検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Father Brown accompanies his friend Granby to Sir John Musgrave's castle - but when they arrive, they discover something is very wrong . . .

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

The G.K. Chesterton Classics Collection brings together some of the most celebrated works of one of the 20th century's most influential writers, spanning his diverse contributions to detective fiction, theology, storytelling, and poetry. This richly illustrated edition includes key works such as The Innocence of Father Brown, featuring the iconic amateur detective whose sharp intellect and moral insight unravel complex mysteries; Orthodoxy, Chesterton's profound defense of Christian faith; and The Ballad of the White Horse, a lyrical epic about King Alfred the Great.

With G. K. C.’s characteristic wit, he explores in this essay the virtues of baby-worship, as adults are invited to see the world anew through the eyes of children. Furthermore, argues G. K. C., an appreciation of our youngest humans “forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things.”

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

Read the best mystery and adventure short stories. Be it cozy, historical, detective or murder mystery stories; our collection includes them all: The Red-Headed League by Arthur Conan Doyle, The Adventure of the Blue Carbuncle by Arthur Conan Doyle, The Arrow of Heaven by G. K. Chesterton, The Sign of the Broken Sword by G. K. Chesterton, The Purloined Letter by Edgar Allan Poe, The Master of Mystery by Jack London.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This essay is from a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today.

In the freezing English countryside, Father Brown leads Flambeau to the many monuments and shrines of the great General St. Claire. "Sacred to the Memory of General Sir Arthur St. Clare, Hero and Martyr, who Always Vanquished his Enemies and Always Spared Them, and Was Treacherously Slain by Them At Last. May God in Whom he Trusted both Reward and Revenge him." is the inscription that they read on each of them. Flambeau knows nothing of him but listens to the story of this man as Father Brown tells it. Was St. Claire truly a hero and martyr? What is the mystery behind his last foolish and ...

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.