検索キーワード： 著者 "Mary Shelley" すべてのカテゴリー

Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments.

In this series we explore the many facets of love through literary talents that span both time and country. Love comes in many forms, many shades and many hues. There is one though that society wants more than any other and it is now part of our culture. Yes, the Happy Ending.

Frankenstein by Mary Shelley, published in 1818, is a landmark Gothic novel that explores themes of ambition, creation, responsibility, and the consequences of playing God. Victor Frankenstein, a young man from Geneva, grows up in a loving and supportive family. He is deeply interested in science and becomes obsessed with understanding the secrets of life. After studying at the University of Ingolstadt, Victor discovers the method for creating life and becomes consumed with the idea of building a living being.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Sci-Fi: The Definitive Collection is a collection of 29 classic science fiction novels and stories, read by esteemed cast of award-winning narrators. Included here are stories by some of the most iconic science fiction writers of all time, including H.G. Wells; Jules Verne; H.P. Lovecraft; Maragret Cavendish; Yevgeny Zamyatin; and more.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume the Mad Scientist takes centre stage. Naturally the stories come in all shapes and sizes and in the pens of our classic authors the scientists more usually arrive as dark, twisted and evil as they go about their work illuminating humanity as only a mad scientist can.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Within this decade are writers of incredible ability who are able to fashion gem-like stories that astonish our ears and brains across many genres; a literary culture that seems to endlessly build and create new paths for the restless human imagination to tread.

The classic and influential horror story by Mary Shelley tells the tale of a young scientist named Victor Frankenstein who successfully creates a living creature in the exaggerated image of man through his experimentation. Frankenstein must face the consequences of his actions, and so too must the now sapient and lonely creature. The story deals with themes of life and death, fear and longing, duty and vengeance.

Victor Frankenstein is a young scientist who artificially creates a human being. His expectations are however far from reality as is Creation is so monstrous that it cannot fit into human society. This leads to dreadful consequences as the monster decides to take it revenge his creator. Will Frankenstein manage to control his creature or will he loose everything? "Frankenstein" is Mary Shelley’s best-selling work and is a vivid combination of genres with gothic, philosophical and early science-fiction elements. B. J.

Max is nervous. He has to go to the dentist to get two teeth pulled. His friend Zoe tells him about the great prizes you can get at the dentist. Max has to figure out a way to be brave and get his prizes so he doesn't disappoint Zoe.

Settle in for an unsettling listen with this duo of two horror classics: Dracula by Bram Stoker and Frankenstein by Mary Shelley. These two books are staples of the Gothic horror genre and are sure to excite, mystify, and maybe even spook listeners.

After a fun day at the park, Max and Zoe are ready to get some ice cream. Unfortunately, Max takes a big fall and has to go to the doctor instead. Thankfully, Zoe is there to make him feel better.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

En un enorme y fortificado castillo, construido en una empinada escarpa dominando el Loira, no lejos de la ciudad de Nantes, moraba la última de su raza y heredera de su fortuna, la joven y hermosa condesa de Villeneuve. El año anterior lo había pasado en completa soledad en su apartada mansión; y el luto que llevaba por su padre y dos hermanos, víctimas de las guerras civiles, era una gentil y buena razón para no aparecer en la corte, y mezclarse en sus festejos.

Far from its popular image, the story of Frankenstein as told by Mary Shelley is not a tale that finds horror in a hideous "monster", or a "crazed" scientist. The darkness in the narrative is found in the profound loneliness of both Creator and Created, as they seek one another in a tragic cycle of unfulfilled longing and revenge.

This powerful novel, first published in 1818, still surprises and shocks us with the fundamental questions about the moral boundaries of human discovery, and helps us to question what it means to be human.

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.