検索キーワード： ナレーター "Esther Wane" すべてのカテゴリー

The last time Valerie was in Paris, she was three years old, running from the Nazis, away from the only home she had ever known. Now as a young woman all alone in the world, Valerie must return to Paris, to the bookshop and her sole surviving relative, her grandfather Vincent, the only person who knows the truth about what happened to her parents. As she gets to know grumpy, taciturn Vincent again, she hears a tragic story of Nazi-occupied Paris, a doomed love affair, and a mother willing to sacrifice everything for her beloved daughter.

Thirty-nine-year-old empty-nester, Megan Fallon is putting the fiance who left her well and truly out of her mind, and focusing on settling back into village life, and her new job. Meanwhile, her childhood friend, American, Jack Windsor, is renovating the old village school, and is looking for a four-legged friend to share his new home with. All is well in Bliss Bay until obituaries start appearing on the church noticeboard for villagers who are still very much alive, and the village is thrown into turmoil.

Thirty-nine-year-old Megan Fallon is in a pickle. Not only is she suffering from empty-nest syndrome, but she's lost the job she loved, and her fiance's run off with her hairdresser. A complete life change is what's called for, so when the opportunity to make a new start presents itself following news of a family celebration, Megan is lured back to her childhood home. However, what starts off as a leisurely break soon takes a chilling turn when members of the community start getting bumped off at an alarming rate.

Tom is a successful author, but he’s struggling to finish his novel. His main distraction is an online admirer, Evie, who simply won’t leave him alone. Evie is smart, well read, and unstable. She lives with her father, and her social-media friendships are not only her escape - they’re everything she has. When she’s hit with a restraining order, her world is turned upside down, and Tom is free to live his life again, to concentrate on writing. But things aren’t really adding up.

Thirty years ago, Elise and Nathaniel shared a horrific trauma that united them in grief. Now, grown up and married with a young family, they feel their worst nightmares are behind them. Until the day their daughter is abducted and murdered. Both Elise and Nathaniel lost their mothers to a notorious killer who manipulated innocent victims into taking their own lives. Could it be that "the Watcher" has returned for another round of the same sadistic game? Why now? And why are Elise and Nathaniel being targeted again?

Of the real-life serial killers whose gruesome acts have been splashed across headlines, none has reached the mythical status of Jack the Ripper. In the Ripper's wake, terror swept through the streets of London's East End in the fall of 1888. As quickly as his nightmarish reign came, Saucy Jack vanished without a trace - leaving future generations to speculate upon his identity and whereabouts. He was diabolical in a way never seen before - a killer who taunted the police, came up with his own legendary monikers, and, ultimately, got away with his heinous crimes.

Silicon Valley is imperializing the planet. With nearly bottomless supplies of cash and ambition, a small group of companies have been gradually seizing symbolic and practical civic leadership in America and worldwide. But Silicon Valley does not answer to the electorate; nor have they been voted into office. And the perils of their influence are only now making themselves known.

Digging up trouble is becoming a habit for Diana Flowers. But when she finds a collection of bones buried where she had planned to plant out her lupins, she can't believe her bad luck...especially as she doesn't think Diggory the dog is the one who buried them. Fergus has a wild theory about the identity of the skeleton beneath the flower field. More shockingly still, he might just be right.

Making cupcakes can be murder. Especially when someone has poisoned them. Diana knows she's being framed for a crime she didn't commit, but who is out to make her look guilty, and why? Speaking of secret enemies...Fergus has done something terrible. Now part of a new crime-fighting duo, Diana finds herself immersed in a deep, dark conspiracy theory. At the heart of it is a mystery that has baffled investigators for decades. The whole thing is more ridiculous than anything Fergus has ever previously believed. The worst part is...she's starting to think it might all be true.

Diana and Fergus are both in the running for the coveted spot of "prime suspect". Fergus decides the only way to clear their names and save Christmas is for them to investigate the case. He's convinced that an ancient curse is the real killer. Diana is convinced that Fergus has lost his marbles. She's ready to prove him wrong, but when they are dragged into a maze of secrets and lies, she starts to wonder....

