検索キーワード： アジア系アメリカ人・太平洋諸島系

It is 2008. Sam’s dream publishing debut is three years behind him. Now he is a writer without a story. Desperate for inspiration, he takes the opportunity to ghostwrite an old Vietnamese solider’s memoir, only to find that his subject, Mr. Lan, is an intractable communist, whose amazing narrative is rooted in the vilification of Vietnamese emigres, the very people Sam’s debut celebrated.

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

The billionaire Sun Clan of Greater Los Angeles is your typical American family, with power-struggling aunties, emasculated uncles, scheming cousins, scandalous secrets and a fortune teller on retainer. But at the end of each combative day, the Suns are chained together with golden handcuffs, whether they like it or not. Yet strange storms are a-brewing. Their matriarch, Roses Sun, is grappling with an existential crisis: she must produce a male heir that bears the clan's surname.

The Chu siblings haven’t seen each other in years but when they’re told that their ailing mother is scheduled for an operation next month, they agree to visit her together. Then their mother makes an odd request: before seeing her, they must go on a road trip together to the Grand Canyon. Thirty years ago, a strange incident had aborted a previous family road trip there. No one’s ever really spoken about it, but during this journey, the middle-aged Chu siblings have no choice but to confront their childhood experience.

A Chinese mother and daughter wrestle with the demons of their past. Lemei, once a student Red Guard leader in 1960s Shanghai and a journalist at a state newspaper, was involved in a brutal act of violence during the Tiananmen Square protests and lost all hope for her country. Her daughter, Lin, is a student at an American university, executing her mother's grand plan for her to become a true Westerner. Following China's meteoric rise, Lemei is slowly dragged into a nationalistic perspective that stuns Lin, leading to grave conflicts.

Gish’s mother--Loo Shu-hsin--is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally-minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary.

Chef Liv Kuo’s star is on the rise…until a traumatic incident leaves her emotionally unable to venture outside her Manhattan apartment. But an unexpected reason to break free comes from Ah-Ma, Liv’s beloved grandmother in Taiwan. Ah-Ma needs Liv’s help in finding her fourth daughter, taken from her when the girl was an infant. After all these years, it seems impossible. It’s also a mystery: Ah-Ma’s fourth daughter is an aunt Liv never even knew existed.

Kelly Song is primarily focused on finishing up her last year at UCLA. Her finals don't allow her the luxury to get into the latest K-Dramas like her friends can. To make matters even more laughable, they’re star-struck over many of the lead actors, which Kelly finds ridiculous.

Bruce Blanc, fresh off a nine-year prison jolt and back on the streets of Honolulu, is about to turn 41. He finds himself embroiled in urban Honolulu’s Asian American nightlife. Kids lighting up the night with cocaine and killing daylight with Xanax. Girls who spend more time looking at themselves in the mirror than Snow White’s stepmom; the older divorcees with means who prey on them. And 90-pound female drug lords and the cops in love with them. A new bar is opening or shutting down daily.

Ken Hideyoshi is the new guy in Halawa Correctional Institute. He’s tough looking, a hard case. His cellmate is Cal—the mute tattoo artist of the prison who murdered his own wife. Ken, already inked with a gang symbol and a Japanese emblem, eventually asks Cal to create an elaborate tattoo on his back, in kanji script, of Musashi’s Book of the Void.

Long Fang is stranded in a foreign world where proper cultivation has been replaced by annoying blue screens. He is confused and alone...but not for long. Completely ignoring the System, he forms a wholesome sect of followers to spread cultivation across the wild world. Blue screens do not take kindly to rejection, however, and Long Fang’s stubbornness soon finds him pitted against increasingly dangerous foes.

अमरकलई सपनक दश दखर नपल छडनहर परकरनतरल नपललई न सवपनभम दखन थलछन भनन भवम सरजत य उपनयस चलयमन परवस नपलहरक मनसथतक सनदर चतरण ह य सपन खजन वदशन यव र तनक अभभवक तथ आफनतजनल पढनपरन कत बनक छ ड. रमज तमलसन

In the fifteen masterful stories that make up this collection, Jai Chakrabarti crosses continents and cultures to explore what it means to cultivate a family today, across borders, religions, and race.

Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred. From Shanghai to Vancouver, the women in this collection haunt and are haunted.

France, 1918. In the final days of the First World War, a young Chinese woman, Pauline Deng, runs away from her uncle’s home in Paris to evade a marriage being arranged for her in Shanghai. To prevent the union, she needs the help of her cousin Theo, who is working as a translator for the Chinese Labour Corps in the French countryside

Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor. Ruhaba unexpectedly ignites Oliver’s long-dormant passions, a secret desire that quickly tips toward obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Oliver becomes a mentor to Adil, using his friendship with the boy to draw closer to his aunt.

Jun Bear only has weeks before they come for her. Sought by both a coven of witches and an order of assassins, Jun must remain hidden to survive.

Theo's adventure ended with his mentor's hands around his neck. The betrayal cost him his friends, allies, and everything he had built...but not his life. Though broken and powerless, Theo has one last chance to enter the Nine Worlds, wielding the knowledge and expertise of his first life. This time, he needs more than just power, he needs to unravel the deception that killed him once...and is coming for him again.

Raised by their mother, a bar owner in Bolohead Row, Honolulu's red-light district, they each face issues of varying addictions. Charlie, the newly divorced stepson, works a dead-end job in an ABC store and spends nights at his mother's bar singing karaoke. Mark is a shut-in who occupies all of his waking hours playing a computer game called Everquest. Within 24 hours of being out of prison, Winnie, the eldest, has a boyfriend, money, and enough drugs to send her back for life. Dangerous people are searching for her, and Charlie is unwittingly swept into her turmoil.

In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties.