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Frank Hamel's Human Animals (published in 1915) is an infamous and classic treatise on the mythology and the evidence of hybrid humans. This was one of the first popular works on cryptozoology, and a primer for those interested in the many stories and accounts of lycanthropy and other strange evolutionary paradoxes.

The Festival, written by H.P. Lovecraft in 1923 and first published in Weird Tales in 1925, is a dark and atmospheric tale steeped in ancient rituals, ancestral mysteries, and Lovecraft’s signature cosmic horror. Set in the fictional town of Kingsport, Massachusetts, the story exemplifies Lovecraft’s ability to weave together eerie folklore, haunting landscapes, and an overwhelming sense of dread. The narrative follows an unnamed protagonist who journeys to Kingsport to partake in an ancient Yuletide festival at the invitation of his ancestors.

The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension.

The Ten Principal Upanishads is a version of the Upanishads translated by Irish-poet W. B. Yeats and the Indian-born mendicant-teacher Shri Purohit Swami. The translation process occurred between the two authors throughout the 1930s, where the book was published in 1938. It is one of the final works of W. B. Yeats.

The Six Keys of Eudoxus is a short but important manuscript within alchemy. Ascribed to an ancient philosopher, it dates to the Renaissance and describes a simplistic set of methods by which alkahest and the philosopher's stone can be made.

Like no other book of the 20th century, Manly P. Hall's legendary The Secret Teachings of All Ages is a codex to the ancient occult and esoteric traditions of the world. Students of hidden wisdom, ancient symbols, and arcane practices treasure Hall's magnum opus above all other works.

The Book of Lambspring is one of the few real-life cases of a centuries-old book on alchemy. Nicolas Barnaud was a French Protestant writer, physician and alchemist, from Crest, in Dauphiné, from which he took the name Delphinas. He was a member of the Monarchomaques. He is associated with a number of mysteries.

Translated as Thus Spake Zarathustra, this book is a work of philosophical fiction written by German philosopher Friedrich Nietzsche. It was published in four volumes between 1883 and 1885. The protagonist is nominally the historical Zoroaster.

This is a collection of five alchemical tracts written by one of the most famous alchemists who was said to have discovered the Philosopher's Stone. In these writings, Paracelsus attempts to educate the listener about the nature of the Philosopher's Stone and the scientific principles from which we can be assured of its existence and understand how it works. Like all alchemical tracts, the language is very cryptic and allegorical, so as to be unintelligible to the unworthy.

The Frost-Giant’s Daughter, written by Robert E. Howard in 1932, is one of the earliest tales of Conan the Barbarian, set in the mythical Hyborian Age. Originally rejected by Weird Tales magazine during Howard’s lifetime, the story was later published posthumously in 1953 in The Coming of Conan. This tale stands out for its dreamlike quality, blending raw, brutal action with haunting, mythic beauty.

The Hyborian Age is Robert E. Howard’s sweeping essay that serves as the mythological and historical backdrop to his legendary Conan the Barbarian stories. Written in 1932 and first published in The Phantagraph in 1936, this work is a vivid tapestry of fictional prehistory, weaving together epic migrations, fallen civilizations, and heroic struggles into a cohesive narrative that breathes life into Howard’s fantastical world.

The Descendant, written by H.P. Lovecraft in 1927, is a brief and tantalizing fragment that hints at a larger, untold story steeped in ancient horrors, forbidden knowledge, and the weight of ancestral guilt. Unpublished during Lovecraft’s lifetime, this unfinished piece explores themes central to his mythos, such as the peril of delving into arcane mysteries and the fragile boundary between human understanding and cosmic terror.

The Cats of Ulthar, written by H.P. Lovecraft in 1920, is a short yet striking tale that showcases his ability to blend dark fantasy with moral allegory. First published in Tryout in 1920, the story is a haunting meditation on justice, retribution, and the mystical bond between cats and the arcane. It occupies a unique place in Lovecraft’s body of work, weaving a fable-like narrative that retains the eerie undertones characteristic of his writing.

The Doom That Came to Sarnath, written by H.P. Lovecraft in 1919 and first published in The Scot in 1920, is a haunting tale of arrogance, hubris, and cosmic retribution. Set in Lovecraft’s fictional dreamland, the story weaves a narrative of an ancient city’s rise and catastrophic fall, showcasing his talent for crafting rich, otherworldly settings imbued with mystery and terror.

Cool Air, written by H.P. Lovecraft in 1926, is a chilling tale that masterfully blends gothic horror with the scientific and psychological themes characteristic of Lovecraft's work. First published in Tales of Magic and Mystery in 1928, this story explores the fragility of human life and the lengths to which one might go to preserve it, set against the backdrop of a decaying New York City apartment.

The Alchemist, written by H.P. Lovecraft in 1908, is one of his earliest works, showcasing his budding talent for atmospheric storytelling and his lifelong fascination with themes of ancestral guilt, curses, and the occult. Set in a decaying, isolated castle in the heart of medieval France, this gothic tale is steeped in the dark traditions of vengeance and supernatural retribution.

The Beast in the Cave, written by H.P. Lovecraft in 1905 when he was just 14 years old, is one of his earliest forays into the world of macabre fiction. Despite its brevity and the youthfulness of its author, this tale demonstrates Lovecraft's early talent for crafting an atmosphere of suspense and his fascination with the grotesque and the unknown.

The Book is an enigmatic and fragmentary story written by H.P. Lovecraft in 1933, left incomplete and unpublished during his lifetime. It stands as a tantalizing glimpse into the core of Lovecraft’s mythos, where forbidden knowledge and ancient horrors intertwine to create a sense of cosmic dread. Though brief, the piece carries the essence of Lovecraft's obsession with the dangers of delving into mysteries beyond human comprehension.

The Diary of Alonzo Typer is a haunting story crafted by H.P. Lovecraft in collaboration with writer William Lumley. Written in 1935, it unfolds in the form of a found manuscript—a diary belonging to Alonzo Typer, an investigator who vanishes after exploring an eerie, abandoned mansion steeped in mysterious and occult history. This story combines Lovecraft’s fascination with ancient evils, forbidden knowledge, and crumbling old New England settings with Lumley’s intense interest in mysticism and the supernatural.

The Curse of Yig, a horror tale by H.P. Lovecraft, delves into the folklore and dark superstitions of the American Midwest. The story follows the narrator, an investigator intrigued by tales of a curse surrounding Yig, the snake god of Native American lore. As the narrator delves into the history of this malevolent deity, he encounters unsettling accounts of madness, transformation, and death. Central to the story is the tragic tale of settlers Walker and Audrey Davis, whose fear of snakes and belief in Yig’s curse leads them down a path of terror and doom.