When Fergus tells Diana he's taking her on a flower-arranging retreat for her birthday, she should have been more suspicious. Especially when he announces that he's coming with her. After discovering the whole truth about the retreat, Diana is still considering how to murder Fergus...when one of their fellow flower arrangers is found dead - stabbed in the back with a mystery weapon. With the retreat on complete lockdown, Diana and Fergus have a mystery to solve that wasn't part of the itinerary. Will they find the killer before the clock runs out?

Flowers, favors, and a cake with a body in it...what a way to start a wedding! Diana already regrets saying yes to her neighbor's ridiculous wedding flower demands, but when she discovers a body in the middle of the multi-tiered centerpiece...it's really taking the cake! The man in the cake has been murdered. Diana suspects that one of her neighbors may be the killer. And she already knows that some of them are keeping skeletons in their closets. Sometimes literally.

Will, Viscount Wingrave, whiles away his time gambling and bedding married women, thwarted in his wish to serve his country by his controlling father. News that his errant son has fought a duel with a jealous husband is the last straw for the Earl of Marstone. He decrees that Will must marry. The earl's eye lights upon Connie Charters, unpaid housekeeper and drudge for a poor but socially ambitious father who cares only for the advantage her marriage could bring him.

Major Matthew Southam returns from India, hoping to put the trauma of war behind him and forget his past. Instead, he finds a derelict estate and a family who wish he'd died abroad. Charlotte MacKinnon married without love to avoid her father's unpleasant choice of husband. Now a widow with a young son, she lives in a small Cotswold village with only the money she earns by her writing. Matthew is haunted by his past, and Charlotte is fearful of her father's renewed meddling in her future. After a disastrous first meeting, can they help each other find happiness?

First coined by Richard Dawkins in The Selfish Gene, a meme is any idea, behavior, or skill that can be transferred from one person to another by imitation. Susan Blackmore shows that once our distant ancestors acquired the crucial ability to imitate, a second kind of natural selection began, a survival of the fittest amongst competing ideas and behaviors. Ideas and behaviors that proved most adaptive-making tools, for example, or using language - survived and flourished, replicating themselves in as many minds as possible.

Many of us share a shameful little secret: deep down we feel like complete frauds and are convinced that our accomplishments are the result of luck rather than skill. This is a psychological phenomenon known as Imposter Syndrome. This book examines the reasons why up to 70 percent of us are developing this syndrome - and what we can do about it.

A spirited, deeply researched exploration of why capitalism is bad for women and how, when done right, socialism leads to economic independence, better labor conditions, better work-life balance, and yes, even better sex.

In this Very Short Introduction Laura Marcus defines what we mean by "autobiography", and considers its relationship with similar literary forms such as memoirs, journals, letters, diaries, and essays. Analyzing the core themes in autobiographical writing, such as confession, conversion and testimony; romanticism and the journeying self; Marcus discusses the autobiographical consciousness (and the roles played by time, memory and identity), and considers the relationship between psychoanalysis and autobiography.

Three months ago, Romy emerged from the cultivation tanks after a year floating inside. Body intact. Mind broken. Memory gone. Now she undergoes regular testing as doctors work to find out...well, she's not exactly sure what. The tests must have something to do with the reason she can't remember her knot - the single lucid memory the other insane soldiers on Orbito Four still possess. Whatever the researchers are searching for, if it aids the soldiers in the deathly war against the lethal alien invaders - the Critamal - the excruciating pain is worth it. But a grey-eyed man has other plans.

One hundred and fifty years ago, global warming brought humankind to the edge of extinction. In a desperate bid for survival, 4,000 genetically enhanced soldiers - the last slice of humanity - were sent to eight space stations. To serve. To protect. Then the Critamal arrived, uninvited. Waves of aliens now work to break through the Orbitos' defenses, the black-shelled creatures seeking to colonize the vacated and barren world. War is their reality. All Romy can do is fight alongside her knot and watch from the mocking midst of the stars as Earth rises and falls in the distance.