検索キーワード： ナレーター "Patti Murin" すべてのカテゴリー

Emma has big dreams, though she hasn't let herself think about them in years. Until her big break comes along: she's offered the chance to write a screenplay with none other than her hero, Charlie-freaking-Yates! And it's a rom-com! It's the dream... Until reality sets in. Charlie is a bonafide Hollywood movie-writing legend. He's also, as it turns out, kind of a jerk. He's only writing this movie to get a Mafia movie that he actually cares about made. And that's not even the worst of it: Charlie doesn't like rom-coms because he doesn't believe in love.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

The holidays are fast approaching, and the Belvedere siblings are a mess. Liz, a Hollywood showrunner and responsible eldest, has no idea how to follow up her hit show’s first season, or how to deal with her giant crush on its star, Violet Grace. Birdie turned her chronic middle-child syndrome into a career as a stand-up comic, but since she spends more time wooing women than working on new material, she’s facing one-hit-wonder status, especially once she gets axed by her manager.

Hannah might look like a kindergarten teacher, but the truth is she's an elite bodyguard who could kill you with her bare hands. Jack is an impossibly handsome, world-famous actor who has everything...including a corgi-breeding stalker. When Jack's mom gets sick, he heads home to his family's Texas ranch to help out. Only one catch: He doesn't want his family to know about his stalker. Or about his new bodyguard. So Hannah - against her better judgement - finds herself pulling on her cowboy boots and pretending to be Jack's girlfriend as a cover.

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she's not only North Carolina's richest woman, she's also its most notorious. In the aftermath of her death, that estate - along with a ten-figure fortune and the demands of being a McTavish - pass to her adopted son, Camden. But to everyone's surprise, Cam wants little to do with the house or the money - and even less to do with the surviving McTavishes. Ten years later, a summons in the wake of his uncle's death brings him back into the family fold at Ashby House.

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance.

Grieving her best friend's recent death, neuroscientist Mariana Pineda’s ready to give up everything to start anew. Even her career—after one last week consulting at a top secret particle accelerator. Except the strangest thing happens: a man stops her…and claims they've met before. Carter Cho knows who she is, why she's mourning, why she's there. And he needs Mariana to remember everything he’s saying.

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do—she tells a journalist the truth: it’s a bad movie.

Sadie Montgomery has had good breaks and bad breaks in her life, but as a struggling artist, all she needs is one lucky break. Things seem to be going her way when she lands one of the coveted finalist spots in a portrait competition. Only it happens to coincide with a minor surgery she needs to have. Upon recovery, it begins to dawn on Sadie that she can see everything around her, but she can no longer see faces. She doesn't want anyone to know about her face blindness. Not Dr. Addison, the vet treating her beloved dog Peanut, and definitely not Joe, her obnoxious neighbor.

Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality.