検索キーワード： ナレーター "Karen   Chilton" すべてのカテゴリー

In 1978, when Jamiyla was two years old, her mother, Ummi, quit her job, converted to Islam with her husband, and moved into an exclusive Muslim society in Brooklyn. Once inside the Community, the family was separated by its powerful and charismatic leader, Dwight York, who was hiding behind the name Imam Isa. Instead of the devotional refuge they’d imagined, the Community was a nightmare of controlled abuse and unspeakable secrets. Forty years later, Jamiyla was ready to excavate and understand a past buried in bad dreams, disturbing memories, and inexplicable rage.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

At 7:30 a.m. on June 16, 1944, George Junius Stinney, Jr., was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became the youngest person executed in the United States during the 20th century.

Weaving together American history, dramatic family chronicle, and searing episodes of memoir, Annette Gordon-Reed’s On Juneteenth provides a historian’s view of the country’s long road to Juneteenth, recounting both its origins in Texas and the enormous hardships that African Americans have endured in the century since, from Reconstruction through Jim Crow and beyond.

Over the last 20 years, New York City has been convulsed by enormous challenges: terrorist attack, blackout, hurricane, recession, pandemic. New Yorkers is a grand portrait of the irrepressible city and a hymn to the vitality and resilience of its people. Craig Taylor spent years meeting New Yorkers - rich and poor, old and young, native and immigrant - and getting them to share indelible true tales.

In 2014, Flint, Michigan, was a cash-strapped city that had been built up, then abandoned by General Motors. As part of a plan to save money, government officials decided that Flint would temporarily switch its water supply from Lake Huron to the Flint River. Within months, many residents broke out in rashes.

In this unique combination of African American music and cultural history, we come to know one of the greatest stars the world has ever seen - Eartha Kitt - as revealed by the person who knew her best, her daughter. Eartha, who was a mix of Black, Cherokee, and White, identified as Black, but Kitt, her biological daughter by a White man, is blonde and pale. This is the story of a little White girl raised by her natural mother, who was the biggest Black celebrity in the world. For three decades before Kitt married, they traveled the world together, mother and daughter.

In a city teeming with stories, how do lost souls find one another? It’s a question Meg Rhys doesn’t think she’s asking. Meg is a self-identified spinster librarian, satisfied with living with her cat, stacks of books, and her dead sister’s ghost in her New York City apartment. Then she becomes obsessed with an intriguing library patron and the haunted house he’s trying to research. The house has its own story to tell too, of love and war, of racism’s fallout and the ghost story that is gentrification, and of Brooklyn before it was Brooklyn.

In this blinding debut, Robert Jones Jr blends the lyricism of Toni Morrison with the vivid prose of Zora Neale Hurston to characterise the forceful, enduring bond of love and what happens when brutality threatens the purest form of serenity. The Halifax plantation is known as Empty by the slaves who work it under the pitiless gaze of its overseers and its owner, Massa Paul. Two young enslaved men, Samuel and Isaiah, dwell among the animals they keep in the barn, helping out in the fields when their day is done. But the barn is their haven, a space of radiance and love.

Vern, a Black woman with albinism, is hunted after escaping a religious compound, then she discovers that her body is changing and that she is developing extra-sensory powers. Alone in the woods, she gives birth to twins and raises them away from the influence of the outside world. But something is wrong - not with them, but with her own body. To understand her body's metamorphosis, Vern must investigate not just the secluded religious compound she fled but the violent history of dehumanisation, medical experimentation and genocide that produced it.

Throughout history, the Second Amendment to the Constitution of the United States has protected the right to bear arms. For Black Americans, this has come with the understanding that the moment they exercise this right (or the moment that they don’t), their life - as surely as the lives of Philando Castile, Tamir Rice, Breonna Taylor - may be snatched away in a single, fateful second.

Pulitzer Prize winner Tony Messenger offers the first humane, journalistic expose of an American tragedy: modern-day debtor's prisons and how they've destroyed the lives of poor Americans.

When Breezy, as she came to call herself, hit the streets of Chicago as a prostitute in 1973 she was barely a teenager. But she was pretty and funny as hell, and determined to support her daughters and make a living. For the next 25 years, she moved across the country, finding new pimps, parties, drugs, and endless, profound heartache. And she also — astonishingly — managed to find the strength to break from a brutal world and not only save herself but save future Breezys.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

Using campus social justice movements as an entry point, Leigh Patel shows how the struggles in higher education often directly challenged the tension between narratives of education as a pathway to improvement and the structural reality of settler colonialism that creates and protects wealth for a select few.

Learn about the early lives and exciting careers of the Beatles, The Rolling Stones, Elvis Presley, Aretha Franklin, Bob Dylan, Stevie Wonder, Elton John, Bob Marley, Bruce Springsteen, and Bono. The Rock Box! celebrates the musicians who have made us sing along to their songs for decades.

Blurring the boundaries of righteous and irreverent, Red Lip Theology invites us to discover freedom in a progressive Christian faith that incorporates activism, feminism, and radical authenticity. Essayist and theologian Candice Marie Benbow’s essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture.

Liselle Belmont is having a dinner party. It seems a strange occasion - her husband, Winn, has lost his bid for the state legislature and they're having the key supporters over to thank them for their work. Liselle was never sure about Winn becoming a politician, never sure about the limelight, about the life of fundraising and stump speeches. Now that it's over she is facing new questions: Who are they to each other, after all this? How much of herself has she lost on the way - and was it worth it? Then she hears from an FBI agent, who claims that Winn is corrupt. Is it possible?

On the heels of the best seller success of her novel The Wedding, Dorothy West, the last surviving member of the Harlem Renaissance, presents a collection of essays and stories that explore both the realism of everyday life, and the fantastical, extraordinary circumstances of one woman's life in a mythic time.