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Baudelaire’s most famous collection of poems is The Flowers of Evil, which was published in 1857 and which was widely condemned as being unwholesome and decadent. The publication actually led to Baudelaire being prosecuted on a charge of offending public morals. There have been numerous translations of Baudelaire’s work into English, but many of them have been judged as not being particularly successful. Strum’s version of The Flowers of Evil is unusual and notable for its accuracy in capturing the elusive appeal of the originals.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.

Thomas Troward was a divisional Judge in British-administered India, who had a particular interest in the study of comparative religion. The major influence on his thinking, as well as on his writing, was the Bible, although he also considered the elements of ancient Mesopotamian religions, Islam, Hinduism, and Buddhism in his deliberations. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.

Although he refused to ally himself with a specific denomination, religious scholar Paul Carus had a particular reverence for Buddhism, and in 1896, published this succinct guide to the basic doctrines of the religion.

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

Little is known of the life of Zen master Huang-Po (Obaku in Japanese). He was born in Fuzhou, China, and died about 850 AD. His main teacher was Pai Chang (Hyakujo) (720 - 814). The main source for Huang-Po's teaching is the Treatise of the Essentials of the Transmission of the Mind, compiled by his student, Pei Xiu. Huang-Po's teaching is focused on the concept of Mind, the essence of intrinsic Buddahood. According to the master, the search for enlightenment was a useless distraction, as seeking for something inevitably separates the seeker from what is being sought.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Wells had a keen interest in the political and social issues of his day, one of the most significant of which was the outbreak of the First World War. This book, written in 1916, presents the story of Mr Britling, a political commentator, living in comfortable security in his country estate at Matchings Easy, in Essex. He entertains a varied assembly of guests, including Mr Direck, an American journalist, and Herr Heinrich, a German philology student who acts as a family tutor, and the general atmosphere is a hectic social whirl.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

Jelalu-'d-Din, today know simply as Rumi, was the greatest mystical poet of the golden age of classical Persian literature. In later years, he renounced the world and founded a famous order of Dervishes called the Maulavis. He was born at Balkh in 1207, and died in Konya in 1273.

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

While the issues of the day that consumed the attention of scholar, accomplished linguist, politician and severe Puritan, John Milton (1608-1674) are now largely of historical interest, the verse which they inspired remains a staple of English literature.

During his long internment in the Tower of London Elizabethan adventurer and statesman Sir Walter Raleigh (1552 - 1618) took time to compose this thoughtful homily to his son.

This collection of 36 short poems was published in 1907. The title is alleged to be an ironic pun referring cryptically to the sound of urine striking the sides of a chamber pot. However, the poems have no touch of vulgarity or bawdiness.