検索キーワード： 著者 "Roddy Doyle" すべてのカテゴリー

Fifteen of Ireland's finest writers collaborated on this murder mystery that involves searching for the only manuscript of an unpublished novel by James Joyce. Raucous, raunchy, and completely hilarious, Yeats Is Dead! is a diabolically entertaining mulligan stew of a novel. James Joyce would be proud.

One summer's evening, two men meet up in a Dublin restaurant. Drinking pals back in their youth, now married and with grown up children, their lives have taken seemingly similar paths. But Joe has a secret he needs to tell Davy, and Davy has a sorrow he wants to keep from Joe. Both are not the men they used to be. Joe has left his wife and family for another woman, Jessica.

In the 1980s Jimmy Rabbitte formed the Commitments, a ragtag, blue-collar collective of Irish youths determined to bring the soul music stylings of James Brown and Percy Sledge to Dublin. Time proves a great equalizer for Jimmy as he’s now approaching 50 with a loving wife, four kids, and a recent cancer diagnosis that leaves him feeling shattered and frightened. Jimmy still loves his music, and he still loves to hustle - his new thing is finding old bands and then finding the people who loved them enough to pay for their resurrected albums.

Dublin, 1968. Der zehnjährige Paddy Clarke langweilt sich in der Schule und vertreibt sich die Zeit mit Freunden, zieht durch die Straßen, treibt Unfug oder ärgert seinen kleinen Bruder. Abends sitzt er vor dem Fernseher und knabbert Chips. Doch Paddy lebt nicht in einer heilen Welt: Sein Vater ist dem Alkohol verfallen und streitet immer häufiger mit seiner Mutter, wird sogar handgreiflich. Paddys Versuche, den Hausfrieden zu wahren, zu schlichten und die Eskalation abzuwenden, gelingen nicht und er muss wohl oder übel erwachsen werden. Kleiner Junge trifft große Welt.

At sixty-six, Paula Spencer – mother, grandmother, widow, addict, survivor – is finally living her life. A job at the dry cleaners she enjoys, a man – Joe – with whom she shares what she wants, friends who see her for who she is, and four grown children, now with families and petty dramas the likes of which Paula could only have hoped for. Despite its ghosts, Paula has started to push her past aside.

At sixty-six, Paula Spencer—mother, grandmother, widow, addict, survivor—has finally started to live her life. She has a job at the dry cleaners she enjoys, her boyfriend Joe is a text away when she needs him, and her four children now have the healthy families and petty dramas that Paula could have only hoped for. Despite its ghosts, Paula has started to push her past aside. That is until her eldest, Nicola, turns up on her doorstep one day.

Paula Spencer is a 39-year-old working-class woman struggling to reclaim her dignity after marriage to an abusive husband and a worsening drinking problem. Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

Just moved in to a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly’s for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt brings over his pint and sits down. He seems to know Victor’s name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

If adults are mean to children, they get the Giggler Treatment. It's smelly. It's squishy. And it sticks to your shoe ... Mr Mack’s dog, Rover, sells his own poo to ‘the Gigglers,’ a group of children who take revenge on any adult who treats children unfairly… by making the unsuspecting adults step in poo!

Gerade in eine neue Wohnung gezogen und zum ersten Mal seit Jahren allein, geht Victor Forde in Donnelly's Pub auf ein Bier. Dort bekommt er Gesellschaft. Ein Mann in Shorts und rosa Hemd, stellt sich als Fitzpatrick vor und setzt sich zu ihm. Er kennt Victors Namen und erinnert sich an ihre gemeinsame Schulzeit. Victor mag ihn nicht. Auch mag er die alten Geschichten über ihre Zeit bei den Christlichen Brüdern nicht die Fitzpatrick hervorkramt. Angeregt durch die Gespräche steigen auch andere Erinnerungen in Victor hoch - an Rachel, seine schöne Ex-Frau und Berühmtheit, an seinen eigenen Anspruch, etwas im Leben zu erreichen.