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Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Director Jared Cohn has been through the Hollywood trenches and achieved his lifelong dream on the other side. With 50 films to his name and credits alongside greats like Bruce Willis and William Shatner, Jared has seen the good and bad of Hollywood, and he lays it all bare as he recounts his journey as a director. Fifty Movies Made is packed with stories of Jared’s behind-the-scenes adventures, his missteps, and the grit and determination it takes to make it in Hollywood.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve.

Arthur Smith is famous for his innovation and audacity, and as the man behind some of the longest-running unscripted series in television history. His groundbreaking hit Hell’s Kitchen forged the modern food competition reality genre, while his Emmy-nominated American Ninja Warrior has spawned a cultural movement, with Ninja-inspired gyms in every major American city. In Reach, Smith shares adventures, triumphs, and hard-won lessons from his astonishing career, beginning with his unprecedented ascension from the ranks of sports production to become the youngest-ever head of CBC Sports.

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros. 

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

David Wark Griffith, best known for directing the 1915 film "The Birth of a Nation," is considered one of the most influential figures in the history of the motion picture, pioneering many aspects of film editing and expanding the art of the narrative film. In 1919, together with Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, Griffith founded the movie studio United Artists, with the goal of enabling actors and directors to make films on their own terms. In this 1930 recording, actor Walter Huston and director DW Griffith discuss Griffith's film "The Birth of a Nation."

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

A carefree memoir of growing up during the golden age of VHS and video rental stores in the 1980s. This humorous nostalgia trip rewinds to an era of chunky plastic tapes, horror movie sleepovers, and rewinding woes. Relive the magic of discovering cinema through the blurry analogue footage, cheesy effects, and garish cover art of the VHS generation.

Encouraged by her mother, Sophie Neville kept a diary about her time filming on location in the lakes and mountains of Cumbria. Bouncy and effervescent, extracts from her childhood diary are interspersed among her memories of the cast and crew, offering a child's eye view of the making of the film from development to premiere—and the aftermath.

Take a tour behind the scenes at the NBC television special that relaunched Elvis Presley’s career as a stage musician. Author Steve Binder—who directed the TV special—provides exclusive “backstage” access that gives fans even more insight into the performance that many see as a high point in the King of Rock’s reign of American music. Learn how Binder gave us in this Comeback Special, the first MTV Unplugged with Elvis performing in an intimate acoustic musical setting.

Screen Acting Trade Secrets is the definitive guide for the screen actor in the 21st century. From your first awakening as an actor to the end of your first day on a movie set, Screen Acting Trade Secrets walks you through it all with humor, priceless information, eye-opening revelations, helpful exercises, real-world examples, tales from the trenches, insider secrets, and a boat load of genuine inspiration. You won’t be able to put it down. Then, you’ll start again with a highlighter.

Rede an die Filmakademie: o. Univ. Prof. Peter Patzak, Institutsleiter der Filmakademie, an der Universität für Musik und darstellende Kunst Wien, begrüßt die Filmschaffenden und Freunde der Filmakademie am 18. Juni 2009 anlässlich der jährlichen Galaveranstaltung im neu gestalteten Orang-Utan Haus, Tiergarten Schönbrunn. Dort wo viele Jahre davor die Studios der Filmakademie und das Regiebüro von Peter Patzak zu Hause waren.

David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.