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Boston, 2017: When Hadi returns to his heavily pregnant partner Sama after a trip to Jordan to bury his father, he is stopped at border control—a hostile new immigration law has just been enacted—while she awaits him on the other side. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they'd dreamed up together. But does that life exist any more, or was it only an illusion?

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother.

In a world of explosive change and transformation, leaders at all levels—from heads of state and global corporations to entrepreneurs and gig economists—will offer the best opportunity for leveraging change and transforming our lives for the better. This includes how we work, play, govern ourselves, and consider and plan for our collective futures.

In an age of instability, industrial tech is a cornerstone of our economic future. In this book, McKinsey veterans Asutosh Padhi, Gaurav Batra, and Nick Santhanam reveal the “titanium economy,” a modern, reinvented industrial sector complete with high-paying, domestic jobs; soaring stock prices; and critical infrastructure. They dispel the myth that the best of American manufacturing is behind us and illuminate an opportunity for a brighter future—if we can seize it.

When a series of suspicious fires leaves multiple victims dead in their homes, NYPD hostage negotiator Abby Mullen knows in her bones that the terrors of her childhood have returned. As a young girl, she narrowly escaped a fire set by Moses Wilcox, a fanatical cult leader who’s been presumed dead for thirty years. These murders have his fingerprints all over them.

All around the world, the words "Wall Street" conjure up a powerful image. For some, it is the center of America's capitalist system and the engine of its economic growth. For others, it is the home of rapacious bankers and reckless traders whose greed would lead to a global financial crisis. For an Indian-born blackjack player, Wall Street represented something else entirely—a chance for him to play in the largest casino in the world.

DCP Rita Ferreira is called into the investigation after a third corpse is discovered in Mumbai, which confirms it is the work of the same killer who paints his victims’s lips with dark red lipstick. The Lipstick Killer, like all serial killers, is fast decompensating—the time interval between the murders shortening, the victims shifting from street-side hookers to high-heeled wives … and he watches everything and everyone—the news of his exploits, Rita, the investigation—and talks.

While all Iraqis will readily agree that their life has always been noir, the majority of the stories in Baghdad Noir are set in the years following the American invasion of 2003, though one story is set in 1950 and three are set in the 1970s and 1980s. Yet it is this recent history of Iraq—over the last few decades—that serves to inform its present....

In The Song of Our Scars, physician Haider Warraich offers a bold reexamination of the nature of pain, not as a simple physical sensation, but as a cultural experience. Warraich, himself a sufferer of chronic pain, considers the ways our notions of pain have been shaped not just by science but by politics and power, by whose suffering mattered and whose didn’t.

Welcome to Dhaka, Bangladesh in 2089. A city notorious for its extreme population density has found an unexpected way to not just survive a global climate apocalypse, but thrive: pump enough biological nanotech into the neighborhood and all of the bodies together form a self-sustaining, and even temperate, microclimate. Certain people no longer need food or water, while others can live without functioning organs. So the mercenary Djibrel has to carry a machete wherever he goes. What Djibrel doesn’t know is that his every move is being tracked by the infamous Cyber Mage.

Saeed is the comic hero, the luckless fool, whose tale tells of the aggression and resistance, terror and heroism, reason and loyalty, that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian—no hero still, but a simple man intent on survival and, perhaps, happiness.

Prem Bedi is the “Mogul”—the third-richest man in the country. He commands both fear and respect, and at fifty-three, he still looks handsome and aristocratic. But Bedi’s smoothly run empire comes to a screeching halt when he’s accused of killing his ex-wife and her husband, and dragged into a court battle. The ever-present spotlight on him grows brighter and harsher, and the questions grow louder—“Did he do it?” A story unfolding through several different perspectives, The Mogul is a howdunit set in the fractured world of power, money, and crime.

A timely primer on the conflict between the United States and Iran by scholars of Middle Eastern politics who advocate diplomacy and de-escalation.

The act of caregiving is physically exhausting and emotionally draining, yet caregivers describe it as rewarding and gratifying. Prolonged exposure to human suffering, however, is not without risks - caregivers report high rates of burnout and poor quality of life.

In Seasons of Purgatory, the fantastical and the visceral merge in tales of tender desire and collective violence, the boredom and brutality of war, and the clash of modern urban life and rural traditions. Mandanipour, banned from publication in his native Iran, vividly renders the individual consciousness in extremis from a variety of perspectives: young and old, man and woman, conscript and prisoner. While delivering a ferocious social critique, these stories are steeped in the poetry and stark beauty of an ancient land and culture.

The year is 2008. Reza Malek’s life is modest but manageable - he lives in a small apartment in Harlem, teaches at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan, where he worked as a reporter, interpreter, and sometimes lover for a superstar journalist who has long since moved on to more remarkable men.

This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.

Born in Nice to Algerian parents, Mourad is fuelled by the desire to forge his own destiny. His retired father spends his days fixing up things in the backyard; his mother, bemoaning the loss of her natal village in North Africa. Mourad lives in fear of becoming an overweight bachelor with salt and pepper hair, living off his mother's cooking. When Mourad’s father has a stroke, he makes his son promise to reconcile things with his estranged sister Dounia, a staunch feminist and aspiring politician, who had always felt constrained living at home.

Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.” The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement.

Hailed as the “first freedom”, free speech is the bedrock of democracy. But it is a challenging principle, subject to erosion in times of upheaval. Today, in democracies and authoritarian states around the world, it is on the retreat. In Free Speech, Jacob Mchangama traces the riveting legal, political, and cultural history of this idea.