検索キーワード： ナレーター "Christopher Selbie" すべてのカテゴリー

A review of Nam June Paik at Tate Modern, explores the exhibition room by room. "When asked about his practice Paik replied "I am aware of Zen, but I am an artist: I react to Zen in the same way I react to the music of Johan Sebastian Bach."

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

Frieze Masters, London, October 6, 2019. Into the broad arena of the covered awnings of this enormous tented gathering of leading art dealers and the first gallery space is Aquavella, with a variety of exhibits; and come face-to-face with an absolutely spiteful acid green and fluorescent pink abstract by Keith Haring (1958-1990). It’s on canvas dated 1982 and signed lower left. The green is painted in a random ventilated grid over the hyper-intense pink with a bold line of a green stripe on the top edge of the work, which is encased in a glass vitrine.

Review of the exhibition of visionary artist William Blake at Tate Britain, September 2019: The exhibition is arranged in eight rooms of the downstairs gallery spaces of Tate Britain, low-lit, maroon-painted walls, a very comprehensive collection of a highly original and complex visionary creator.

When Richard Griffiths meets attractive Andrea Nelson he is expecting nothing more than a holiday romance. But soon he is embroiled in a sinister web of deceit and corruption which reaches into the highest levels of the European parliament. As atrocity follows atrocity, Richard’s cousin, Commander Nick Hunter RN of the International Force Against Terrorism, is called in to chase down the villains before more innocent lives are lost. In a fight against time, this is Henke at his pause-resisting best.

Seven days in Funchal on the Island of Madeira. Journal notes of the settings, locations, and personal stories in diary entries.

The Sudan, World War Two; British and Italian forces consumed by a guerilla warfare struggle under the African Sun. Cagliari, Sardinia 1990, the English invade the small Italian island during the World Cup. 2015, two young people trying to find their way in life in 21st Century London. An epic saga, based on two families, and three generations, spanning almost a century. A Bridge and not an End will take the listener across time, oceans, and continents, and explore the concepts of family and love, in a framework of historical events.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

Peter Hartley wrote the poems in this book in a little over a year but they represent many of the joys and some of the sorrows of a lifetime. They reflect a love of Labrador retrievers and penguins, cryptic crosswords, mountains and travel, wild and lonely places, the poetry of Hopkins, baroque music (especially Handel), a dislike for most modern art and architecture, and an extremely odd attitude towards cats. While nearing completion the author’s partner was struck down by motor neuron disease.

The 251st Summer Exhibition at the Royal Academy London in a review recorded at the press view on 3rd June 2019. The Summer Exhibition is most popular event in the nation’s cultural calendar, and commercially the most successful. It allows works in all media, print/photography/painting/sculpture/architectural models - with rooms arranged by different Royal Academicians, some of whom, like Barbara Rae’s Arctic room, set a theme to their hang.

A recorded visit to an exhibition by Anish Kapoor at the Lisson Gallery, London continued to 22nd June, 2019. Includes descriptions of works and bio-dara of the artist.

On the march, around the campfire, and in the taverns, they tell incredible stories about Tarmun Vykers, the Reaper - how he's never been cut in battle, how he once defeated hundreds of men by himself, how he exterminated an entire people over an insult. These stories make Vykers seem like a god, but he is a man, an arrogant, ruthless, and bloodthirsty man. For all that, he may be the only thing standing between the human race and utter annihilation at the hands of the mad wizard who calls himself the End-of-All-Things.

'AIDS art' is essentially an American invention. It has now manifested itself in a large number of different locations, but is almost invariably based on a model of artistic activity that evolved in the United States - one that was a response to the impact made by the epidemic on sections of American society.

There is room for a book on this subject, among the vast mass of publications about the visual arts that flow from British and American publishing houses every year. Gay art, from being a quasi-forbidden topic, is now fashionable, not least among would-be up-to-the-minute academics.