検索キーワード： ナレーター "Paul Metcalfe" すべてのカテゴリー

Do you believe that there is Life After This? This book will take you on a journey through history to look at how past civilizations buried their deceased loved ones, communicated with them, and honored their Gods. You will hear details from people who have encountered near-death experiences, and from people such as doctors, nurses, and caregivers who witness the death of loved ones on a daily basis. The author also looks at the reality that we receive signs and messages from the other side, and how we can communicate with our loved ones if we choose to do so.

Peter Williamson, investment director at Aardvark in London, is in trouble! The investment he led into Riverjack Crypto looks doomed when the notorious founder kills himself (and his finance director) in a bizarre car crash! Peter's boss, Gordon, is on the hunt, seemingly not just for him but for superstar Susannah. Meanwhile, the firm's suave lawyer, Tom, is permanently distracted by Peter's delectable PA. When everyone descends on a hotel for the meeting—and at night attempt to descend on each other—total mayhem ensues. This is the world of venture capital—fully exposed!

This is the hilarious follow-up to Going Around the Bend on the QE2 where Nick now runs away to America to escape his proctologist. He is welcomed by the American people and delighted to find that they love his accent. As always, the outspoken Nick runs into many situations, some of which would seem to be unbelievable, but they are true: He meets a number of Hollywood stars and has a flaming row with one of them, is interrogated by the FBI, lives with a top model, has a fight with a mobster, and sadly witnesses the Americans' reaction to 9/11!

Lennox McRae is a dirty fighter. He crashed my car, stole my first kiss, then walked away with another woman. There’s no reason why, years later, when I see him in a fight, I should be lusting after his body. They call him Hard Nox, but I know him, and damned if he's getting an easy ride back into my life.

Lawrence wrote three drafts of ‘Lady Chatterley’s Lover’ between 1926 and 1928: ‘The First Lady Chatterley’s Lover', this audiobook, ‘John Thomas and Lady Jane’ and the final version, ‘Lady Chatterley’s Lover’. Although all three books have the same story line of an aristocratic woman falling in love with a working-class man, there are differences in their tone and sensibilities.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

Written by the author of Life After This, this audiobook delves into the details of how life and death are intrinsically linked. Listen to an entirely new perspective on living with grief and that there is life after this. The author shares his own experience of losing his father, an experience that shrouds you in a "cloak of grief" for which nobody is truly prepared. We all need to find our own ways to cope with loss, and you will hear how to do exactly that.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"Smile" is one of Lawrence's shorter pieces, a thumbnail sketch of an idea. A man is relieved that his wife is dead and struggles to hide his relief when confronted with his wife's body. The relief breaks out into a smile, which he struggles to excuse. How much better it would have been, Lawrence seems to be saying, if he had just laughed out loud!

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.