検索キーワード： 著者 "Julia London" すべてのカテゴリー

Passion. Intrigue. Love. London’s high society loves nothing more than a scandal. When the personal secretary of the visiting Prince Sebastian is found murdered, it’s all anyone can talk about. The prince will have to decide what comes first - his country or his heart.

When Weslorian Princess Amelia is sent to England before she can cause a scandal, she imagines London society with ballrooms and grand houses. Instead, she is sent to a quiet village in Devon, where she finds her new home shabby and under renovation. Next door lives the reclusive Duke of Marley, Joshua Parker. When Joshua is dragged by a friend to his neighbour’s soiree to meet their new guest, he and Amelia instantly dislike each other. Their banter is heated. He’s stuck-up and arrogant; she’s a self-involved, annoying princess.

Ever since her sister became queen two years ago, Amelia Ivanosen, Princess of Wesloria, has been flirting and skirting scandal—just barely. Before she does anything too outlandish, she is sent to England and Lila Alexander, illustrious matchmaker to the ton, is recruited. Respectably ensconced at the country estate of a family friend, Amelia is introduced to many eligible bachelors, but…there is no spark. There never seems to be unless the man is completely wrong for her.

Having been jilted, Hattie Woodchurch has no prospects. Until she is asked by the visiting Duke of Santiava, Mateo, to be his personal assistant. He needs help with his correspondence and Hattie, with her intelligence and wit, is ideal. But royal protocol demands Mateo also find a wife from English society, and Hattie is perfect for advice on ladies of note. With her blunt and honest opinions, Mateo soon finds himself relying on Hattie’s guidance. Until it comes time to choose a wife, and Mateo realises only one woman truly captures his attention.

Next to the Season’s newest diamond, Harriet (Hattie) Woodchurch feels like a plain Jane. But that’s of no consequence, since Hattie’s plan for her future is to earn enough to live far, far away from her embarrassing family. That is until Mateo Vincente, Duke of Santiava and newly minted Viscount Abbott, arrives in London. While the shy European’s spoken English is impeccable, his writing is less fluent. The ton is eager to meet the handsome bachelor, and so many invitations flood in that Mateo needs a correspondence secretary.

Nada como un buen escándalo para desatar las malas lenguas de la alta sociedad londinense. Por eso cuando hallaron muerto al secretario personal del príncipe Sebastian, heredero del trono de Alucia, durante su visita oficial a Inglaterra, el asesinato se convirtió en el principal tema de conversación para todos, incluida Eliza Tricklebank. Su irreverente revista de chismorreos se había beneficiado de una pista anónima sobre el crimen, y había empujado a Sebastian a convertirse en detective. Además de suscitarle un gran interés por ella.

Nora November is alive—but she wasn't always. She was once clinically dead, having spent several minutes under water after a terrible surfing accident she doesn't remember. What she does remember from her time in a coma is her grandfather, who passed away over a year ago. And a beautiful garden. And the most delicious tomato she ever tasted. Now that she's awake again her life has been cleaved in two. In the Before, Nora lived like a ghost, drowning under the weight of her parents' expectations. In the After, she's determined to accomplish the things she left undone before she died.

It’s been over a year since Emma Clark, Countess of Dearborn’s, abusive husband left on an expedition. Emma is now head of the household and enjoying her new freedom. But people are beginning to presume the earl is dead. If Emma were widowed her husband’s family would remove her from the estate, leaving her destitute. Regardless of the truth she must ensure the rumours stop. But when the Earl of Marlaine, Luka Olivien appears on her doorstep, Emma’s lifestyle is threatened. Luka has travelled from Egypt to meet Albert’s grieving widow and return his belongings.

It’s been over a year since Emma Clark’s no-good husband left on an expedition. The Countess of Dearborn has played the abandoned wife, but people are beginning to presume the earl is dead, which doesn't suit Emma at all. Emma likes being head of household in Albert’s absence and does her best to keep his family believing he is alive and well. She’s thirty years old and finally having some fun. If the earl is in fact dead, his family is waiting in the wings to swoop in and throw Emma out, leaving her destitute.