検索キーワード： 著者 "Robert W. Chambers" すべてのカテゴリー

From The King in Yellow by Robert W. Chambers, this story is set in the Latin Quarter of Paris, where a young artist falls in love with a nameless girl. He has no name, so he names her by the street. Rue Barree in English translates to Road Closed. Are there connotations here, or not?

Barred from life and death alike, she waited - waited for the key that could unlock the sinister talisman that held her prisoner of eternity. Taken from The King in Yellow, often referred to in "True Detective" this is one creepy short story.

It is the turn of the last century, and Alaska is a mysterious wilderness. At the suggestion of several hundred thousand ladies desiring to revel and possibly riot in the saturnalia of equal franchise, the unnamed lakes in that vast and little known region in Alaska bounded by the Ylanqui River and the Thunder Mountains were now being inexorably named after women.

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

Skillfully narrated by voice actor Mark Turetsky, The King in Yellow by Robert W. Chambers is a classic in the field of the supernatural. The series of 10 short stories is named after a fictional play of the same name which induces madness in the minds of those that read it. The Yellow King and Carcosa were often alluded to in a popular TV series True Detective, where evil and madness are often a theme.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

Considered by many to be the father of supernatural fiction, Robert W. Chambers' work continues to influence writers today. Originally published in 1897, The Mystery of Choice brings together seven chilling tales, most of them set in Brittany. Distinguished by its atmospheric use of natural scenery, this important collection presents an author at the peak of his craft.

Classic Tales of Terror collects two classic chillers of the supernatural. "The Cats of Ulthar" tells of an elderly couple with a penchant for animal cruelty. They kill the pet of an orphan and the animals retaliate with a terrible vengeance. In "The Yellow Sign", an artist encounters a horribly disfigured man who exudes a terrible aura of unspeakable evil.

HorrorBabble's complete, dramatic telling of Robert W. Chambers' classic collection, The King in Yellow. The book comprises 10 individual tales, several of which are thematically linked by a controversial play with which the novel shares its title.

The King in Yellow is a collection of short stories - mysterious, macabre, and endearing by turns. The work has been linked to H. P. Lovecraft, with the titular entity forming a part of the extended Cthulhu mythos. The first three stories are darkly suspenseful and linked by the mysterious Yellow Sign and the malevolent King in Yellow. These will please Lovecraft fans most of all, and the ghost stories will not disappoint. Also included in this collection are a war story and a strange romance, both of which intrigue and entertain.

Todos los relatos del Rey de amarillo están conectados por un símbolo, por una maldad difícil de comprender: En la corte del dragón - vas a sentir un escalofrío cuando una voz de ninguna parte empiece a susurrar a tu alma La demoiselle d'Ys - Si Jeane te invita a ir a su castillo, quizás te lo deberías pensar... a lo mejor no te conviene El símbolo amarillo - ¿pueden los espíritus de un cementerio influenciar el arte de un pintor? La máscara - ¿cómo se podría conseguir una escultura absolutamente perfecta?

The King in Yellow is a book of 10 classic short stories about the supernatural. The first four mention "The King in Yellow", a forbidden play which induces despair or madness in those exposed to it. The tales have a macabre undertone, focusing on characters that are inhabitants of the demi-monde.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

This collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere - gloom, darkness, solitude, despair - and the relentless feeling of impending doom. Includes: "The Oval Portrait", by Edgar Allan Poe; "Ethan Brand", by Nathaniel Hawthorne; "The Yellow Sign", by Robert W. Chambers; "The Upper Berth", by F. Marion Crawford; and "An Occurrence at Owl Creek Bridge", by Ambrose Bierce.

Robert W. Chanbers' The King in Yellow, a collection of short stories, is considered one of the most important works of American supernatural fiction. Within the collection is "The Prophets' Paradise," a dream-like narrative of prose and poetry. Featuring personifications of Love and Truth, the story's structure has a palindrome-like quality with internal repetition. Romantic in tone and ambiguous in theme, "The Prophets' Paradise" is one of Chambers' more experimental pieces.

Released one year after the publication of The King in Yellow - a milestone of supernaturalfiction - Robert W. Chambers’ title story of this short-story collection isconsidered one of his finest weird tales. It is followed by a series ofromantic art nouveau stories. Chambers’ love of natural scenery, symbolicanimal figures, and ghostly imagery are on full display as he weaves hischaracters through these otherworldly tales.

Carcosa is a fictional land that first appeared in Bierce’s 1886 story “An Inhabitant of Carcosa” (included in this collection), and later is appeared Robert W. Chambers’s The King in Yellow. It has since been used by many other fantasy and horror writers and poets. This collection explores Carcosa and other fictional cities found in nineteenth-century poetry and short stories. The works of these classic and innovative writers are given new life, and a new generation of listeners will have the chance to voyage to Carcosa … and beyond.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.

What exactly lies beyond the treacherous and previously impassable Canadian glacier? From the collection In Search of the Unknown comes a chilling tale of the things nature can do when nobody’s watching.

O título da coletânea faz alusão a um livro dentro do audiolivro—mais precisamente, a uma peça teatral fictícia—e a seu personagem central, uma figura sobrenatural cuja existência extrapola a narração. A peça O Rei de Amarelo é mencionada em quatro dos contos, mas pouco se conhece de seu conteúdo. É certo apenas que o texto, em dois atos, leva o ouvinte à loucura, condenando sua alma à perdição. Um risco ao qual alguns aceitam se submeter, dado o caráter único da obra, um misto irresistível de beleza e decadência.