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Honest, raw and very funny, Selin Sevinç's musings on the art of screenwriting shine light on the illusive craft which plays such a pivotal role in the movie making process. In-between recollecting on her efforts to make unique stories in a industry seemingly interested only in identikit movies, Sevinç blends in darkly amusing tales of homelife and motherhood in Oregon, US, and reminisces on her own childhood growing up in Turkey. In the latter sections, Sevinç shares guidance with the listener on how to make thought-provoking and meaningful screenplays.

In Buddha and the Dancing Girl, Catherine Ann Jones generously shares experiences most of us will never have: acting on the stage and screen, living for years in a South Indian hut, writing award-winning plays and screenplays, and lecturing internationally. Yet her memoir offers a deeper gift: spiritual and psychological wisdom distilled from a lifetime of reflection

One of the most challenging aspects of screenwriting is character development. The reason for this is because it is so easy to create characters that are simply carbon-copies of one another. This sounds harmless in theory, but your screenplay, novel, or book suffers in the long run because the characters lack substance, depth, and relatability. With this audiobook, I take away all the guesswork by honing in on the top 12 elements that are needed to create characters that are beautifully human, authentic, compelling, and three-dimensional. Step into my office and let's get started!

Thanks to this guided storytelling course, you will learn how to create and structure a story from beginning to end, following the archetypes of storytelling. If you have a book in your drawer, if you are missing some incipits or some narrative features, this is the path for you. You will learn to create blocks to build in order to make your story compelling and exciting, and to characterize protagonists, antagonists, and secondary characters following a functional narrative scheme that has been used on many occasions, from TV series to novels and ancient literature.

While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions.

No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the best-selling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and more.

Bull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why.

Eric Edson has developed a new tool for bringing depth and passion to any screenplay or novel - the 23 Actions All Great Heroes Must Take. It's an easy-to-understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, this accomplished screenwriter and university professor pinpoints the story structure reasons most new spec scripts don't sell.

This is a beginner's guide to starting, finishing, and filming a screenplay. It includes tips to write and structure emotionally satisfying screenplay(s).

The foundation of a successful writing career is to actually write. Yet, 99 percent of those who have a story to tell will never take the time to actually sit down and write it. Write a Screenplay Every 60 Days is your ultimate guide through the entire process - from concept to production.

Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form audiences are wired to receive it.

In writing a novel or screenplay, does writing Act II scare the heck out of you? Easily outline your novel or screenplay with this concise and insightful book. Are you confused as to how the three-act structure works? Want to make your novels or screenplays pop and create more compelling narratives? Consider it a screenwriting or novel worksheet for your mind. Three-Act Structure: Classified delivers!

Learn the inside thinking behind 23 highly successful, classic, low-budget movies and discover techniques for making a little go a long way. Includes in-depth interviews with screenwriters with such credits as the Academy Award®-nominated films You Can Count on Me, Metropolitan, and Capote - plus such classics as Repo Man, Re-Animator, Paris, Texas, Living in Oblivion, Suburbia, Hester Street, Henry: Portrait of a Serial Killer, and Eve’s Bayou.

Аудиокнига, записанная на студии Ардис, увлекательно и доступно рассказывает о восьми интереснейших типологиях - соционике, психософии, МВТI, Теории уровней абстрактного интеллекта, типологии Лиз Бурбо и других. Простым и понятным языком изложена их суть и наиболее яркие и оригинальные особенности.

Una ácida crónica vital que el autor dedica a las dos pasiones que han marcado su vida: el fútbol y el teatro. Humor, vivencias, deporte y arte se dan la mano en este audiolibro inolvidable que, en última instancia, habla de todos nosotros.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

Some movies miss the mark with audiences, but what goes on behind the scenes that makes it subpar? Is it the screenwriting? The casting and characters? Listen in as Wisecrack dives into what went wrong in popular movies like Suicide Squad, Finding Dory, and Wonder Woman: 1984 in this curated collection available for the first time in audio.

In You Talkin’ to Me?, Seger and Rainey are here to help with all your dialogue problems. In each chapter, they explore dialogue from a different angle and discuss examples of great dialogue from films and novels. To cap it all off, each chapter ends with examples of poor dialogue, which are annotated by Linda and then rewritten by John so that listeners don’t just learn how to recognize when it’s done well - they also learn how to make dialogue better. Whether you’re writing fiction or nonfiction, for the screen or the page, this book will get your characters talking.

Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.

Jane Austen was born in Steventon, England, in 1775, where she lived for the first 25 years of her life. Her father, George Austen, was the rector of the local parish, and provided most of her education in their home. She began to write while in her teens and completed the original manuscript of Pride and Prejudice First Impressions, between 1796 and 1797. Pride and Prejudice was published in January 1813, two years after Sense and Sensibility, her first novel.