検索キーワード： ナレーター "David Rintoul" すべてのカテゴリー

This celebration of the English countryside does not only focus on the rolling green landscapes and magnificent monuments that set England apart from the rest of the world. Many of the contributors bring their own special touch, presenting a refreshingly eclectic variety of personal icons, from pub signs to seaside piers, from cattle grids to canal boats, and from village cricket to nimbies.

'He'd just learnt to walk,’ she said. ‘He was sitting playing on his blanket, then all of a sudden he was gone.’ A 16-month-old boy is found drowned in a pond right by his home. Chief Inspector Sejer is called to the scene, as there is something troubling about the mother’s story. As even her own family turns against her, Sejer is determined to get to the truth.

Paris, 1939: The pavement rumbles with the footfalls of Nazi soldiers marching along the Champs Elysees. A young writer, recently arrived from Ireland to make his mark, smokes one last cigarette with his lover before the city they know is torn apart. Soon he will put his own life and the lives of his loved ones in mortal danger by joining the Resistance....

December 1917. Germany opens the final, bitter round of the war with a new and deadly weapon in the struggle for the seas - the Vulcan sails from Kiel Harbour. To all appearances she is a harmless merchant vessel. But her peaceful lines conceal a merciless firepower; guns, mines and torpedoes that can be brought into play instantly. The Vulcan is a commerce raider and her mission is to bring chaos to the seaways.

The old submarine-chaser USS Hibiscus, re-fitting in a Hong Kong dockyard before being handed over to the Nationalist Chinese, is suddenly ordered to the desolate island group of Payenhau. For Captain Mark Gunnar - driven by the memory of his torture at the hands of the Viet Cong guerrillas - the new command is a chance to even the score against a ruthless, unrelenting enemy. But Payenhau is very different from his expectations....

Riktor doesn’t like the way the policeman comes straight into the house without knocking. He doesn’t like the arrogant way he observes his home. The policeman doesn’t tell him why he’s there, and Riktor doesn’t ask. Because he knows he’s guilty of a terrible crime. But it turns out that the policeman isn’t looking for a missing person. He is accusing Riktor of something totally unexpected. Riktor doesn’t have a clear conscience, but this is a crime he certainly didn’t commit.

Eva is walking by the river one afternoon when a body floats to the surface of the icy water. She tells her daughter to wait patiently while she calls the police, but when she reaches the phone box Eva dials another number altogether. The dead man, Egil, has been missing for months, and it doesn't take long for Inspector Sejer and his team to establish that he was the victim of a very violent killer. But the trail has gone cold.

A woman wakes one night to find that a strange man has walked into her bedroom. She lies there in terrified silence unable to move. The woman is an author and the man one of her prospective characters. So desperate is he to have his story told that he has resorted to breaking in to her house to make her tell it. She creates Alvar Eide, forty-two years old, single, who works in an art gallery. He lives a quiet, dutiful life, carefully designed to avoid surprise.

Early one September three friends spend the weekend at a remote cabin by Dead Water Lake. With only a pale moon to light their way, they row across the water in the middle of the night. But only two of them return. When the body of the third friend is discovered, Inspector Sejer is put in charge of the investigation. He is troubled by the apparent suicide and has an overwhelming sense that the surviving pair has something to hide.

One mild summer evening Lily and her husband are enjoying a meal while their baby daughter sleeps peacefully in her pram beneath a maple tree. But when Lily steps outside she is paralysed with terror. The child is bathed in blood. Inspector Sejer is called to the hospital to meet the family. Mercifully, the baby is unharmed, but her parents are deeply shaken, and Sejer spends the evening trying to comprehend why anyone would carry out such a sinister prank.

A 12-year-old boy runs wildly into his local police station claiming to have seen Halldis Horn's brutally murdered corpse. Errki Johrma, an escaped psychiatric patient and known town misfit, was sighted at the scene disappearing into the woods. The next morning the local bank is robbed at gunpoint. Making his escape the robber takes a hostage and flees and, once again, a suspect takes to the woods. As the felon's plans begin to fall apart he is, in contrast to his quiet hostage, rapidly losing his control and power.

The Quality of Mercy opens in the spring of 1767, two years after the events of Barry Unsworth's Booker Prize-winning Sacred Hunger. It follows the fortunes of two central characters from that book: Sullivan, the Irish fiddler, and Erasmus Kemp, the son of a Liverpool slave-ship owner who hanged himself. To avenge his father's death, Erasmus Kemp has had the rebellious sailors of his father's ship, including Sullivan, brought back to London to stand trial on charges of mutiny and piracy.

1752, the Liverpool Merchant sets sail from Merseyside. A slaver, she is bound for Africa to buy men and transport them in chains across the Atlantic. But aboard ship disease thrives in the cramped hold, killing men and eating into profit. Captain Thurso insists on throwing the sick overboard, to the horror of Matthew Paris, ship's surgeon, who determines to prevent such barbarity. Meanwhile, back home, Erasmus Kemp, cousin of Paris and son of the Liverpool Merchant's owner, finds his fortune hanging in the balance: dependent on the success or failure of a single voyage....

HMS Wagtail is a river gunboat, a ship seemingly at the end of her unusual life, lying in a Hong Kong dockyard awaiting her last summons to the breakers' yard. Commander Justin Rolfe is also seemingly at the end of his useful naval life, an embittered man, brooding and angry from a court-martial verdict. Then the offshore island of Santu is threatened with invasion from the Chinese mainland.

The waiting room stands on a crumbling railway platform at the edge of a retired rock star’s vast estate. Abandoned to dereliction and isolated by a moat of thorny wilderness, it used to be a playground for his children. Until strange music and the terrifying spectre of a leering soldier frightened them away. Julian Creed is TV’s most popular ghost hunter. Only his small production team knows he is a complete fake who doesn’t even believe in the paranormal. Until he spends one night in the waiting room.

The brilliant new collection of short stories from Man Booker Prize-winning author Julian Barnes. The stories in Julian Barnes’ long-awaited third collection are attuned to rhythms and currents: of the body, of love and sex, illness and death, connections and conversations. Each character is bent to a pulse, propelled on by success and loss, by new beginnings and endings.

Ten year-old Erin is missing; taken in broad daylight during a friend's birthday party. With no witnesses and no leads, DI Lukas Mahler races against time to find her. But is it already too late for Erin - and will her abductor stop at one stolen child? And the discovery of human remains on a construction site near Inverness confronts Mahler's team with a cold case from the 1940s. Was Aeneas Grant's murder linked to a nearby POW camp, or is there an even darker story to be uncovered?

From Paris to Prague, from the past to the present, authors and artists say farewell in this unique collection. In this audiobook you'll find personal letters, reminiscences, poetry, art and brand new fiction from some of the most talented and important voices at work today, including Jessie Burton, Alain de Botton, Matt Haig, Richard Herring, Owen Jones, Mark Kermode, Robert Macfarlane, Kate Mosse, Chris Riddell, Lionel Shriver and many others.

The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man. Passion drew him to a new world, and trickery has kept him there - without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.

Time - unlike money, opportunity or good looks - is the one resource that is allocated equally to all of us. No matter what our financial or family situation, we each get 24 hours a day. In the practical and straightforward style to which his Dragon's Den contestants are accustomed, Duncan Bannatyne explains how we can make the most of our time to get the most from our lives, and not just our working day. What do you really want to do with your life?