検索キーワード： ナレーター "Karissa Vacker" すべてのカテゴリー

It's the mid-1950s and Margot Thornsen is growing up between a Park Avenue apartment in New York and her family's sumptuous Oyster Bay estate as the presumed heir to her late grandfather's steel fortune. Her domineering mother has charted a course for her-to forego education and marry well-but Margot is more interested in microscopes and beetles and books. When a devastating fire brings the family legacy crashing down and the sexual revolution dawns, a new path opens up.

It’s been a year since Isabelle Drake’s son, Mason, disappeared from his bedroom. Since then, she hasn’t had a full night of sleep. Everyone else has moved on – the detectives, the press, her husband – but she can’t rest until she knows the truth. Teaming up with true crime podcaster Waylon Spencer, Isabelle investigates her son’s case. But Waylon has motives of his own and as long-forgotten memories of Isabelle’s past resurface, doubt begins to cloud her sleepless nights.

When Janie's husband Max doesn't come home one night, she's doesn't know what to do. Why would he leave her and their baby daughter, with no explanation? Then the police turn up, asking questions about the body of a woman found outside a local bar. They want to know where Max was last night. Where Max is now - but Janie has no idea. They want answers, but Janie only has questions. She loves Max more than anything. But did she ever really know him at all?

One year ago, Isabelle Drake's life changed forever: her toddler son, Mason, was taken out of his crib in the middle of the night while she and her husband were asleep in the next room. With little evidence and few leads for the police to chase, the case quickly went cold. However, Isabelle cannot rest until Mason is returned to her—literally. Except for the occasional catnap or small blackout where she loses track of time, she hasn’t slept in a year. Isabelle's entire existence now revolves around finding him, but she knows she can’t go on this way forever.

Naomi Shaw used to believe in magic. Twenty-two years ago, she and her two best friends, Cassidy and Olivia, spent the summer roaming the woods, imagining a world of ceremony and wonder. They called it the Goddess Game. The summer ended suddenly when Naomi was attacked. Miraculously, she survived her seventeen stab wounds and lived to identify the man who had hurt her. The girls’ testimony put away a serial killer, wanted for murdering six women. They were heroes.

Janie needs a break: her baby won’t sleep, she’s struggling with motherhood, and a secret from her past threatens to tear her new family apart. So when her partner, Max, offers to do their baby’s feedings that night so she can finally get some sleep, she jumps at the chance. But when Janie wakes up at three a.m., her daughter is screaming alone in her bassinet…Max has vanished. Alone with a newborn and desperate for answers, Janie searches for Max, but the more she learns about the man she loves, the more she wonders how well she knew him at all.

Maja Jensen is smart, stylish, and careful, the type of woman who considers every detail when building her dream home in the suburbs of Philadelphia. The perfect house that would compensate for her failure to have a child, the house that was going to save her marriage. But when a group of reckless teenagers trash the newly built home just weeks before she moves in, her plans are shattered. Those teenagers, two months away from graduating high school, are the “good kids”—the ones on track to go to college and move on to the next stage of their privileged lives.

In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee and her mother, Eliza, who hasn't spoken in more than a year, arrive at the Trans-Allegh­eny Lunatic Asylum in West Virginia, delivered to the hospital's entrance by a war vet­eran who has forced himself into their lives. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.

In Dead Weight, Emmeline Clein recounts her struggle with disordered eating alongside the stories of other women: historical figures, pop culture celebrities, and the girls she’s known and loved. Through the story of her own sickness, the raw recollections of interview subjects, and dispatches from social media rabbit holes, Clein challenges stereotypes and renders statistics and science deeply personal and urgent.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.

A few weeks after their wedding, Lewis receives a rare diagnosis. He's turning into a great white shark, and has less than a year left to live as a human. At first, Wren resists her husband's fate. Is there a way for them to be together after Lewis fully transforms? But as Lewis changes, day by day, Wren begins to make peace with the inevitable. After all, this isn't the first time she's lost a loved one.

Isolated and embroiled in a custody battle, Mary is desperate for a friend. So when she meets the charming and enigmatic Willa at a Brooklyn playground, their connection feels fated. But during a margarita-fueled moms’ night out, Mary shares her darkest secret about her ex, George, and the next morning Willa simply disappears. No calls, no texts, nothing.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.

Lucy Sharpe is larger than life. Magnetic, addictive. Bold and dangerous. Especially for Margot, who meets Lucy at the end of their freshman year at a liberal arts college in South Carolina. Margot is the shy one, the careful one, always the sidekick and never the center of attention. But when Lucy singles her out at the end of the year, a year Margot spent studying and playing it safe, and asks her to room together, something in Margot can't say no—something daring, or starved, or maybe even envious.

On a brisk fall night in a New York apartment, 35-year-old Billie West hears terrified screams. It's her lifelong best friend Cassie Barnwell, one floor above, and she's just realized her infant daughter has gone missing. Billie is shaken as she looks down into her own arms to see the baby, remembering—with a jolt of fear—that she is responsible for the kidnapping that has instantly shattered Cassie’s world.

Mallory Greenleaf is done with chess. That is, until she begrudgingly agrees to play in one last charity tournament and inadvertently wipes the board with notorious 'Kingkiller' Nolan Sawyer: current world champion and reigning Bad Boy of chess. Nolan's loss to an unknown rookie shocks everyone. What's even more confusing? His desire to cross pawns again. What kind of gambit is Nolan playing? The smart move would be to walk away. Resign. Game over. But Mallory's victory opens the door to sorely needed cash-prizes and despite everything, she can't help feeling drawn to the enigmatic strategist.

On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend.

It’s summer in Alaska and the light surrounding the shipping-container-turned-storage shed where Liv Russo is being held prisoner is fuzzy and gray. Around her is thick forest and jagged mountains. In front of her, across a clearing, is a low-slung cabin with a single window that spills a wash of yellow light onto bare ground. Illuminated in that light is the father of her child, a man she once loved. A man who is now her jailor. Liv vows to do anything to escape.

Rowan is stuck. Her dream of becoming a Hollywood screenwriter is stalled, and so she and her novelist fiancé, Seth, retreat to an isolated cabin in the Adirondacks to hopefully get out of their creative ruts. There, Rowan finds herself drawn into a mysterious and unsettling story—that of socialite-turned-feminist-crusader Eddie Callaway, who vanished in these same woods the summer of 1975 and was never heard from again. A handbook found in the abandoned ruins of the Callaway camp gives Rowan glimpses into who Eddie was.

Wes and Ivy are madly in love. It's the kind of romance people write stories about. But what kind of story? Because when it's good, it's very very good. But when it's bad, it's bad. But their breakneck cycle of catastrophic vengeful break-ups and head-over-heels reconnections needs to end fast. Because suddenly, Wes and Ivy have a common enemy - and she's a detective. One wrong move will be fatal - so if Wes and Ivy can't stick together, this break-up might just be their last.