検索キーワード： 著者 "A.D. Lawrence" すべてのカテゴリー

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Are you ready for a spooky story? Grab your torch and join us for a collection of 6 spooky stories that will have your little one believing in ghosts, bats and spooky houses. These stories have been handpicked to entertain your little ones without giving them any nightmares.

Within this compilation, you will hear that Mac continues to bring cases to conclusions—while he continues to jump to conclusions. Mac Danger—the up-front, in-your-face gumshoe—confronts the electronic clutter of a modern world—filled with its video conference call users—mocha lattes at their side, with his common sense two-tin-cans-tied-together-with-a-string methods. And all of it is accomplished with the help of the never-empty-glass of his liquid forebear, Old Grand Dad.

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Mac Danger is a 1930s-style private eye in a modern world. He’s a tough-talking, no-nonsense kind of discount detective—solving mysteries to make rent, and sometimes having to restrain himself from getting physical with his clients who have—let’s call them, issues. Danger Is his middle name—and his last name, too. You can look it up on his birth certificate. Mac Danger Danger. Kids made fun of him in school because of it. During every PTO conference, he wanted to punch his parents in the face.

This overlooked work of Lawrence contains both beautiful descriptions of his travels in Italy during this period as well as a thoroughly engrossing portrait of a man, M, who he meets and can't quite get away from for months until the end. This true story grabs at you on several levels. Originally published as the introduction to M's work, Memoirs of the Foreign Legion, it stands on its own.

Heiress Stella Burke is plagued by insincere suitors and nonstop headaches. Exhausting all other medical aides for her migraines, Stella reads Fasting for the Cure of Disease by Linda Hazzard and determines to go to the spa the author runs. Stella’s chauffer and long-time friend, Henry Clayton, is reluctant to leave her at the spa. Something doesn’t feel right to him, still Stella submits herself into Linda Hazzard’s care. Stella soon learns the spa has a dark side and Linda a mean streak. But when Stella has had enough, all ways to leave are suddenly blocked.

Following the death of her parents, a young and innocent Fanny Hill travels to London to find work. She has barely arrived, however, when she is lured into a brothel and has a sexual experience with another woman. A costumer gets her out of there and becomes her lover, but a whole new world has opened to Fanny, who sets out to explore all the pleasures her body has in store for her. Considered the first prose pornography ‘Fanny Hill - Memoirs of a Woman of Pleasure’ (1748) is one of the most prosecuted and banned books of all time.

Lawrence wrote three drafts of ‘Lady Chatterley’s Lover’ between 1926 and 1928: ‘The First Lady Chatterley’s Lover', this audiobook, ‘John Thomas and Lady Jane’ and the final version, ‘Lady Chatterley’s Lover’. Although all three books have the same story line of an aristocratic woman falling in love with a working-class man, there are differences in their tone and sensibilities.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?