifier. A Wall Street bro who raps on TikTok. Two dentists—possibly stalking each other. What do these people have in common? Invited or not, they’re all headed to the most anticipated destination wedding ever.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Elsa is struggling. Her formative, exhilarating relationship – with an older couple – has abruptly ended, leaving her depressed and directionless in her childhood bedroom. In the relationship’s wake, Elsa scrolls aimlessly through the internet in search of meaning. Faithfully, her screen provides a new obsession: a charismatic young actor whose latest feature is a gay love story that illuminates Elsa’s crisis. And then, as if she had conjured him, the actor arrives in her hometown, with an entourage of fellow actors, writers, and directors, for the annual theatre festival.

Kasey Nottingham needs a splashy idea at her company where they find and develop the next big thing for investors—her job depends on it. Impulsively, she pitches Mags’ Desserts, a beloved small-town business run by her grandma Mags and live-in “best friend” Celia, two women who overcame deadbeat husbands and financial ruin to build a word-of-mouth clientele. Kasey expects her boss to say no. Instead, he sends her home to North Carolina to land the deal…and now she has a problem.

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

It’s summertime at Treemeadow College and the living isn’t easy. Theatre professors and adorable couple Nicky, Noah, and their thespian troupe stage an original musical adaptation of the King Arthur Legends entitled, Knights in Tights. Queens blissfully shout, “King me,” until critics drop like their scathing reviews.

Wyatt Wallace is a practical, super organized director of TV commercials. Biz Petterelli is a child-actor-turned-magazine-writer who thrives on spontaneity. Though polar opposites, they are fully committed to their relationship and their life in Brooklyn with their dog, Matilda. They’re also about to have a baby together. And they’re freaking out. They’ve both dreamed of becoming parents, but now that it’s happening, they’re doubting everything. Their baby is due in a few weeks and instead of flying to California just before the birth as planned, Biz has a better idea.