検索キーワード： 著者 "Walter Mosley" すべてのカテゴリー

The police don't show up on Easy Rawlins's doorstep until the third girl dies. It's Los Angeles, 1956, and it takes more than one murdered black girl before the cops get interested. Now they need Easy. As he says: "I was worth a precinct full of detectives when the cops needed the word in the ghetto." But Easy turns them down. He's married now, a father -- and his detective days are over.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

Just after devastating riots tear through Los Angeles in 1965, when anger is high and fear still smolders everywhere, the police turn up at Easy Rawlins' doorstep. He expects the worst, as usual. But they've come to ask for his help.

Paris Minton is a man who would just as soon walk away from trouble as stand up to it. But in 1950s Los Angeles, sometimes trouble just comes and gets you. When one of L.A.'s wealthiest women hires Paris and his friend Fearless Jones to find a missing nephew, Paris steps into the a complex and terrifying corner of the black bourgeoisie, and wonders whom he should fear more - the people he's looking for or the people he's working for.

For Paris Minton, a knock on his door is often the first sign of trouble. With family like Useless, who needs enemies? Yet trouble always finds an open window, and when Useless' mother, Three Hearts, shows up to look for her son, Paris has no choice but to track down his wayward cousin.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

Detective Easy Rawlins returns in a mystery set in 1961 Los Angeles as Easy accepts a job searching for a beautiful woman nicknamed Black Betty who works as a housekeeper in Beverly Hills.

Tiderne er svære for eksbokseren og privatdetektiven Leonid McGill. Hans familieliv hænger i laser, hans elskerinde er kommet i tvivl, og finanskrisen har ramt selv hans branche. Da en ung, succesfuld kvinde ud af det blå tilbyder ham penge for hans beskyttelse, står McGill pludselig over for helt nye problemer.

McGill modtager et suspekt opkald, der fører ham hen på en adresse i et af New Yorks bedre kvarterer for at undersøge, om en pige ved navn Angelique er okay. På adressen finder han liget af en pige, der er blevet brutalt myrdet, men den myrdede pige er ikke Angelique. McGill må på en eller anden måde få fat i Angelique før den ukendte morder. Alt imens presser stadigt flere spørgsmål sig på: Hvorfor har så mange og så forskelligartede mennesker pludselig en interesse i at finde en tilsyneladende helt almindelig pige?

Den 53-årige afroamerikanske newyorker Leonid McGill er en detektiv af den gamle skole. Forførende, brutal og ikke bly for at påtage sig lyssky opgaver for hurtige penge. Han er dog nået til et punkt i sit liv, hvor han forsøger at gøre op med sin småkriminelle fortid og komme på ret spor efter et helt liv i skyggen. Det viser sig at være vanskeligere end først antaget. Da han får til opgave at opspore fire unge mænd alene ud fra deres street names, stiller han ingen spørgsmål, men da deres lig efterfølgende begynder at dukke op et for et, ser han sig pludselig nødsaget til at tage stilling til en by, der ikke er, hvad den giver sig ud for at være. Udadtil har byen forandret sig, og McGill har søgt at følge med, men brutaliteten og magtarrogancen lurer fortsat i byen bag byen.

Curious and not a little unnerved, Errol sneaks into the graveyard where his father is buried. What he finds there changes his life forever. Caught up in a war between a secret government security agency and an alien presence infecting our world, touched by "the Wave", he knows that nothing will ever be the same again.

Tommy's nickname is Lucky, but no one would think this crippled boy was blessed. Cursed with health problems and drawn into trouble more often than not, Tommy is the recipient of pity rather than admiration. He is nothing like his stepbrother Eric.

No more excuses. "Let the lawn get shaggy and the paint peel from the walls," best-selling novelist Walter Mosley advises. Anyone can write a novel now, and in this essential book of tips, practical advice, and wisdom, Walter Mosley promises that the writer-in-waiting can finish it in one year. Mosley tells how to: create a daily writing regimen to fit any writer's needs - and how to stick to it, determine the narrative voice that's right for every writer's style, and get past those first challenging sentences and into the heart of a story.

Leonid McGill's spent a lifetime building up his reputation in the New York investigative scene. His seemingly infallible instinct and inside knowledge of the crime world make him the ideal man to help when Phillip Worry comes knocking. Phillip "Catfish" Worry is a 92-year-old Mississippi bluesman who needs Leonid's help with a simple task: Deliver a letter revealing the black lineage of a wealthy heiress and her corrupt father. Unsurprisingly, the opportunity to do a simple favor while shocking the prevailing elite is too much for Leonid to resist.

In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this complementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. How does one approach the genius of writers like Melville, Dickens, or Twain? In Elements of Fiction, Walter Mosley contemplates the answer.

El ano: 1948, pasada ya la epoca de la Ley Seca, pero en un mundo en el que aun hay cientos de oportunidades para negocios mas bien ilegales. La ciudad: Los Angeles, donde florecen los clubes nocturnos y la juerga de la posguerra. El protagonista: Easy Rawlins, un curtido ex combatiente negro sin trabajo, al que le caera del cielo ¿ o por encargode Dewitt Albright, un personaje harto dudoso ¿ la mission de buscar a una mujer.

In New York, if you have a problem no one else can solve, you call Leonid McGill. Ex-boxer, hard drinker, in a business that trades in cash and favours, McGill's an old-school PI working a city that's got fancy all around him. When McGill is approached by a small-time office manager, he declines the case. He has better things to do than track down the man's long-lost cousin, who is about to inherit millions. But then McGill's office is broken into, and his potential client is found dead.

Leonid McGill-the protagonist introduced in The Long Fall, the book that returned Walter Mosley to bestseller lists nationwide - is still fighting to stick to his reformed ways while the world around him pulls him in every other direction. He has split up with his girlfriend, Aura, because his new self won't let him leave his wife - but then Aura's new boyfriend starts angling to get Leonid kicked out of his prime, top-of-the­skyscraper office space.

His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.

In the fifth Leonid McGill novel, Leonid finds himself in an unusual pickle of trying to balance his cases with his chaotic personal life. Leonid is approached by an unemployed office manager named Hiram Stent to track down the whereabouts of his cousin, Celia, who is about to inherit millions of dollars from her father's side of the family. Leonid declines the case, but after his office is broken into and Hiram is found dead, he gets reeled into the underbelly of Celia's wealthy old-money family.