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Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

A child born into a dysfunctional family is trying to find out how she fits into the world, by watching the mistakes of others; she has to learn to love the skin she is in, while not letting her family define who she is capable of becoming. This poetry will pierce your soul and the images will remain with you for years to come. This book was written to help all those who feel they've been left behind. There is hope.

Reflections on life, family, memories, and the world around us. On mental health, heartbreak, and stories that have inspired so many. These poems bare the soul of the author. What you take from them, and how you perceive them, is entirely up to you.

Court recueil de courts poèmes qui font sourire, parfois réfléchir et toujours rappeler l'enfance au présent.

This debut poetry collection takes a slanted view at five aspects of being human: life, love, loss, longing, and laughter. Pain and struggle and suffering is a given in life — for some more than others. Joy is inseparable from sorrow and pain; joy finds its footing in the latter. Each day, each morning, we have a choice to make: misery or joy. Joy is the better option.

The Dry Valley encapsulates one woman’s relationship with herself, her alcoholic spouse, and the world, in three different Saskatchewan landscapes. The poems offer a fascinating interplay between mindful explorations of self and immersions in the challenging complexities of interpersonal relationships, social issues, and meaningful engagement with the environment.

A lively and imaginative debut, Neoteny explores blindness, family, and birdsong. In these poems, Emily K. Michael meditates on literary and personal heroes like Jo March, her beloved grandmother, and her guide dog. This collection is rich with treasures from childhood - the honey-colored piano Michael played, the fig tree in her front yard, and the trays of fresh mint drying on her grandmother's table.

With the same brilliant wit and biting realism that made Love Poems for Married People, Love Poems for People with Children, and Love Poems for Anxious People such hits, John Kenney is back with a brand new collection that tackles the hilarity of life in the office. From waiting in line for the printer and revising spreadsheet after spreadsheet, to lukewarm coffee, office politics, and the daily patterns of your most annoying - and lovable - coworkers, Kenney masterfully captures the warmth and humor of working the "9 to 5" in today's modern era.

Christian Morgenstern kombiniert in seinem Werk ernste, gedankenvolle Lyrik und groteske Verse mit ironisch-skeptischem Witz. In seinen Werken ist die Frage nach dem Sinn der menschlichen Existenz sowie der Versuch, den Mensch zu sich selbst zu führen, verankert. Er nimmt Sinnbilder wörtlich, wandelt Klangbilder in sinnfreier Analogie und grotesker Umdeutung ab. Interpretiert werden Morgensterns Texte von Meistern ihres Fachs, die dabei genau den richtigen Ton treffen - gefühlvoll, pointiert, ironisch und vor allem facettenreich.

A radiant collection of poetry about womanhood, intimacy, and the body politic that together evokes the arc of an ordinary life. Nabaneeta Dev Sen's rhythmic lines explore the joys and agonies of first love, childbirth, and decay with a restless, tactile imagination, both picking apart and celebrating the rituals that make us human.

With her breakout bestseller Keep Moving, Maggie Smith captured the nation with her “meditations on kindness and hope” (NPR). Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory.

What My Hand Say, on one hand, is a bold unapologetic tribute to Black people living their lives in South Carolina. While on other hand, it is a palpable reckoning with the state’s weighted history. In this book, Glenis Redmond’s poems span from the 1800s to the present. The impact of going from poem to poem purposely causes emotional whiplash, as if to say welcome to the volatile place, in which “I/we have always had to live.” 

Through the poems of Voice Message, Katherine Barrett Swett reflects on her personal tragedy and the fragility of human lives and bodies with a tender care. Her debut collection explores the powers of art and poetry to participate in the processing of catastrophic grief, speaking through both the consolation and devastation these creative works can offer. Swett’s formal verse provides a lens through which sadness, destruction, and loss appear as aberrant and inevitable.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

From Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.

Through poems that are as unforgettably beautiful as they are accessible, Kate Baer proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages and in their own lives. Her poems are those you share with your mother, your daughter, your sister and your friends.

'I'm sure you could benefit from jumping on a treadmill,' 'Women WANT a male leader.... It's honest to god the basic human playbook.' These are some of the thousands of messages that Kate Baer has received online. Like countless other writers - particularly women - with profiles on the internet, as Kate's online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from 'advice' and opinions to outright harassment.

A collection of honest, fierce and beautiful poems about being a mother, from pregnancy and birth to growing up and leaving home. Curated by acclaimed anthology Ana Sampson, Night Feeds and Morning Songs examines motherhood from all angles, capturing the mess and the madness, to the joy and the wonder....

The work of Carl Dennis has won praise for its “integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry” (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species.