検索キーワード： アジア系アメリカ人・太平洋諸島系

Hiromi Goto’s acclaimed debut novel is a feminist examination of the Japanese Canadian immigrant experience. Focusing on the lives of three generations of women in modern day Alberta, Goto uses their stories to examine the impacts of privilege and cultural identity on Asian Canadian immigrants.

Set in 1944 Chicago, Edgar Award-winner Naomi Hirahara’s eye-opening and poignant new mystery, the story of a young woman searching for the truth about her revered older sister's death, brings to focus the struggles of one Japanese-American family released from mass incarceration at Manzanar during World War II.

Born in 1940, one of eight children, Maxine Hong Kingston is the daughter of Chinese immigrants to America. Her father, a scholar in China, ran a laundry business and a gambling house in California; her mother, a doctor in China, helped with the laundry and worked in the fields. Maxine won scholarships to the University of California at Berkeley, where she returned to teach as Senior Lecturer in the Department of English.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

An ex-boxer turned nail salon worker falls for a pair of immaculate hands, a mother and daughter harvest earthworms in the middle of the night, a country-music-obsessed housewife abandons her family for fantasy and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs and above all, the pursuit of a place to belong.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

Japanese-American Rei Shimura is a 27-year-old English teacher living in one of Tokyo's seediest neighborhoods. She doesn't make much money, but she wouldn't go back home to California even if she had a free ticket (which, thanks to her parents, she does). Her independence is threatened, when a getaway to an ancient castle town is marred by murder. Rei is the first to find the beautiful wife of a high-powered businessman, dead in the snow. Taking charge, as usual, Rei looks for clues by crashing a funeral, posing as a bar-girl, and somehow ends up pursued by police and paparazzi alike.

Siriwathi Perera doesn’t quite know where she’s going in life. She never expected to be a taxicab driver in New York City, struggling to make ends meet and still living with her parents at twenty-eight. The true-crime podcasts that keep Siri company as she drives don’t do much to make up for the legal career she imagined for herself, or the brother she’s grieving. When public defender Amaya Fernando gets into her cab, they make a quick connection through their shared Sri Lankan roots.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

In his highly anticipated second novel, Family Life, he delivers a story of astonishing intensity and emotional precision. We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: When automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important.

It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.

Yunjae was born with a brain condition called alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends - the two almond-shaped neurons located deep in his brain have seen to that - but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you", and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.

Life is built on single decisions. Choose wisely. It’s one of life coach Nikki Parekh’s mottos. That and being open to opportunities and taking leaps without fear. But when Nikki accepts her boyfriend’s casual proposal of marriage, she wonders if it’s just too soon, too spontaneous—and so sudden that she seeks out the advice of her not-so-nurturing mother, Tara. To Nikki’s surprise, Tara, who raised her daughter to be self-sufficient, urges Nikki to trust her decision.

Diana, Justin, Errol, and Vivian have been told their entire lives that success is guaranteed by following a simple checklist. They worked hard, got A's, and attended a good university—only to graduate into the Great Recession of 2008. Despite their newly minted degrees, they're unemployed, stuck again under their parents’ roofs in a hypercompetitive Chinese American community. So when Grace—once the neighborhood golden child, now a Harvard Law School dropout—asks to make a documentary about the crew, they say yes. It’s not like her little movie will ever see the light of day.

Claudia Lin is used to disregarding her fractious family's model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She's also used to keeping secrets from them, such as that she prefers girls – and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

If I Had Your Face is a riveting debut novel set in contemporary Seoul, South Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania. Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound complexity. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost.

Alice Chen doesn’t believe in true love, but she does believe in cold, hard cash. Buckling under the weight of student debt and her mother’s medical bills, Alice will do anything to make bank–even star on Dawn Tay’s Inferno, the hot new reality TV show designed to push couples to their breaking point. The show is Alice’s chance to sip cocktails on the beach and win a cash prize of a million dollars. But when her fiancé cheats on her with another contestant, Alice is faced with a choice.