検索キーワード： アジア系アメリカ人

Anna Tang doesn't date Asian guys. Her own Chinese family is bad enough, and she's not looking to double the trouble. Besides, she's busy chasing her dream of becoming a music journalist, and she's going to march towards it single-mindedly—and single, if need be.

Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors.

From the National Book Award “5 Under 35” honoree and author of Bestiary comes startling stories that center the bodies, memories, myths, and relationships of Asian American women. In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser.

Shantanu Das is living in the shadows of his past. In his fifties, he finds himself isolated from his traditional Bengali community after a devastating divorce from his wife, Chaitali; he hasn’t spoken to his older daughter, Mitali, in months. Years before, when his younger daughter, Keya, came out as gay, no one in the Das family could find the words they needed. As each worked up the courage to say sorry, fate intervened: Keya was killed in a car crash.

It is 1938 in China and, as a young wife, Meilin’s future is bright. But with the Japanese army approaching, Meilin and her four year old son, Renshu, are forced to flee their home. Relying on little but their wits and a beautifully illustrated hand scroll, filled with ancient fables that offer solace and wisdom, they must travel through a ravaged country, seeking refuge. Years later, Renshu has settled in America as Henry Dao. Though his daughter is desperate to understand her heritage, he refuses to talk about his childhood.

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Now Jin turns her considerable talents to short fiction, in ten thematically linked stories.

Ava Wong has always played it safe. As a strait-laced, rule-abiding Chinese American lawyer with a successful surgeon as a husband, a young son, and a beautiful home—she’s built the perfect life. But beneath this façade, Ava’s world is crumbling: her marriage is falling apart, her expensive law degree hasn’t been used in years, and her toddler’s tantrums are pushing her to the breaking point. Enter Winnie Fang, Ava’s enigmatic college roommate from Mainland China, who abruptly dropped out under mysterious circumstances.

On a small Pacific island, two siblings tune in to a breaking-news radio bulletin. It is 1985, and an Indian grocer has just been attacked by nativists aligned with the recent military coup. Now, fear and shock ripple through the island’s deeply rooted Indian community as racial tensions rise to the brink. Bhumi hears this news from her locked-down dorm room in the capital city. She is the intellectual standout of the family, an aspiring botanist on the path to success. But when her connection to a government official becomes a liability, she must flee her unstable home for California.

Twenty-one years after the publication of his landmark debut collection Yellow, Don Lee returns to the short story form for his sixth book, The Partition. The Partition is an updated exploration of Asian American identity, this time with characters who are presumptive model minorities in the arts, academia, and media. Spanning decades, these nine novelistic stories traverse an array of cities, from Tokyo to Boston, Honolulu to El Paso, touching upon transient encounters in local bars, restaurants, and hotels.

Victor Li is a man without a past. To his new employer, Mark, he’s just an anonymous hired hand to help with the dirty work. Together, they break into storage units that contain the possessions of the recently deported, pocketing whatever is worth selling. Only Victor and his sister, Jules, know that he’s a wanted man. Amid the backpacks and suitcases, Victor makes the find of a lifetime: a gem rare and valuable enough to change his fortunes in an instant.

A woman driven to marry out of desperation. A billionaire who cannot stand gold diggers. The heat between them will lead to one or both of them getting burned. For richer, for poorer...in bondage and submission.

Management consultant Lucie Yi is done waiting for Mr. Right. After a harrowing breakup foiled her plans for children—and drove her to a meltdown in a Tribeca baby store—she’s ready to take matters into her own hands. She signs up for an elective co-parenting website to find a suitable partner with whom to procreate—as platonic as family planning can be.

In The Gutter Spread Guide to Prayer, Eric Tran contends with the aftermath of a close friend’s suicide while he simultaneously explores the complexities of being a gay man of color. Grief opens into unraveling circles of inquiry as Tran reflects on the loss of his friend and of their shared identity as gay Asian American men. Through mourning and acute observations, these poems consider how those who experience marginalization, the poet included, may live and fall victim to tragedy.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

In modern-day Tokyo, Robin Swann's life has sputtered to a stop. She's stuck in a dead-end job testing antiquities for an auction house, but her true love is poetry, not pottery. Her stalled dissertation sits on her laptop, unopened in months, and she has no one to confide in but her goldfish. On the other side of town, Nori Okuda sells rice bowls and tea cups to Tokyo restaurants, as her family has done for generations. But with her grandmother in the hospital, the family business is foundering. Nori knows if her luck doesn't change soon, she'll lose what little she has left.

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits girls for a mysterious duty in the capital, she seizes the opportunity to escape her impoverished village. It is only when Mei arrives at the Chairman’s opulent residence—a forbidden city unto itself—that she learns that the girls’ job is to dance with the Party elites. Ambitious and whip-smart, Mei beelines toward the Chairman.

When the Seoul police inform Min that his girlfriend Yu-jin has committed suicide, he’s sure it can't be true. She was successful, ambitious, happy, just on the cusp of graduating from university and claiming the future she’d always dreamed of.

Deepak comes to America immediately mesmerized by the immensity of its abundance. After leaving Nepal, his plan is to make his fortune in the land of opportunity. He quickly learns America is more than he bargained for, especially his newfound "friends". He questions whether he can even survive, much less succeed, in this new country until he finds an unexpected, unlikely love.

I don’t take anything too seriously. Not the career that’s brought me fame and fortune, or the never-ending string of women that fill my bed, and definitely not myself. But life has a way of turning on a dime. The party is over. All the jokes have been told. One beautiful face blurs with the next beautiful body and all I feel is...empty. Until her.