検索キーワード： ナレーター "Laurie Klein" すべてのカテゴリー

As teens, Teague Blackwell and Wendie Keith starred in a popular television show, The Lost Romance Ranch. It was on the set that they first met, on the set that they first fell in love, and on the set that the two exchanged marriage vows. Fifteen years later, the show's title has taken on even greater meaning. For now Teague and Wendie are separated, with every intention of splitting up for good. Their plans, however, are not unfolding as they'd expected.

Four months have passed since Fred Nighthawk, a ranger for the Bureau of Land Management, vanished in Paiute Valley. Now, vandals have destroyed Indian petroglyphs in the remote area. Marcie Gibbs, an archeologist turned Special Agent for the BLM, is given her first assignment as an officer - look for a possible connection between the vandalism and Fred's disappearance.

It's 1882, and developer Kellen O'Roarke wants to build a resort near a natural mineral spring in northern California, but he needs a strategic piece of land owned by Guinevere "Guin" Talbot, who apparently would rather die than part with her property. Guin is still in mourning for her parents, who, ironically, lost their money investing in a resort. Kellen isn't her only worry. Grandmother Henrietta, bitter and critical, has taken it upon herself to move in with Guin as her "chaperone."

She had the face of an angel, the will of a spitfire, and a mind of her own. Behind her was the slavelike existence in a Welsh mining town. Ahead, the promise of freedom in America, but to her horror, Eden Richards was soon to discover that slavery wears many disguises. The strict Mormon laws that could bend her to her will. The terrifying rites of the Sioux who had captured Eden and made her one of them. The lustful advances of the arrogant mine owner who would make her his prisoner.

A cool New England background mingled with the passion of hot Cherokee blood to challenge the savage land - that was Deborah Leigh, a copper-haired beauty, gently reared. To all appearances she was white. But she could never forget, never betray her Indian ancestry. She was swept away from her family’s gracious home in Georgia onto the Cherokee Trail of Tears – the migration of a whole tribe driven from their lands to travel west beyond the Mississippi. The Cherokee blood in Deborah rebelled against the government that oppressed them.

Hattie Clark is an aging advocate of peace in an Idaho town torn by World War I. Crippled by a stroke, she hires Kirsta Strom, a German refugee, to help in her bookstore. But Kirsta has her own problems. A shyster lawyer and powerful man, Carl Foreman has some hold over her, and has her watched constantly. And she must deal with new neighbors, who hate her for her German birth and treat her cruelly.

Pinocchio is a naughty, disobedient wooden puppet that longs to grow up and become a real boy, but as long as he misbehaves and disappoints his father, old Gepetto, he is doomed and his dream will never be realized.

All Abigail had to still her fears of the unknown were love, and trust in Ross Gallagher, the handsome, reckless Irishman who had snatched her from her New England family to make her his wife. But Abigail was soon to learn how frail even this man's strength and spirit were in the face of the dangers and terrors of the West. As a captive of a Sioux chieftain, Abigail was fated to experience a living hell.

This is a captivating, good-humored look at family life in a small farming community in Indiana in the early 1900s.

Uprooted from a well-ordered life in Virginia when she was nine, Willa Cather came of age in the West during the last years of the American frontier. She developed a love for the beauty of the open grassland and an abiding interest in the Old World customs of her neighbors, the dreamers and builders who inhabit her fiction. This collection includes work from the early part of Cather''s career and clearly marks themes and landscapes that she would detail and explore for the remainder of her life.