検索キーワード： ナレーター "Phillip J. Mather" すべてのカテゴリー

A superbly crafted Dickens classic, masterfully narrated - a ghostly apparition supervises the trial of his murderer.

A timeless Christmas story - ideal for children and adults alike to enjoy or reminisce. Saint Nicholas, reindeer, snow, fireside, gifts...all there and beautifully narrated in a classic British manner by Phillip J. Mather.

Rupert Brooke’s poem, The Soldier, contains perhaps the most famous line of any poem of The Great War: ". . . That there’s some corner of a foreign field that is for ever England . . . "

The Rhinoceros was not always all wrinkly as he is today. In fact he was a rather smooth but bad mannered beast. His bad manners, in fact, are what got him into trouble. When you steal something that belongs to the Parsee-man, you could be in a heap of trouble. Sit back and listen as Phillip J. Mather masterfully tells the Rudyard Kipling tale of How the Rhinoceros Got His Skin.

The Just So Stories began as bedtime stories told to "Effie" (Josephine, Kipling's firstborn). When the first three were published in a children's magazine, a year before her death, Kipling explained: "....in the evening, there were stories meant to put Effie to sleep, and you were not allowed to alter those by one single little word. They had to be told just so; or Effie would wake up and put back the missing sentence." (Wikipedia)

Beatrix Potter's Tale of Peter Rabbit first appeared in 1902 and has remained a classic children's favorite ever since. Peter was named after a pet rabbit that Beatrix had as a child, and she held the character in especial regard.

Rudyard Kipling's classic tale (first published in The Jungle Book, and considered by many to be the best of those stories) details the fearless exploits of Rikki-Tikki-Tavi, a young mongoose whom misadventure had fortuitously brought to live at the bungalow of an expatriate British family in India. Rikki Tikki through great presence of mind, fortitude, and simply by being a mongoose saves the family from the murderous intent of two cobras.

First published in the Pall Mall Gazette in 1895, this dark tale from master storyteller, H. G. Wells gives an account of the truly maddening battle for scientific supremacy between two notable entomologists.

Six classic ghost stories from six classic authors, narrated by Phillip J Mather: "A Haunted House" by Virginia Woolf"; "The Image of the Lost Soul" by H H Munro [Saki]; "A Ghost" by Guy de Maupassant; "The Oval Portrait" by Edgar Allan Poe; "A Ghost Story" by Mark Twain; "The Trial for Murder" by Charles Dickens.

The Just So Stories began as bedtime stories told to "Effie" [Josephine, Kipling's firstborn]. When the first three were published in a children's magazine, a year before her death, Kipling explained: "....in the evening, there were stories meant to put Effie to sleep, and you were not allowed to alter those by one single little word. They had to be told just so; or Effie would wake up and put back the missing sentence." (Wikipedia)

Kipling’s timeless classic of How the Leopard Got His Spots is skilfully narrated by Phillip J. Mather. Phillip’s mellifluous tones transport the listener, young or old, back to a time when the world map was indeed coloured red!

Whinchat is a nostalgic reminiscence of a long ago bucolic vacation that awakened a life-long interest in nature. Skilfully written and self-narrated by Phillip J. Mather, the tale will strike a chord with birdwatchers and nature lovers alike, and will remind all of gentler times in 1950’s England.

The Speckled Band: one of Sir Arthur Conan Doyle's classic Sherlock Holmes adventures, published in 1892. Doyle considered this tale to be his best Holmes story - a "locked door" mystery. It has been adapted for stage, film, radio, and TV and is now available in audiobook format, where Phillip J. Mather's masterful delivery transports the listener back over 100 years to Victorian England.

This World War I poem by Henry Newbolt exhorts the British people to face the onset of war with the belief that God will defend their efforts in a righteous cause, exhorting the nation to “Pray that God defend the Right”. The Vigil was published in 1914, in “Poems of the Great War”, the net profits of which were donated to the Prince of Wales’ Fund.

Hector Hugh Munro (December 18, 1870-November 14, 1916), better known by the pen name Saki and frequently as H. H. Munro, was a British writer whose witty, mischievous, and sometimes macabre stories satirize Edwardian society and culture. He is considered a master of the short story and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll, and Rudyard Kipling, he himself influenced A. A. Milne, Noel Coward, and P. G. Wodehouse.

Shakespeare wrote for grown-up people, for men and women, and in words that little folks cannot understand. Hence Nesbit's Beautiful Stories from Shakespeare: to reproduce the entertaining stories contained in the plays of Shakespeare, in a form so simple that children can understand and enjoy them.

"The Man Who Keeps His Head" by Harold Begbie (1871-1929) was published in Poems of the Great War in 1914 on behalf of The Prince of Wales' national Relief Fund. A reporter with the Daily Chronicle at the start of the war, Begbie wrote a number of recruiting poems and visited America to aid the recruitment effort there.

One of Kipling’s Just So stories that might have been named “How the Elephant Got His Trunk” takes us to the banks of the "Great Grey-Green, Greasy Limpopo" river. A timeless classic, masterfully narrated by Phillip J. Mather.

Robert Ernest Vernede [1875-1917] was an English poet and writer of short stories, most remembered as a war poet of WWI. Wounded at the Battle of the Somme in 1916, he recovered and returned to the front and was killed by machine-gun fire at Havrincourt in 1917. "England to the Sea" was published in Poems of the Great War, in 1914.

The Ballad of Tommy Atkins was first published as “Tommy” in Kipling’s timeless Barrack-Room Ballads and Other Verses, in the 1890s. ‘Tommy Atkins’, or simply Tommy was a generic name applied to British soldiers from as early as the 18th century, but came into popular parlance during the First World War when troops were simply referred to as “Tommies”. The ballad exposes the bitterness felt by the British soldier to the public’s treatment of their forces in times of peace, and how that alters in wartime.